Rico's Zeitreise durch die klassische Musikgespielt vom Kinder- &Jugendstreichorchester GUWISAKALIGULI(73 Kinder v. 4-16 Jahre)Sprecher: Lukas Resetarits16.11.2007 im Wiener KonzerthausEinstudierung und Konzept:GUWIltrud Hüttler-GrasslSAbine TürtscherKAtharina CernyLIsa CharvatGUdrun EberLIsi (Elisabeth) SchmettererProgramm:M-A. Charpentier: EurovisionsmelodieA. Vivaldi: "Winter" 2.SatzJ.S. Bach: MusetteJ.Haydn: KaiserhymneW.A.Mozart: "Es klinget so herrlich" (aus "Zauberflöte")L.V.Beethoven "Ode an die Freude" (aus IX. Symphonie, 4.Satz)F.Schubert: "Die Forelle" (Aus "Forellenquintett" A-Dur DV 667)F. Smetana: "Die Moldau" (aus: "Mein Vaterland")J.Strauß Sohn: Walzer "G'schichten aus dem Wienerwald"J.Brahms: Ungarischer Tanz Nr. 5G. Bizet: "Habanera" (aus: "Carmen")P.I.Tschaikowsky: Marsch aus der "Nussknackersuite"E.Grieg. "Morgenstimmung" (aus der "peer Gynt Suite")C. Debussy: RêverieM.Ravel: BoleroB.Bartok: "Maruntel" (aus "rumänische Volkstänze)S. Prokoffiev: "Peter" (aus "Peter und der Wolf")J.Cage: "4min. 33 Sek." (gekürzte Fassung 1min. 11 sek.)G. Zobel: "GUWISAKALIGULI"Der "Zeitreise-Jingle" wurde zusammen mit den SchülerInnen komponiert [ More Detail ]
"And the Beethoven! They played Beethoven differently from the way Beethoven had been played before!" Said the composer William Schuman, then president of New York's Juilliard School of Music, who initiated the Juilliard String Quartet as a resident quartet at the famous music academy in 1946. Today the Juilliards have become a living American legend; they are regarded as one of the greatest of all string quartets, not least on account of their Beethoven recording which received a Grammy Award. This DVD is a unique document of a Beethoven concert they gave at Polling in Bavaria in 1975. It shows the quartet midway through a success story that has now lasted more than six decades. The beautiful baroque library of the former Augustinian Monastery to the south-west of Munich -- beloved of chamber musicians for its wonderful acoustic -- resounded with three of Beethoven's numerous quartets, an early piece (op.18 no.4, written in1799), a middle-period work (the first of the three Rasumovsky Quartets op.59, composed in 1806) and one of the late quartets (the famous stream of musical consciousness, op. 131, completed in 1826). The cast still included the now retired first violinist and founder of the quartet, Robert Mann, who always regarded himself as primus inter pares, with particular emphasis on the equality of all four players, and the second violinist Earl Carlyss who holds the colourful view that a string quartet is like a chair with four legs, none of which can be missing if the chair is to remain standing. The New York composer Samuel Rhodes continues to act as the ensemble's violist, a longevity shared by Joel Krosnick, who in 1976 had been the ensemble's cellist for two years. The viewer can enjoy -- in an idyllic setting - chamber music in its purest form, where communication within the ensemble takes centre stage and there is no place for star allure. [ More Detail ]
http://youtube-impeto.blogspot.com/Watch it in High Quality:http://www.youtube.com/watch?v=vwY_5toWYPM&fmt=18Subscribe, rate, comment and favorite me!!! pls!!! ^_^"Beethoven Virus" (created by Banya) is the remix of Beethoven's "Pathétique", op.13, mov.3: rondo (allegro)Playlist with all players of Ultimate Beethoven Virus:http://youtube-impeto.blogspot.com/2008/04/ultimate-beethoven-virus.htmllinks and names of all players are at the end of video, but you can, also, see it in my blog:http://youtube-impeto.blogspot.com/2008/04/ultimate-beethoven-virus.htmlP.S if you want join in my group:http://www.youtube.com/group/impeto [ More Detail ]
The Beatles - Roll Over BeethovenCopyright - 1963 EMI Records Ltd."Roll Over Beethoven" is a 1956 hit single by Chuck Berry originally released on Chess Records, with "Drifting Heart" as the b-side. The lyrics of the song mention rock and roll and the desire for rhythm and blues to replace classical music. The song has been covered by many other artists and Rolling Stone ranked it #97 on their list the 500 Greatest Songs of All Time.Inspiration and lyricsAccording to Rolling Stone and Cub Koda of the All Music Guide (AMG), Berry wrote the song in response to his sister Lucy always using the family piano to play classical music when Berry wanted to play contemporary popular music.In addition to classical composers Beethoven and Tchaikovsky, the lyrics mention or allude to several popular artists. "Early in the morning" is the title of a Louis Jordan song and "Blue Suede Shoes" refers to Carl Perkins's song. Finally, "Hey diddle diddle" comes from the nursery rhyme, "The Cat and the Fiddle". Although the lyrics mention rocking and rolling, the music that the classics are supposed to step aside for is always referred to as "rhythm and blues". Arthur Alexander appropriated the lyric "a shot of rhythm and blues" for the title of his later song.As for the rest of the lyrics, a "rhythm review" describes the old style R&B show with many featured artists appearing on one bill in front of a big band. One phrase that has troubled some cover artists not familiar with the southern idiom for "a little bit more" is "move on up just a trifle further". Neither the Beatles nor the Electric Light Orchestra manage to sing the phrase correctly, despite having done two versions apiece.Like The Tennessee Waltz, "Roll Over Beethoven" is a self-referential metasong, i.e. a song about the song itself.Cover versionsIt is one of the most widely covered songs in popular music—"a staple of rock &roll bands" according to Koda[2]—with notable versions by Jerry Lee Lewis, The Beatles and the Electric Light Orchestra. Other covers were performed by Mountain, Status Quo, The Rolling Stones, The Byrds, The 13th Floor Elevators, The Sonics, Gene Vincent, Uriah Heep on Uriah Heep Live and the Australian band Buster Brown on their 1974 album Something to Say. In 1992, the English Heavy Metal band, Iron Maiden covered it as a B-side to its "From Here to Eternity" single.The Beatles"Roll Over Beethoven" was a favorite of John Lennon, Paul McCartney and George Harrison even before they had chosen "The Beatles" as their name, and they continued to play it live right into their American tours of 1964. Their version of "Roll Over Beethoven" was recorded on 30 July 1963 for their second British LP, With the Beatles, and features George Harrison on vocals and guitar.[5] In the United States, it was released 10 April 1964 as the opening track of The Beatles' Second Album.[6]In 1964, the Beatles released a live version of "Roll Over Beethoven" on Live at the BBC. This live version was recorded on 28 February 1964 and broadcast on 30 March 1964 as part of a BBC series starring the Beatles called From Us To You.[7]This version of "Roll Over Beethoven" was used in the film Superman III directed by Richard Lester who also directed a film for the Beatles, Help!Recorded:30 July 1963Lyrics: Well gonna write a little letter Gonna mail it to my local D.J. It's a rockin' little record I want my jockey to play Roll over Beethoven I gotta hear it again today You know my temperature's risin' and the jukebox's blowin' a fuse My hearts beatin' rhythm and my soul keeps singing the blues Roll over Beethoven and tell Tchaikovsky the news I got a rockin' pneumonia I need a shot of rhythm and blues I think I got it off the writer sittin' down by the rhythm review Roll over Beethoven we're rockin' in two by two Well if you fell you like it Well get your lover and reel and rock it roll it over and move on up just jump around and reel and rock it roll it over Roll over Beethoven a rockin' in two by two , oh Well early in the mornin' I'm a givin' you the warnin' Don't you step on my blue suede showes Hey little little gonna play my fiddle Ain't got nothing to lose Roll over Beethoven and tell Tchaikovsky the news You know she winks like a glow worm Dance like a spinnin' top She got a crazy partner oughta see 'em reel an rock Long as she's got a dime the music will never stop Roll over Beethoven Roll over Beethoven Roll over Beethoven Roll over Beethoven Roll over Beethoven and dig these rhythm and blues [ More Detail ]
I'm starting a new story or series, on the Jonas Brothers (yaay 0.o) anyways, here are the characters:Name: LeelaAge: 17Appearance: Shoulder length dirty blonde (with some highlights) wavy hair with some curls. Blue eyes, some freckles (like 3-5) around her nose.Personality: Leela is a not like most teenagers. She does not like to party, actually, studying or reading is better to her, she likes Shakespeare, classical music like Beethoven, Handel, Bach, but also likes Johny Cash, Bob Dylan, and the Beatles and does not really like the music of The Jonas Brothers and her least favorite person of the band is Joe for some reason. She can be sarcastic and sometimes rude or harsh to people she doesn't really like, and isn't afraid of anything. She is also a grade a student, and has a boyfriend named Jake.Hobbies: Reading, Cello, Piano, singing, Thai kwon do (black belt), soccer, swimming.Languages: English, French, German.Name: DaniellaAge: 15Appearance: She kind of looks like Leela (they are sisters) but she does not have freckles, she has emerald eyes and very very curly hair which is brown and elbow length.Personality: Daniella may be the sister of Leela, but she is the complete opposite. She loves to party, loves the Jonas Brothers, and hates studying. She does not mind reading, and actually her favorite series is Warriors, and she is currently reading Inkheart which Leela lent to her. She is a grade b student, with some a's by the help of her sister (tutoring).Hobbies: Jonas Brothers, Music, Guitar, Reading, basketball, baseball, skate boarding, snow boarding.Languages: English, French, German.Name: AlexisAge: 17Appearance: She has freckles all over her face, brown eyes, and is a red head, with frizzy shouder length hair.Personality: Even though Alexis and Leela are different in some ways, they are best friends. Alexis is also like Leela's younger sister Daniella in some ways and sometimes wish she had a little sister like her, she even wished more that Daniella was her little sister. She loves the Jonas Brothers, does not like studying, and is a party animal.Hobbies: Partying, dancing, guitar, piano, Jonas Brothers, music, reading (mostly magazines with JB), soccer, swimming.Languages: English, French.And of course the Jonas Brothers! OK, Nick will be 15, Joe will be 17, and Kevin will be 18. And I know their real ages. [ More Detail ]
ARCANGELO CORELLI (1653-1713)Concerto Grosso for two violins, cello, strings and basso continuo in G Minor "Fatto per la notte di Natale" Op. 6 No. 86. Allegro7. Pastorale (largo)Performed by Musica AmphionFeaturing Remy Baudet &Sayuri Yamagata, violinRichte van der Meer, celloHank heyink, archluteConducted by Pietr-Jan Belder [ More Detail ]
Telecast March 22, 1952 from Carnegie Hall, New York Cityfor the second movement go here:http://www.youtube.com/watch?v=ijiHzheK4GQfrom an interview by Robert Stumpf II with Bob Bloom, who played with Toscanini:I played for him for six years. He yelled at me a lot, but as a father. After awhile I became, from those in the orchestra, possibly closer than anyone else to Toscanini. Away from the podium, he was like a little child. He loved music. In his study, he would show me Puccini's snuff box, Verdi's eye glasses. He treasured these things.One day I was visiting him and he asked me to stay for lunch. I could tell he was very tired, and we had finished our business, so I told him that I didn't have to stay. I said, "Maestro, you look tired. Why don't you take a nap?"He said, "I've been up since five o'clock this morning studying this symphony." The symphony that week was Beethoven's Fifth.I said, "Maestro, how many times have you conducted that?"He answered, "Oh, hundreds."I said, "And you're still studying it?"I loved his answer. He said, "Well, I'm always afraid I may have missed something." This is how he really felt about music. [ More Detail ]
Leonard Bernstein with the Vienna Philharmonic performs Beethoven's Ode to Joy. Notice how dramatic his conducting is; it's pretty funny. Because of Youtube limitations, I split this piece up into 3 sections. This is Part 1/3. I highly recommend sticking around for the choral reprise of the first verse in Part 2/3 and the prestissimo finale in Part 3/3.Soloists are Gwyneth Jones, Shirley Verrett, Placido Domingo, and Martti Talvela.This first video clip is divided into the following sections:0:00-3:36 Bernstein's introduction1:27-2:15 The Ode to Joy played solemnly by Cello and Contrabass2:15-3:04 A lighter, sweeter variation now including Viola and Bassoon3:04-3:51 Larger, more expressive second variation with addition of 1st and 2nd Violins3:52-4:38 Triumphant and majestic third variation utilizing entire orchestra. Instruments added: Flute, Oboe, Clarinet, contrabassoon, cornet, trombone, and timpani4:39-5:31 Dizzying flight of passion including the brief introduction of a blithe tune that is almost immediately interrupted by a thunderous cadence 5:33-6:30 The bass introduces the chorus to the audience6:30-9:17 The Ode to Joy theme is now replayed with the significant inclusion of the chorus singing Schiller's poem.German words and English translation:Baritone Solo:O Freunde, nicht diese Töne!Oh friends, not these sounds!Sondern lasst uns angenehmereRather let us sing moreanstimmen und freudenvollere.pleasant ones, and more full of joy.Choral Bass join in:Freude! Freude!Joy! Joy!Baritone Solo:Freude, schöner GötterfunkenJoy, beautueous spark of divinity,Tochter aus Elysium,Daughter of ElysiumWir betreten feuertrunken,We enter drunk with fireHimmlische, dein Heiligtum!Heavenly One, your sanctuary!Deine Zauber binden wiederThy magic power reunites,Was die Mode streng geteilt;All that custom has strictly dividedAlle menschen werden Brüder,All men become brothersWo dein sanfter Flügel weilt.Where your gentle wing abides.Chorus sans Soprano:Deine Zauber binden wiederThy magic power reunites,Was die Mode streng geteilt;All that custom has strictly dividedAlle menschen werden Brüder,All men become brothersWo dein sanfter Flügel weilt.Where your gentle wing abides.Solo Alto, Tenor, and Baritone sans Soprano:Wem der grosse Wurf gelungen,Whoever has been so fortunate,Eines Freundes Freund zu sein;To be the friend of a friendSolo Soprano enters, Alto, Tenor, and Baritone continue: Wer ein holdes Weib errungen,He who has obtained a dear wife,Mische seinen Jubel ein!Add his jubilation!Ja, wer auch nur eine SeeleYes, whoever also one soulSein nennt auf dem Erdenrund!Can call his own in the earthly round!Und wer's nie gekonnt, der stehleAnd who never could, he should stealWeinend sich aus diesem Bund!Weeping from this fellowship!All Chorus responds (Bass one beat ahead): Ja, wer auch nur eine SeeleYes, whoever also one soulSein nennt auf dem Erdenrund!Can call his own in the earthly round!Und wer's nie gekonnt, der stehleAnd who never could, he should stealWeinend sich aus diesem Bund!Weeping from this fellowship!Tenor and Baritone:Freude trinken alle WesenAll beings drink joyAn den Brüsten der Natur;At the breasts of Nature;Alto enters:Alle Guten, alle BösenAll things good, all things evilFolgen ihrer Rosenspur.Follow her rosy trail.Soprano enters:Küsse gab sie uns und Reben,Kisses gave she us and wine,Einen Freund, geprüft im Tod;A friend, proven even in death;Wollust ward dem Wurm gegeben,Ecstasy is granted even to the wormUnd der Cherub steht vor Gott. And the cherub stands before GodAll Chorus responds:Küsse gab sie uns und Reben,Kisses gave she us and wine,Einen Freund, geprüft im Tod;A friend, proven even in death;Wollust ward dem Wurm gegeben,Ecstasy is granted even to the wormUnd der Cherub steht vor Gott. And the cherub stands before GodUnd der Cherub steht vor Gott. And the cherub stands before God(Alto a beat ahead) steht vor Gott. vor Gott.vor Gott. [ More Detail ]
No cue cards, no teleprompters, and no second takes--legendary funnyman Sid Caesar pioneered live television sketch comedy with his 1950s sitcoms Your Show of Shows and Caesar's Hour. This classic sketch is "Argument to Beethoven's 5th," Sid Caesar and Nanette Fabray play a married couple in a argument with pantomimed action and the dialogue is classic music.Enjoy! [ More Detail ]
In this clip from the 1950's-60s British comedy group "Beyond the Fringe," Dudley Moore plays a very funny but also very musically well-done parody of a Beethoven Piano Sonata, using the famous whistling tune from "Bridge Over the River Kwai" as a thematic subject. [ More Detail ]