En el marco de concierto intitulado,"Un Chant de Paix et d'Amour pour la Humanite", celebrado el día 14 de diciembre 2004 a las 18h 30 en el Palacio de Naciones de la ONU en la ciudad de Ginebra, bajo el patrocinio del Señor Sergei ORDZHONIKIDZE Director General de la Oficina de las Naciones Unidas ONU y el Comite de Asuntos Culturales en Ginebra,la Misión de la República Bolivariana de Venezuela ante la Oficina de las Naciones Unidas y de otras organizaciones internacionales que tienen su asiento en Ginebra. La Orquesta Francisco de Miranda de la Juventud Venezolana en el Extranjero presentó un repertorio de obras de la musica Universal así como de Musica Venezolana. [ More Detail ]
Johann Sebastian BACH(1685~1750)Aria „Schafe können sicher weiden" (Sheep My Safely Graze)aus Kantate Nr. 208 „Was mir behagt, ist nur die muntre Jagd" (Hunting Cantata)(1713) BWV 208Geige: Ivan Y.P. LIBlockflöte I: Vintonius PRIMUSBlockflöte II: Paul K.C. LICembalo: Magdalen K.N. POONRecorded: July 20, 2008 (Sunday) [ More Detail ]
Goldberg Variations J S Bach- Aria, - Variatio 1Keith Jarrettkeith Jarrett is known as a jazz musician. But he has recorded several J S Bach´s keyboard works, including the French Suites, the Goldberg Variations, Das wohltemperirte Clavier ( vol 1 and 2 ). [ More Detail ]
Arleen Auger / Bach - BWV 208 No.9.---------------Schafe können sicher weiden, wo ein guter Hirte wacht. Wo Regenten wohl regieren, kann man Ruh und Friede spüren und was Länder glücklich macht. [ More Detail ]
Bach Aria na strunie G - w ciepły, czerwcowy wieczór 2008 roku, na Małym Rynku w Krakowie gra TRIO SMYCZKOWE, Natalia Dolińska, Marta Szostek i Natalia Orkisz. [ More Detail ]
Video footage of a Rehearsal Session ofJohann Sebastian BACH(1685~1750)Aria „Schafe können sicher weiden" (Sheep My Safely Graze)aus Kantate Nr. 208 „Was mir behagt, ist nur die muntre Jagd" (Hunting Cantata)(1713) BWV 208Geige: Ivan Y.P. LIBlockflöte I: Vintonius PRIMUSBlockflöte II: Paul K.C. LICembalo: Magdalen K.N. POONRecorded: June 17, 2008 (Tuesday) [ More Detail ]
Video footage of a Rehearsal Session ofJohann Sebastian BACH(1685~1750)Aria „Schafe können sicher weiden" (Sheep My Safely Graze)aus Kantate Nr. 208 „Was mir behagt, ist nur die muntre Jagd" (Hunting Cantata)(1713) BWV 208Geige: Ivan Y.P. LIBlockflöte I: Vintonius PRIMUSBlockflöte II: Paul K.C. LICembalo: Magdalen K.N. POONRecorded: June 12, 2008 (Thursday) [ More Detail ]
Here is my interpretation of "Air on the G string" by the genius of J. S. Bach. One of the most sweet and beautiful music ever conceived.Now close your eyes and listen...Keyboard is Tyros 2, style "Baroque Air", played with "Symphonic" strings.Hope you like it. BTW, there is some mistake but i learnt it in less than a week and I don't have much time to spend to record a better performance. Still, most of my personal "expressions" of this masterpiece are there. Hope you enjoy.Any comment is welcome. [ More Detail ]
visit my webpage - http://www.joolsscott.co.uk Bach's wonderful Goldberg Aria, played on a sunny Sunday morning in the Pump Room.There are now theories circulating that Bach's wife may have helped him write the Goldberg Aria and that she may have been the sole composer for Bach's astoundingly beautiful solo cello suites.You can download my most recent 10 track piano album for $4 at http://payloadz.com/go/sip?id=467446The Goldberg Variations, BWV 988, are a set of 30 variations for harpsichord by Johann Sebastian Bach. First published in 1741 as the fourth in a series Bach called Clavier-Übung, "keyboard practice", the work is considered to be one of the most important examples of variation form. It is named after Johann Gottlieb Goldberg, who may have been the first performer.Johann Nikolaus Forkel:"For this work we have to thank the instigation of the former Russian ambassador to the electoral court of Saxony, Count Kaiserling, who often stopped in Leipzig and brought there with him the aforementioned Goldberg, in order to have him given musical instruction by Bach. The Count was often ill and had sleepless nights. At such times, Goldberg, who lived in his house, had to spend the night in an antechamber, so as to play for him during his insomnia. ... Once the Count mentioned in Bach's presence that he would like to have some clavier pieces for Goldberg, which should be of such a smooth and somewhat lively character that he might be a little cheered up by them in his sleepless nights. Bach thought himself best able to fulfill this wish by means of Variations, the writing of which he had until then considered an ungrateful task on account of the repeatedly similar harmonic foundation. But since at this time all his works were already models of art, such also these variations became under his hand. Yet heproduced only a single work of this kind. Thereafter the Count always called them his variations. He never tired of them, and for a long time sleepless nights meant: 'Dear Goldberg, do play me one of my variations.' Bach was perhaps never so rewarded for one of his works as for this. The Count presented him with a golden goblet filled with 100 louis-d'or. Nevertheless, even had the gift been a thousand times larger, their artistic value would not yet have been paid for."The Goldberg Variations have been reworked freely by many performers, changing either the instrumentation, the notes, or both.Joseph Gabriel Rheinberger, transcription for two pianos, op.3Ferruccio Busoni prepared a massively altered transcription for piano. According to Michael Kimmelman, "Busoni shuffled the variations, skipping some, then added his own rather voluptuous coda to create a three-movement structure; each movement has a distinct, arcing shape, and the whole becomes a more tightly organized drama than the original."[11]1984 - Dmitri Sitkovetsky, transcription for string trio1987 - Jean Guillou, transcription for organ1997 - József Eötvös (musician), transcription for guitar2000 - Jacques Loussier, arrangement for jazz trioEditions of the scoreRalph Kirkpatrick. New York/London: G. Schirmer, 1938. Contains an extensive preface by the editor and a facsimile of the original title page.Hans Bischoff. New York: Edwin F. Kalmus, 1947 (editorial work dates from the nineteenth century). Includes interpretive markings by the editor not indicated as such.Christoph Wolff. Vienna: Wiener Urtext Edition, 1996. An urtext edition, making use of the new findings (1975) resulting from the discovery of an original copy hand-corrected by the composer. Includes suggested fingerings and notes on interpretation by harpsichordist Huguette Dreyfus.Reinhard Böß. München: edition text + kritik, 1996. Verschiedene Canones ... von J.S. Bach (BWV 1087).http://www.joolsscott.blogspot.comJools Scott is a composer &pianist for hire, based in Bath (southwest UK). Jools is the perfect entertainment for an elegant wedding/party/event, with other 10 years experience as an entertainer. His piano music is exquisite, delivered with panache and passion.Jools' compositions have been performed in a variety of venues, including The Royal Albert Hall, St Paul's Cathedral, The Purcell Room, Well's Cathedral School and The O2 (London) as part of the 2007 Technics DMC World Championships.古典钢琴演奏家音乐会古典的なピアノ音楽 [ More Detail ]