================================Ernst von Dohnányi Suite for orchestra in F sharp minor ("Suite romantique"), Op.19 1. Andante con variazioni (Andante con moto) 2. Scherzo (Allegretto vivace) 3. Romanza (Andante poco moto)4. Rondo (Allegro vivace)The Royal Philharmonic Orches6tra/Malcolm Sargent================================Related information:Ernő Dohnányi (July 27, 1877 -- February 9, 1960) was a Hungarian conductor, composer, and pianist.He used the German form of his name "Ernst von Dohnányi" on most of his published compositions. The addition of "von" was a personal choice and was not an indication of ennoblement.BiographyDohnányi was born in Pressburg (Pozsony), Austria-Hungary, today's Bratislava, Slovakia. He first studied music with his father, a professor of mathematics and amateur cellist, at gymnasium, but afterwards became a pupil at the Budapest Academy of Music, studying piano and composition with Carl Forstner, organist of the Bratislava Cathedral. In 1894 he became a pupil of István Thoman for piano and of Hans Koessler for composition. Béla Bartók was one of his classmates there. Dohnányi's first published composition, his Piano Quintet in C minor, earned the approval of Johannes Brahms, who promoted the work in Vienna.After a few lessons with Eugen d'Albert, Dohnányi made his debut in Berlin, 1897, and was at once recognized as an artist of high attainments. Similar success in Vienna followed, and thereafter he made the tour of Europe with the greatest success. He made his London debut at a Richter concert in the Queen's Hall, where he gave a memorable performance of Beethoven's Piano Concerto No. 4.Using his position as a conductor, Dohnányi pioneered Bartók's more accessible music to boost its popularity.During the following season, he visited the United States. There, he established his reputation playing, again, the Beethoven Piano Concerto No. 4 for his American debut with the St. Louis Symphony.Unlike most other famous pianists of the time, Dohnányi did not limit himself to solo recitals and concerto solos, but also played chamber music.In 1902, one of his two sons, Hans von Dohnányi, was born to Ernő and his wife Elisabeth, who was also a pianist. Hans later distinguished himself as a leader of the anti-Nazi resistance in Germany, and was a friend and collaborator of Dietrich Bonhoeffer. Hans in turn became the father of the well-known orchestral conductor, Christoph von Dohnányi.Joseph Joachim invited Dohnányi to teach at the Hochschule in Berlin, which he did from 1905 to 1915. Going back to Budapest, Dohnányi organized over a hundred concerts there each year. In 1919 he was appointed director of the Budapest Academy, but was replaced the same year for purely political reasons. He became music director of the Budapest Philharmonic Orchestra and promoted the music of Bartók and Zoltán Kodály and other Hungarians, but did not play his own music too often. Dohnányi's pupils include Ervin Nyíregyházi, Géza Anda, Annie Fischer, Edward Kilenyi, Balint Vazsonyi, Sir Georg Solti, Montana Cantsin, Joseph Running, Frank Cooper and Ludovit (Lajos) Rajter.In the 1920 season, he played the complete Beethoven piano works. During the 1920s, he also recorded several of his works on the AMPICO reproducing piano.In 1934 he was again appointed director of the Budapest Academy, a post he held until 1941, when he resigned from the post "as a protest against the anti-Jewish legislations [of that year]" according to the Hungarian musicologist Peter Laki (in program notes for the American Symphony Orchestra's Dohnanyi CD, Bridge 9160). That year he also had to disband the Budapest Philharmonic Orchestra.After World War II, which had claimed the lives of both of his sons, one in combat and the other executed by the Nazis for his role in a plot to assassinate Hitler, Dohnányi moved to the United States. He had remained in fascist Hungary during the war, though using his influence and expending his own fortune to protect Jewish musicians.http://en.wikipedia.org/wiki/Ern%C5%91_Dohn%C3%A1nyi================================ *Note:Support the artist, their families and their legacy by purchasing their music. [ More Detail ]
Brahms Concerto for Violin and CelloCello: Antonio MenesesViolin: Anne-Sophie MutterBerlin PhilharmonicHerbert Von Karajan*Note: If you liked this video, please support the artist by purchasing his products. Thank you.* [ More Detail ]
Brahms Concerto for Violin and CelloCello: Antonio MenesesViolin: Anne-Sophie MutterBerlin PhilharmonicHerbert Von Karajan*Note: If you liked this video, please support the artist by purchasing his products. Thank you.* [ More Detail ]
Brahms Concerto for Violin and CelloCello: Antonio MenesesViolin: Anne-Sophie MutterBerlin PhilharmonicHerbert Von Karajan*Note: If you liked this video, please support the artist by purchasing his products. Thank you.* [ More Detail ]
Brahms Concerto for Violin and CelloCello: Antonio MenesesViolin: Anne-Sophie MutterBerlin PhilharmonicHerbert Von Karajan*Note: If you liked this video, please support the artist by purchasing his products. Thank you.* [ More Detail ]
The rise and fall of Anne Boleyn as seen through the voyeur of a red rose. Experimental approx 7 min.Winner of Best Live Action and the Audience Choice Award at the 7th Annual UCCS Film Festival!Music by Claire Fitch from her album Ambient Cellist Pt 2 liscened from Magnatune.com. http://www.ambiencellist.com PLEASE SUPPORT US at: http://audience.withoutabox.com/films/tudor_rose/ Where you can view premotional pictures and more! [ More Detail ]
"A Mass for Peace"Madrigalchor KreuzbergJugendKammerOrchester BerlinLeitung: Johannes GarbeSolo-Cello: Klara Louise RundelDie Bläser: Johanna Bartz, Esther Anne Adrian, Maxie Kaun, Cornelia Schlögl, Luise Packmohr, Maria Palme, Anton Koch, Markus Fichtner, Robert Schmalz, Mario GrünkornDie Streicher: Lydia Griese, Marilena Günther, Alexander Kückes, Vivian Louise Rätzke, Ina Wege, Antonia Garbe, Emanuel Bender, Marc Kopitzki, Franzisca Kussmaul, Friederike Morath, Nora Shidowezki, Soraya Tabaache, Dorothee Liebich, Jan Kopitzki, Tobias Opialla, Lioba Shin, Anton Stuckardt, Antonia Adamik, Lisa Rößeler, Teresa Büchsel, Sarika Dewan, Asja Krauser, Karoliina Pietraho, Klara Louise Rundel, Louise Tharandt, Maxie von Neumann-CoselAufnahme aus der Heilig-Kreuz-Kirche Berlin ( 16.12.2007 )Kamera: Friedemann Wilcke [ More Detail ]
JugendKammerOrchester BerlinLtg: Till SchwabenbauerDie Bläser: Johanna Bartz, Esther Anne Adrian, Maxie Kaun, Cornelia Schlögl, Luise Packmohr, Maria Palme, Anton Koch, Markus Fichtner, Robert Schmalz, Mario GrünkornDie Streicher: Lydia Griese, Marilena Günther, Alexander Kückes, Vivian Louise Rätzke, Ina Wege, Antonia Garbe, Emanuel Bender, Marc Kopitzki, Franzisca Kussmaul, Friederike Morath, Nora Shidowezki, Soraya Tabaache, Dorothee Liebich, Jan Kopitzki, Tobias Opialla, Lioba Shin, Anton Stuckardt, Antonia Adamik, Lisa Rößeler, Teresa Büchsel, Sarika Dewan, Asja Krauser, Klara Louise Rundel, Karoliina Pietraho, Louise Tharandt, Maxie von Neumann-CoselAufnahme aus der Heilig-Kreuz-Kirche Berlin ( 16.12.2007 )Kamera: Friedemann Wilcke [ More Detail ]
Arcangelo Corelli (1653 - 1713)"Concerto Fatto per la Notte di Natale" Weihnachtskonzert (Concerto Grosso in G Minor Op. 6 No. 8)Part IIJugendKammerOrchester BerlinLtg: Till SchwabenbauerDie Bläser: Johanna Bartz, Esther Anne Adrian, Maxie Kaun, Cornelia Schlögl, Luise Packmohr, Klara Louise Rundel, Maria Palme, Anton Koch, Markus Fichtner, Robert Schmalz, Mario GrünkornDie Streicher: Lydia Griese, Marilena Günther, Alexander Kückes, Vivian Louise Rätzke, Ina Wege, Antonia Garbe, Emanuel Bender, Marc Kopitzki, Franzisca Kussmaul, Friederike Morath, Nora Shidowezki, Soraya Tabaache, Dorothee Liebich, Jan Kopitzki, Tobias Opialla, Lioba Shin, Anton Stuckardt, Antonia Adamik, Lisa Rößeler, Teresa Büchsel, Sarika Dewan, Asja Krauser, Karoliina Pietraho, Louise Tharandt, Maxie von Neumann-CoselAufnahme aus der Heilig-Kreuz-Kirche Berlin ( 16.12.2007 )Kamera: Friedemann Wilckeweitere Tags: Jugend Kammer OrchesterJugend Kammerorchester [ More Detail ]