Bach's invention no. 4 turned Funky! I wanted to share this. I think it's brilliant. Chestnut is one of my favorite jazz composers and pianists. [ More Detail ]
Check us out at http://noobtoob.com/forumNooBTooB is a weekly independent gaming podcast for casual and serious gamers alike. This week Tobin and Yuzo talk about:(Wii) Okami - 02:23(DS) The World Ends With You - 11:09(PS2) Baroque - 19:44(360) Battlefield: Bad Company Demo - 24:31 And preview next week's games:(Wii) Mario Kart Wii - 28:38(360|PS3) Call of Duty 4: Game of the Year Edition - 30:50(Wii) Battle of the Bands - 32:01(PS2) Persona 3: FES - 33:19 Extras:Team Fortress Two Socials (Fry-40 + Cilia) - 37:46Voicemails: 43:36Come join the forums at http://noobtoob.comIf you crave a higher quality Noobtoob video, come check out our high res video on iTunes by clicking here:http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=212269308Or download high res episodes directly by going here:http://noobtoobfiles.com/vodcasts/mobile/ [ More Detail ]
Charles Dieupart (1667~1740) [ Les Six Suites ]Suite n° 6 en fa mineur pour clavecin ou (flûte ou violon et basse continue)1. OuvertureIl Giardino Armonico Giovanni Antonini (flûte)Enrico Onofri (violon) Vittorio Ghielmi (viole de gambe)Ottavio Dantone (clavecin)Performed by Giovanni Antonini &Il Giardino Armonico from the DVD ' Music of The French Baroque ' [ More Detail ]
Win FREE GAMES at http://www.joinmii.net! Get your free account at http://www.joinmii.net/join.php?ref=YOUTUBAmazon.com:You awaken to find the world in ruin, your heart beset with unexplained guilt. A cataclysm has destroyed the cities and empires of men and disfigured the spirit of humanity. In this nightmare, it falls to you to descend a mysterious tower in search of absolution. Battle merciless foes in treacherous dungeons, scour for new items to aid you in your travels, and unlock the secrets of a devastated land. You will find death in the depths, yet learn that death is not the end of the story; in the twisted world of Baroque, it is only the beginning.Visit http://www.joinmii.net/catalogue/baroque.html for more info! [ More Detail ]
First, a little introduction into my introduction to the wonderful voice of Joan Sutherland:I first came to know Joan Sutherland through her recording of "Elisir d'amore" with Pavarotti. I remember thinking: what a beautiful, full voice. I listened again and again to the opening cavatina. I was still new to opera, but I already knew that Sutherland would be the epitome of opera for me. I continued to listen to various Sutherland recordings, but, strangely enough, they were all made in 1970s or 1980s, nothing before that. I cherished each and every one of them, and I still do. And yet... When I at last bought the legendary "Art of the Primadonna" album, I was already truly in love with the voice and was a "profesional Sutherland fan" for three years. But something has happened: the voices were not the same one! As I listened to Amina's cavatina, I was speechless: so perfect it was, and, when I compared the rendition with my favorite 1980 Sutherland recording of the opera, I realized that the former was the best (that's just my opinion). I bought other early recordings of Sutherland's voice: her first"La Sonnambula", "Acis and Galatea" etc. etc.. This was an even more beautiful voice, actually surpassing later recordings (at least, that's what happened for me). Since then I have listened to many artists, but not one of them were like Sutherland: her first recordings are so wonderful, so brilliant, so close to perfect, that she managed to overshadow her later work. Yes, the 1970s and 1980s brought us further proof of Sutherland's genius ("Lucrezia Borgia" is a good example), but Sutherland has already set the standart so high, that anything after 1962 just pales in comparison... at least, it does for me :-)... Now, I have here for you a small sample of the young Joan Sutherland. Three baroque arias, one Italian and two English. The first except is the simple "The traveller benighted" from Arne's "Love in a village", then, as the central piece, comes "Furia di donna ingrata" from "La buona figliuola" by Piccini and finally the joyful "Light as thistledown" from Shield's "Rosina". I hope you enjoy :-)!P.S. I fully understand that some people love the "mature" Sutherland, and in no way am I trying to offend any of them. It's just... the early recordings seem to me a marriage of good diction, a beautiful voice and, what is more importantly, interpretation :-)! There is something special there :-)... [ More Detail ]
The requested Song!Don't ask me what episode is 'cause I have no idea. I got the song from mermaidsheaven and the lyrics from a site.I like this one ;) Some people couldn't stop complaining about the name "karaoke" so I changed it! I hope you're happy now! I don't really see the difference...everyone keeps having fun!!!Evil BaroqueA baroque that shuts away light becomes beautiful noise. The whisper of our dark trap cradles you. Sleep forever. Slowly waking up are the shadows of our hearts. The roses of the deep sea become decorations, forcing pearls to freeze over. Now, together with all of you, your wishes become one. We devote ourselves to the great darkness. The heart-stealing baroque embraces a wave of negative energy. The world you believed in vanishes in an instant without a sound. Let"s celebrate the time where everything will end as it slowly heads this way. Praise an icy smile, and turn pearls to ash. Ah my friends. If you have this light of hopes, then that"s just a homage to the despair oozing out from it. A baroque that shuts away light becomes beautiful noise. The whisper of our dark trap cradles you. Sleep forever. A paradise sealed away... Now, together with all of you, your wishes become one. We devote ourselves to the great darkness. In a completely changed world, you can understand just how fragile fate is. Before the hopeless sadness crushes your heart. A baroque that shuts away light becomes beautiful noise. Together with us, head towards the future whispered of in our dark trap... [ More Detail ]
I haven't seen this particular video uploaded to youtube as of this moment, so I thought I'd do so myself. I'm looking forward to this game. :DBaroque is set to be released March 18, I believe. Video downloaded from gametrailers.com [ More Detail ]
Composition personnelle, en DADGAD, dans le style blues baroque de John renbourn.Personal composition, in DADGAD tuning, in John Renbourn blues folk style.Composicìon personale con guitarra accuerda en DADGAD, en el estilo "blues folk" de John Renbourn. [ More Detail ]
「彼女こそ...私のエリスなのだろうか...」主よ、私は人間を殺めました。私は、この手で大切な女性を殺めました。思えば私は、幼い時分より酷く臆病な性格でした。他人というものが、私には何だかとても恐ろしく思えたのです。私が認識している世界と、他人が認識している世界。私が感じている感覚と、他人が感じている感覚。『違う』ということは、私にとって耐え難い恐怖でした。それがいづれ『拒絶』に繋がるということを、無意識の内に知っていたからです。楽しそうな会話の輪にさえ、加わることは恐ろしく思えました。私には判らなかったのです、他人に合わせる為の笑い方が。いっそ空気になれたら素敵なのにと、いつも口を閉ざしていました。そんな私に初めて声を掛けてくれたのが、彼女だったのです。美しい少女(ひと)でした、優しい少女(ひと)でした。月のように柔らかな微笑みが、印象的な少女でした。最初こそ途惑いはしましたが、私はすぐに彼女が好きになりました。私は彼女との長い交わりの中から、多くを学びました。『違う』ということは『個性』であり、『他人』という存在を『認める』ということ。大切なのは『同一であること』ではなく、お互いを『理解し合うこと』なのだと。しかし、ある一点において、私と彼女は『違い過ぎて』いたのです。狂おしい愛欲の焔が、身を灼く苦しみを知りました。もう自分ではどうする事も出来ない程、私は『彼女を愛してしまっていた』のです。私は勇気を振り絞り、想いの全てを告白しました。しかし、私の想いは彼女に『拒絶』されてしましました。その時の彼女の言葉は、とても哀しいものでした。その決定的な『違い』は、到底『解り合えない』と知りました。そこから先の記憶は、不思議と客観的なものでした。泣きながら逃げてゆく彼女を、私が追い駆けていました。縺れ合うように石畳を転がる、《性的倒錯性歪曲》(Baroque)の乙女達。愛を呪いながら、石段を転がり落ちてゆきました......。この歪な心は、この歪な貝殻は、私の紅い真珠は歪んでいるのでしょうか?誰も赦しが欲しくて告白している訳ではないのです。この罪こそが、私と彼女を繋ぐ絆なのですから。この罪だけは、神にさえも赦させはしない......。「ならば私が赦そう...」歪んだ真珠の乙女、歪なる日に死す...(Baroque Vierge, Baroque zi le fine...)──激しい雷鳴 浮かび上がる人影いつの間にか祭壇の奥には『仮面の男』が立っていた── [ More Detail ]
In a land left devastated by an unexplained wave of destruction, a mysterious dark tower looms over a troubled populace. Ascend beyond the scorched earth on your quest for truth.For more information, please visit:http://www.atlus.com/baroque [ More Detail ]
Gail Edwards conducts the San Francisco State University Flute Choir performing "Baroque Hoedown" by Jean Jacques Perry and Gershon Kingsley at the 2007 National Flute Association annual convention in Albuquerque, NM on 8/12/2007. [ More Detail ]
The Vancouver Theatrical &Modern Fencing Club with The Pacific Baroque Orchesta performs to Jean-Baptiste's Lully &Johann Heinrich Schmelzer's Die Fechtschule. [ More Detail ]
Baroque and Blue by Claude Bolling from Suite for flute and jazz piano trio performed by Taka Konishi &Ian Smith jazz Piano trio on July 22, 2007 [ More Detail ]