バッハ:無伴奏チェロ組曲と修辞学てきな音楽Rhetoric in the Bach Cello Suites. August 1, 2008, Tokyo, Asahi Culture Center. Lecture-concert by Leonid Gulchin, the principal cellist of Gunma Philharmonic (Japan). With the participation of Dmitry Badiarov in the talk on rhetoric. [ More Detail ]
Dominic Fitzgerald plays J. S Bach Cello Suite 3 C major Bouree and Gigue at a lunchtime concert at the Queensland Conservatorium of Music. [ More Detail ]
Johann Sebastian Bach (1685-1750)Suites for solo celloSuite III in C major BWV 10095. Bourree I - IIPierre Fournier (1906-1986)Photo: Wolfgang Suschitzky (1912)Suites a Violoncello Solo senza Basso [ More Detail ]
Johann Sebastian Bach (1685-1750)Suites for solo celloSuite III in C major BWV 10094. SarabandePierre Fournier (1906-1986)Photo: Wolfgang Suschitzky (1912)Suites a Violoncello Solo senza Basso [ More Detail ]
Johann Sebastian Bach (1685-1750)Suites for solo celloSuite I in G major BWV 10071. PreludePierre FournierPhoto: Mario De BiasiSuites a Violoncello Solo senza Basso [ More Detail ]
Performed by a local cellist at Yamashita Kogyosho Co., Ltd in Yamaguchi, Japan. The aluminium instrument was made to demonstrate company's sheet metal processing craftsmanship that contributed greatly for making faces of Shinkansen bullet trains. More information about the instrument is available at the company's website:- http://homepage1.nifty.com/beatles/index_AluminiumCelloEnglish.html [ More Detail ]
JOHANN SEBASTIAN BACH (1685-1750)Six Suites for Unaccompanied Cello, Suite No. 1 in G Major BWV 10071. Prelude2. Allemande3. CourantePerformed by Yo-Yo Ma [ More Detail ]
From the DVD of the Bach Suites by Wen Sinn Yang. See more at http://www.cellogeek.comAnd purchase here: http://www.amazon.ca/Wen-Sinn-Yang-Bach-Suites-cello/dp/B000GWBRP4 [ More Detail ]
Johann Sebastian Bach - Suite for solo cello No. 1 in G major, BWV 1007:1. Sarabande.Paolo Pandolfo (Viola da Gamba).Adapted and performed by Paolo Pandolfo. [ More Detail ]
Jean-Sébastien Bach Les 6 Suites pour violoncelle Anne Gastinel, violoncelle Les Suites pour violoncelle de Jean-Sébastien Bach... le sommet de la littérature pour violoncelle, la quête absolue de tout violoncelliste, l'oeuvre que chaque violoncelliste aspire à interpréter et à enregistrer un jour. Le Graal, en quelque sorte... L'heure était venue pour Anne Gastinel. Sa version sonne tout simplement comme une évidence. La complicité entre l'interprète et son instrument -- ce fameux Testore duquel elle n'imagine pas être séparée plus de quelques jours -- est totale. Quel chant ! Un son chaleureux du violoncelle qui résonne longtemps... 2 CD naïve Sortie France : 2 janvier 2008 **************** The Cello Suites by Johann Sebastian Bach are, for all cellists, the highest expression of their art, the absolute to be aimed for. One might say, the holy grail of cello music. For Anne Gastinel the time was ripe. Her interpretation of this major work is wonderfully natural. The complicity between the musician and her instrument -- the famous Testore she cannot be without -- is impressive. The cello sings, and its warmth remains in the heart for a long time after listening to the music. 2 CD naïve Please check release date in your country with your local distributor [ More Detail ]
This is the first video in my batch of Bach. Feel free to critique and comment. I've only been playing cello for six years, so I know I'm not the best cellist on Youtube! (not even close!) [ More Detail ]
Mstislav Rostropovich plays the Courante and Sarabande from Bach's Cello Suite No. 6 in D major, BWV 1012. Filmed at the Basilique Sainte Madeleine, Vézelay, Yvonne, France in 1991. On YouTube you can compare Rostropovich's romantic, older-style interpretation of Bach to the more classical original-instrument approach by Mischa Maisky.1. Prélude2. Allemande3. Courante4. Sarabande5. Gavotte I - Gavotte II - Gavotte I6. Gigueaccording to Wikipedia:t is widely believed that the sixth suite was composed specifically for a five-stringed violoncello piccolo, a smaller cello, roughly the size of a 7/8 normal cello that has a fifth upper string tuned to E, a perfect fifth above the otherwise top string. However, some say there is not substantial evidence to support this claim: whilst three of the sources inform the player that it is written for an instrument "a cinq cordes", only Anna Magdalena Bach's manuscript indicates the tunings of the strings and the other sources do not mention any intended instrument at all.Other possible instruments for the suite include a version of the violoncello piccolo played on the arm like a viola, as well as a five-stringed normal sized cello, called a viola pomposa. As the range required in this piece is very large, the suite was probably intended for a larger instrument, although it is conceivable that Bach—who was fond of the viola—may have performed the work himself on an arm-held violoncello piccolo. However, it is equally likely that beyond hinting the number of strings, Bach did not intend any specific instrument at all as the construction of instruments in the early 18th century was highly variable.Cellists wishing to play the piece on a modern four-string cello encounter difficulties as they are forced to use very high positions to reach many of the notes, though modern cellists regularly perform the suite on the 4-string instrument. Performers specialising in early music and using authentic instruments generally use the 5-string cello for this suite, including Pieter Wispelwey, Anner Bylsma and Jaap ter Linden.This suite is written in much more free form than the others, containing more cadenza-like movements and virtuosic passages. It is also the only one of the suites that is partly notated in the various C clefs, which is not needed for the others since they never go above the note G4 (G above middle C.Mstislav Rostropovich called this suite "a symphony for solo cello" and characterised its D major tonality as evoking joy and triumph.Мстисла́в Леопо́льдович Ростропо́вич, Mstislav Leopol'dovič Rostropovič [ More Detail ]
Mstislav Rostropovich plays the Allemande from Bach's Cello Suite No. 6 in D major, BWV 1012. Filmed at the Basilique Sainte Madeleine, Vézelay, Yvonne, France in 1991. On YouTube you can compare Rostropovich's romantic, older-style interpretation of Bach to the more classical original-instrument approach by Mischa Maisky.1. Prélude2. Allemande3. Courante4. Sarabande5. Gavotte I - Gavotte II - Gavotte I6. Gigueaccording to Wikipedia:t is widely believed that the sixth suite was composed specifically for a five-stringed violoncello piccolo, a smaller cello, roughly the size of a 7/8 normal cello that has a fifth upper string tuned to E, a perfect fifth above the otherwise top string. However, some say there is not substantial evidence to support this claim: whilst three of the sources inform the player that it is written for an instrument "a cinq cordes", only Anna Magdalena Bach's manuscript indicates the tunings of the strings and the other sources do not mention any intended instrument at all.Other possible instruments for the suite include a version of the violoncello piccolo played on the arm like a viola, as well as a five-stringed normal sized cello, called a viola pomposa. As the range required in this piece is very large, the suite was probably intended for a larger instrument, although it is conceivable that Bach—who was fond of the viola—may have performed the work himself on an arm-held violoncello piccolo. However, it is equally likely that beyond hinting the number of strings, Bach did not intend any specific instrument at all as the construction of instruments in the early 18th century was highly variable.Cellists wishing to play the piece on a modern four-string cello encounter difficulties as they are forced to use very high positions to reach many of the notes, though modern cellists regularly perform the suite on the 4-string instrument. Performers specialising in early music and using authentic instruments generally use the 5-string cello for this suite, including Pieter Wispelwey, Anner Bylsma and Jaap ter Linden.This suite is written in much more free form than the others, containing more cadenza-like movements and virtuosic passages. It is also the only one of the suites that is partly notated in the various C clefs, which is not needed for the others since they never go above the note G4 (G above middle C.Mstislav Rostropovich called this suite "a symphony for solo cello" and characterised its D major tonality as evoking joy and triumph.Мстисла́в Леопо́льдович Ростропо́вич, Mstislav Leopol'dovič Rostropovič [ More Detail ]
Johann Sebastian Bach, Suite for Cello Solo No. 4 in E-flat major, S 1010, Sifei Wen, violoncello, and Valeria Morgovskaya, Piano, Live in Concert, August 25, 2007, University of Southern California, United University Church, 7:00 p. m [ More Detail ]