EXCLUSIVE: Kerry James Marshall discusses his relationship to museums during the installation of the exhibition "Black Romantic" at Jack Shainman Gallery, New York, which features five paintings from the artists "Vignettes" (2003-07) series.Kerry James Marshalls work is based on a broad range of art-historical references, from Renaissance painting to folk art. A striking aspect of his paintings is the emphatically black skin tone of his figures, a development the artist says emerged from an investigation into the invisibility of blacks in America and the unnecessarily negative connotations associated with darkness.Kerry James Marshall is featured in the Season 1 (2001) episode Identity of the Art:21—Art in the Twenty-First Century television series on PBS.DISCUSS: What do you think about this video? Leave a comment!VIDEO | Producer: Wesley Miller and Nick Ravich. Camera &Sound: Nick Ravich. Editor: Mary Ann Toman. Artwork Courtesy: Kerry James Marshall. Thanks: Jack Shainman Gallery. [ More Detail ]
EXCLUSIVE: Gabriel Orozco discusses the process behind his sculpture "Mobile Matrix" (2006), a permanent installation for the José Vasconcelos Library in Mexico City.Gabriel Orozcos sculptures and photographs disrupt conventional notions of reality. Drawing our attention to slips in logic, philosophical games, and hidden geometries, Orozco uncovers the extraordinary aspects of the seemingly everyday. His use of humble materials and means (graphite on bone, a ball of clay, a 35mm camera) engages the imagination through its disarming simplicity and intimacy.Gabriel Orozco is featured in the Season 2 (2003) episode Loss &Desire of the Art:21—Art in the Twenty-First Century television series on PBS.DISCUSS: What do you think about this video? Leave a comment!VIDEO | Producer: Wesley Miller and Sofía Olascoaga. Camera &Sound: J. Manuel Bravo Arriola and Larissa Nikola-Lisa. Editor: Mary Ann Toman. Artwork Courtesy: Gabriel Orozco. Thanks: Biblioteca José Vasconcelos, Mexico City; Kurimanzutto, Mexico City; Marco Barrera Bassols; and Marian Goodman Gallery, New York. [ More Detail ]
EXCLUSIVE: Matthew Ritchie discusses his upcoming exhibition "The Morning Line" (2008) in his New York studio, with animated architectural schematics of the installation. "The Morning Line" will be on view October 2, 2008 - January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain, as part of the 3rd Bienal Internacional de Arte Contemporáneo de Seville.Matthew Ritchie's artistic mission has been no less ambitious than an attempt to represent the entire universe and the structures of knowledge and belief that we use to understand and visualize it. Ritchie's encyclopedic project (continually expanding and evolving like the universe itself) stems from his imagination, and is cataloged in a conceptual chart replete with allusions drawn from Judeo-Christian religion, occult practices, Gnostic traditions, and scientific elements and principles.Matthew Ritchie is featured in the Season 3 (2005) episode Structures of the Art:21—Art in the Twenty-First Century television series on PBS.DISCUSS: What do you think about this video? Leave a comment!VIDEO | Producer: Eve Moros Ortega and Nick Ravich. Camera: Joel Shapiro. Sound: Judy Karp. Editor: Mary Ann Toman. Artwork Courtesy: Matthew Ritchie and Aranda/Lasch. Thanks: Benjamin Aranda. [ More Detail ]
EXCLUSIVE: Alfredo Jaar in his installation "Infinite Cell" (2004) in Santiago, Chile, and various works.Through installations, photographs, and community-based projects, Alfredo Jaar explores the public's desensitization to images and the limitations of art to represent events such as genocides, epidemics, and famines. Jaar's work bears witness to military conflicts, political corruption, and imbalances of power between industrialized and developing nations, often taking the form of an extended meditation or elegy.Alfredo Jaar is featured in the Season 4 (2007) episode Protest of the Art:21—Art in the Twenty-First Century television series on PBS.DISCUSS: What do you think about this video? Leave a comment!VIDEO | Producer: Susan Sollins &Nick Ravich. Camera: Bob Elfstrom. Sound: Ray Day. Editor: Lizzie Donahue. Artwork courtesy: Alfredo Jaar. Thanks: Fundación Telefónica, Santiago, Chile. [ More Detail ]
EXCLUSIVE: Eleanor Antin's exhibition Helen's Odyssey (2007) installed at Ronald Feldman Fine Arts in New York. Antin discusses the historical figure Helen of Troy, and how she became the inspiration for photographic works such as Constructing Helen (2007).An influential performance artist, filmmaker, photographer, and installation artist, Eleanor Antin delves into history—whether of ancient Rome, the Crimean War, the salons of nineteenth-century Europe, or her own Jewish heritage and Yiddish culture—as a way to explore the present. Antin is a cultural chameleon, masquerading in theatrical or stage roles to expose her many selves.SEE: More images, videos, and news for Eleanor Antin.LEARN: Eleanor Antin is featured in the Season 2 (2003) episode Humor of the Art:21—Art in the Twenty-First Century television series on PBS.DISCUSS: What do you think about this video? Leave a comment!VIDEO | Producer: Wesley Miller &Nick Ravich. Camera &Sound: Larissa Nikola-Lisa. Additional Footage: Daniel Martinico. Editor: Jennifer Chiurco. Artwork courtesy: Eleanor Antin. Thanks: Ronald Feldman Fine Arts. [ More Detail ]
"Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two.)"-- Robert Rauschenberg, 1959Elegy for Robert Rauschenberg is an homage to an artist who was my personal hero, and my nemesis, in my student years. He was my hero because of the infallibility of his touch, and the constancy of his ability to invent and re-invent the potency and power of visual art — to push the boundaries of what art could be. He was my nemesis because I saw him as pure genius and his every gesture as perfection — conditions that were not, I thought, possible for others to attain. But my joy and delight in his work continued and my pleasure in talking with him from time to time over the years was enormous.Curated by Paul Schimmel, Robert Rauchenberg: Combines was shown in early 2006 at The Metropolitan Museum of Art in New York. On seeing it there, and upon learning that there were no plans to film it, I asked Bob for permission to do so at the next venue, The Museum of Contemporary Art, Los Angeles.This elegy is dedicated to the memory of Robert Rauschenberg (1925-2008) and to the memory of his friendship with my late husband, Earle Brown (1926-2002), whose music has been intertwined and juxtaposed here with images of the glorious Combines.Susan Sollins-BrownExecutive DirectorArt21Elegy for Robert Rauschenberg has been created from footage filmed by Art21 at The Museum of Contemporary Art, Los Angeles during the 2006 exhibition of Robert Rauschenberg: Combines. Among the works seen in whole or in part are Minutiae (1954); Interview (1955); Monogram (1955-59); Canyon (1959); Gift for Apollo (1959); Black Market (1961); Empire II (1961); Pantomime (1961); Ace (1962); and Gold Standard (1964). The video is set to music composed by Earle Brown who, along with Rauschenberg, was a member of a small group of friends in the 1950s that included John Cage, Merce Cunningham, Morton Feldman, Jasper Johns, and Christian Wolff, among others. In the spirit of that long-ago friendship, and in the collaborative spirit of that time and group, excerpts from the following works by Brown have been selected and collaged, with permission of The Earle Brown Music Foundation, for this video: Music for Violin, Cello, &Piano (1952); Octet I (1953); Folio and 4 Systems (1954); String Quartet (1965); New Piece (1971); and Special Events (1999).VIDEO | Producer: Susan Sollins. Camera: Bob Elfstrom. Sound: Ray Day. Editor: Lizzie Donahue. Special thanks to Robert Rauschenberg's Studio and David White; Paul Schimmel and The Museum of Contemporary Art, Los Angeles; The Earle Brown Music Foundation and Thomas Fichter. [ More Detail ]
EXCLUSIVE: Allora &Calzadilla's Ruin (2006) installed at Galerie Chantal Crousel, Paris. Jennifer Allora &Guillermo Calzadilla approach visual art as a set of experiments that test whether ideas such as authorship, nationality, borders, and democracy adequately describe today's increasingly global and consumerist society. Their hybridized works - often a unique mix of sculpture, photography, performance, sound and video -o- explore the physical and conceptual act of mark making and its survival through traces. By drawing historical, cultural, and political metaphors out of basic materials, their works explore the complex associations between an object and its meaning.LEARN: Allora &Calzadilla are featured in the Season 4 (2007) episode Paradox of the Art:21 — Art in the Twenty-First Century television series on PBS.DISCUSS: What do you think about this video? Leave a comment! [ More Detail ]