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Shostakovich: Cello Concerto #1 In E Flat, Op. 107 - 1. Allegretto
Shostakovich: Cello Concerto #1 In E Flat, Op. 107 - 1. Allegretto
Shostakovich: Cello Concerto #1 In E Flat, Op. 107 - 1. AllegrettoCellist: Alexander IvashkinConductor: Valery PolyanskyMoscow Symphony Orchestra [ More Detail ]
by ShostakovichWarrior 6min16sec, Views:14, Ratings:5.00pt, Votes:3, Comments:1, Added at:08/08/27 [ DownLoad ]
Dittersdorf Bass concerto 1 movement Gábor Fánczy
This video was made at the young solists, preformance audition in Hungary Budapest, Solist: Gábor Fánczi. He is studing the base at the Franz List Accademy of music on Budapsest 3.th year. The orchestra is 51 years old, Szent István Filharmonics Conductor is Kálmán Záborszky who is a cellist, hes teacher was Banda Ede, in Hungary, and the grat cellist André Navarra ( Zaborsky was my cello teachers teacher ) ( I alsaw play on it :P you can see me there ) :PEnjoy this beautifull preformance. [ More Detail ]
Rostropovich: Shostakovich Cello Concerto No. 1 - Movement 1
Dmiti Shostakovich Cello Concerto No. 1 in E Flat Major, Op 107Mstislav Rostropovich, CelloLondon Symphony OrchestraCharles Groves, ConductorLondon, 16 December 1961 [ More Detail ]
Tchaikovsky Variations on Rococo Theme for cello &orchestra
Closing of 2007-2008 concerts' season at Sala Radio, Bucharest, with Alexandr RUDIN. Pyotr Ilyich Tchaikovsky -- Variations on a Rococo Theme in A, for cello and orchestra (1876), op.33, National Radio Orchestra, Bucharest, conductor and soloist (cello): Alexandr RUDIN -- 13 June 2008. Fragment of the cello concert (9:56 min).The musicians of Sempre Quartett - cvartet de corzi are playing in the Orchestra. [ More Detail ]
by semprequartett 9min57sec, Views:639, Ratings:4.70pt, Votes:3, Comments:2, Added at:08/06/14 [ DownLoad ]
Benjamin Zander
Benjamin Zander's distinguished career as cellist, composer and conductor, has spanned several esteemed organizations and incredible talents. Notably, in 1979 Zander became the conductor of the Boston Philharmonic Orchestra. In their twenty-six seasons together they have performed an extensive repertoire, with an emphasis on late Romantic and early Twentieth Century composers, especially the symphonies of Gustav Mahler. To celebrate the orchestra's 25th Anniversary in 2003-2004, the BPO completed an all-Mahler season, including a concert of Mahler's Second Symphony in Carnegie Hall. Zander has established an international reputation as a guest conductor. He has a unique relationship with the Philharmonic Orchestra of London. He is recording a series of Beethoven and Mahler symphonies with them for the Telarc label. Beethoven's Fifth and Seventh symphonies, and Mahler's symphonies 1, 3, 4, 5, 6, and 9 have been released thus far. High Fidelity named his recording of Mahler 6th as the best classical recording of 2002. His recording of Mahler's Symphony No. 3 was awarded the 2004 Critic's Choice by the German Record Critic's Award Association, and his recording of Mahler's 9th Symphony was nominated for a Grammy Award. Zander was awarded the 2002 Caring Citizen of the Humanities Award by the International Council for Caring Communities at the United Nations. For more information on Zander and other speakers please visit http://www.apbspeakers.com [ More Detail ]
by APBSpeakersInc 2min55sec, Views:1323, Ratings:5.00pt, Votes:1, Comments:1, Added at:08/06/05 [ DownLoad ]
Dvorak Cello Concerto in b minor, Blake Johnson
Blake Johnson, cellistEmory Youth Symphony Orchestra, Richard Prior, conductor Concert master, Melissa Ake [ More Detail ]
PABLO ELVIRA, HILDA RAMOS &JUSTINO DIAZ: "PAGLIACCI DUET"
PABLO ELVIRA &HILDA RAMOS SING SILVIO-NEDDA DUET, FROM LEONCAVALLO'S "I PAGLIACCI". JUSTINO DIAZ IS TONIO AT THE END OF THE SCENE.PERFORMING ARTS CENTER (CENTRO DE BELLAS ARTES) SAN JUAN, PUERTO RICOPablo Elvira, 1937-2000Born on Sept. 24, 1937. A gifted musician, native of San Juan, Puerto Rico and the son of a dance orchestra leader, Elvira began his musical career playing jazz trumpet (after playing piano, alto sax and bass fiddle!) with his father's group and later formed his own orchestra. A meeting with the famous cellist, composer and conductor Pablo Casals led to his pursuing a career as an opera singer. In 1960 Casals finished work on a biblical oratorio for world peace, ''El Pesebre,'' one of the cellist's small body of compositions. Needing five soloists for a recording and tour of the work, Casals heard Mr. Elvira audition and asked him to sing the baritone part. One of Mr. Elvira's most memorable performances of ''El Pesebre'' came in 1969, when Casals, by then 92, conducted it in Jerusalem before an audience of 3,000. In 1966, he participated in the Metropolitan Opera Auditions in New York and was selected by the Dean of the Indiana University School of Music to join their voice faculty. He remained there for eight years and performed leading baritone roles in the opera school's productions. Elvíra maintained his primary residence in Bozeman, Montana, and he became known as a strong supporter of opera in that state. After a year spent performing in Europe, he returned briefly to Indiana before moving to New York and debuting with New York City's Metropolitan Opera in 1978, becoming one of the leading baritones and performed there over 100 times during the next 12 years. In 1974, he made his first appearance with the New York City Opera. He performed with such opera greats as Joan Sutherland, Beverly Sills, Renata Scotto, Roberta Peters, Marilyn Horne, Cecilia Bartoli, Carlo Bergonzi, Justino Diaz, Luciano Pavarotti and Placido Domingo, who stated Elvira was "By far the greatest baritone in the world." During his career, Elvira sang in France, Germany, South America, Australia, Puerto Rico, Israel and throughout the United States. Among others, he received honors and distinctions like the "Israel Medal", Honor Awards by the US Government, Honors in New York from Governor Mario Cuomo and Mayor Ed Koch. He was the first baritone singing in the opening of the Michigan Opera Theater, as well as the openings of Chang Kai Shek Memorial Theater in Taiwan and the Melbourne Australia Performing Arts Center. In 1967-68 he sang in the world --premiere of Jerome Hines' opera "I am the Way", first in Indianapolis and reprising it at the MET. In 1972 he sang the title role in the world premiere of John Eaton's opera ''Heracles,'' which inaugurated Indiana University's 1,460-seat Musical Arts Center.Among his vast repertoire, his signature role was Figaro in Rossini's"Il Barbiere di Siviglia" (The Barber of Seville) and critics and colleagues alike crowned him "The best Figaro" of his generation. His musicality, solid technique, breathing control (which he developed by many years of trumpet playing) and seamless legato; along with his great acting skills, sets him apart and creates a real admiration from his colleagues, as Jerome Hines documented in his book "Great Singers on Great Singing". Pablo Elvira died in 2000 at 62. The musician, artist, singer and above all great human being is greatly missed. Some commercial recordings are proof of his art, and other private sources too:Commercial discography:*Montemezzi: L'amore dei tre re (Moffo, Domingo; Santi, 1976) RCA *Mascagni: Cavalleria rusticana (Scotto, Domingo; Levine, 1978) RCA *Donizetti: La Favorita (Alfredo Kraus, Shirley Verrett, James Morris; Eve Queler, NY City Opera, 1975) GALA Records [live]Commercial philmography:*Puccini: Manon Lescaut (Scotto, Domingo; Levine, Menotti, 1980) [live] *Donizetti: Lucia di Lammermoor (Sutherland, Kraus, Plishka; Bonynge, Donnell, 1982) [live] Books:*Great Singers on Great Singing: Opera Star Jerome Hines Interviews 40 Famous Opera Singers on the Technique of Singing, by Jerome Hines [ More Detail ]
by fabiantenor 9min59sec, Views:979, Ratings:5.00pt, Votes:3, Comments:1, Added at:08/05/14 [ DownLoad ]
Shostakovich Cello Concerto No.1 in E flat Major - Misha Quint - Part 5
Internationally celebrated cellist Misha Quint performs Shostakovich's 1st Cello Concerto in E flat Major with the Duquesne University Symphony Orchestra conducted by Sidney Harth.Cello Concerto No. 1 in E-flat major, Op. 107I. AllegrettoII. ModeratoIII. CadenzaIV. Allegro con motoComposer: Dmitri Shostakovich (1906-1975)Performer: Misha QuintConductor: Sidney HarthOrchestra: Duquesne Symphony Orchestra [ More Detail ]
by llewcellist 5min21sec, Views:483, Ratings:3.80pt, Votes:10, Comments:1, Added at:08/05/10 [ DownLoad ]
Shostakovich Cello Concerto No.1 in E Flat Major,Cadenza,Part 4, Misha Quint
Internationally celebrated classical cellist Misha Quint performs the Shostakovich Cello Concerto No.1 in E flat Major with the Duquesne University Symphony Orchestra conducted by Sidney Harth. CadenzaCello Concerto No. 1 in E-flat major, Op. 107I. Allegretto II. ModeratoIII. Cadenza Part 4IV. Allegro con motoComposer: Dmitri Shostakovich (1906-1975)Performer: Misha QuintConductor: Sidney HarthOrchestra: Duquesne Symphony Orchestra [ More Detail ]
by llewcellist 6min34sec, Views:248, Ratings:3.80pt, Votes:6, Comments:1, Added at:08/05/10 [ DownLoad ]
Shostakovich Cello Concerto No.1, Part 3, Misha Quint
Internationally celebrated classical cellist Misha Quint performs the Shostakovich Cello Concerto No.1 in E flat Major with the Duquesne University Symphony Orchestra conducted by Sidney Harth.Cello Concerto No. 1 in E-flat major, Op. 107I. Allegretto Part 1II. Moderato Part 3III. CadenzaIV. Allegro con motoComposer: Dmitri Shostakovich (1906-1975)Performer: Misha QuintConductor: Sidney HarthOrchestra: Duquesne Symphony Orchestra [ More Detail ]
by llewcellist 7min33sec, Views:173, Ratings:5.00pt, Votes:4, Comments:1, Added at:08/05/10 [ DownLoad ]
Shostakovich Cello Concerto No.1 in E Flat Major, Part 2, Misha Quint
Internationally celebrated classical cellist Misha Quint performs the Shostakovich Cello Concerto No.1 in E flat Major with the Duquesne University Symphony Orchestra conducted by Sidney Harth.Cello Concerto No. 1 in E-flat major, Op. 107I. Allegretto II. Moderato Part 2III. CadenzaIV. Allegro con motoComposer: Dmitri Shostakovich (1906-1975)Performer: Misha QuintConductor: Sidney HarthOrchestra: Duquesne Symphony Orchestra [ More Detail ]
by llewcellist 5min5sec, Views:268, Ratings:4.80pt, Votes:8, Comments:1, Added at:08/05/10 [ DownLoad ]
Shostakovich Cello Concerto No.1 in E Flat Major, Part 1 - Misha Quint
Internationally celebrated classical cellist Misha Quint performs the Shostakovich Cello Concerto No.1 in E flat Major with the Duquesne University Symphony Orchestra conducted by Sidney Harth.Cello Concerto No. 1 in E-flat major, Op. 107I. Allegretto Part 1II. ModeratoIII. CadenzaIV. Allegro con motoComposer: Dmitri Shostakovich (1906-1975)Performer: Misha QuintConductor: Sidney HarthOrchestra: Duquesne Symphony Orchestra [ More Detail ]
by llewcellist 6min22sec, Views:1030, Ratings:3.90pt, Votes:8, Comments:3, Added at:08/05/10 [ DownLoad ]
rico saccani, conductor
RicoSaccani.comELGAR: Cello Concerto (finale)Tamas Varga, solo [ More Detail ]
Dvorak, Cello Concerto B min Op.104: Santiago Cañon (12yo) 1
Santiago Cañon Valencia (12 Years Old) plays Concerto in B Minor Op. 104 from Cello &Orchestra (1St Movement - Allegro) by Antonin Dvorak. Part 1 of 6 - Colombian Talent.Orchestra Philarmonic of Bogotá (Colombia), Conductor: Ricardo Jaramillo.Frebruary 23/2008 [ More Detail ]
by luisca2007 9min30sec, Views:2759, Ratings:4.10pt, Votes:15, Comments:20, Added at:08/04/29 [ DownLoad ]
PABLO ELVIRA &CECILIA BARTOLI IN "DUNQUE IO SON?"(BARBIERE)
PABLO ELVIRA &CECILIA BARTOLI IN THE RECIT AND DUET "DUNQUE IO SON?" FROM ROSSINI'S "IL BARBIERE DI SIVIGLIA"THIS IS CERTAINLY A DREAM TEAM!!!SAN JUAN, PUERTO RICO; 1995Pablo Elvira, 1937-2000Born on Sept. 24, 1937. A gifted musician, native of San Juan, Puerto Rico and the son of a dance orchestra leader, Elvira began his musical career playing jazz trumpet (after playing piano, alto sax and bass fiddle!) with his father's group and later formed his own orchestra. A meeting with the famous cellist, composer and conductor Pablo Casals led to his pursuing a career as an opera singer. In 1960 Casals finished work on a biblical oratorio for world peace, ''El Pesebre,'' one of the cellist's small body of compositions. Needing five soloists for a recording and tour of the work, Casals heard Mr. Elvira audition and asked him to sing the baritone part. One of Mr. Elvira's most memorable performances of ''El Pesebre'' came in 1969, when Casals, by then 92, conducted it in Jerusalem before an audience of 3,000. In 1966, he participated in the Metropolitan Opera Auditions in New York and was selected by the Dean of the Indiana University School of Music to join their voice faculty. He remained there for eight years and performed leading baritone roles in the opera school's productions. Elvíra maintained his primary residence in Bozeman, Montana, and he became known as a strong supporter of opera in that state. After a year spent performing in Europe, he returned briefly to Indiana before moving to New York and debuting with New York City's Metropolitan Opera in 1978, becoming one of the leading baritones and performed there over 100 times during the next 12 years. In 1974, he made his first appearance with the New York City Opera. He performed with such opera greats as Joan Sutherland, Beverly Sills, Renata Scotto, Roberta Peters, Marilyn Horne, Cecilia Bartoli, Carlo Bergonzi, Justino Diaz, Luciano Pavarotti and Placido Domingo, who stated Elvira was "By far the greatest baritone in the world." During his career, Elvira sang in France, Germany, South America, Australia, Puerto Rico, Israel and throughout the United States. Among others, he received honors and distinctions like the "Israel Medal", Honor Awards by the US Government, Honors in New York from Governor Mario Cuomo and Mayor Ed Koch. He was the first baritone singing in the opening of the Michigan Opera Theater, as well as the openings of Chang Kai Shek Memorial Theater in Taiwan and the Melbourne Australia Performing Arts Center. In 1967-68 he sang in the world --premiere of Jerome Hines' opera "I am the Way", first in Indianapolis and reprising it at the MET. In 1972 he sang the title role in the world premiere of John Eaton's opera ''Heracles,'' which inaugurated Indiana University's 1,460-seat Musical Arts Center.Among his vast repertoire, his signature role was Figaro in Rossini's"Il Barbiere di Siviglia" (The Barber of Seville) and critics and colleagues alike crowned him "The best Figaro" of his generation. His musicality, solid technique, breathing control (which he developed by many years of trumpet playing) and seamless legato; along with his great acting skills, sets him apart and creates a real admiration from his colleagues, as Jerome Hines documented in his book "Great Singers on Great Singing". Pablo Elvira died in 2000 at 62. The musician, artist, singer and above all great human being is greatly missed. Some commercial recordings are proof of his art, and other private sources too:Commercial discography:*Montemezzi: L'amore dei tre re (Moffo, Domingo; Santi, 1976) RCA *Mascagni: Cavalleria rusticana (Scotto, Domingo; Levine, 1978) RCA *Donizetti: La Favorita (Alfredo Kraus, Shirley Verrett, James Morris; Eve Queler, NY City Opera, 1975) GALA Records [live]Commercial philmography:*Puccini: Manon Lescaut (Scotto, Domingo; Levine, Menotti, 1980) [live] *Donizetti: Lucia di Lammermoor (Sutherland, Kraus, Plishka; Bonynge, Donnell, 1982) [live] Books:*Great Singers on Great Singing: Opera Star Jerome Hines Interviews 40 Famous Opera Singers on the Technique of Singing, by Jerome Hines [ More Detail ]
by fabiantenor 7min34sec, Views:2513, Ratings:4.90pt, Votes:7, Comments:6, Added at:08/04/27 [ DownLoad ]
PABLO ELVIRA SINGS "LARGO AL FACTOTUM" FROM IL BABIERE
BARITONE PABLO ELVIRA IN HIS SIGNATURE ROLE, SINGS "LARGO AL FACTOTUM" FROM ROSSINI'S "IL BABIERE DI SIVIGLIA"SAN JUAN, PUERTO RICO; 1995Pablo Elvira, 1937-2000Born on Sept. 24, 1937. A gifted musician, native of San Juan, Puerto Rico and the son of a dance orchestra leader, Elvira began his musical career playing jazz trumpet (after playing piano, alto sax and bass fiddle!) with his father's group and later formed his own orchestra. A meeting with the famous cellist, composer and conductor Pablo Casals led to his pursuing a career as an opera singer. In 1960 Casals finished work on a biblical oratorio for world peace, ''El Pesebre,'' one of the cellist's small body of compositions. Needing five soloists for a recording and tour of the work, Casals heard Mr. Elvira audition and asked him to sing the baritone part. One of Mr. Elvira's most memorable performances of ''El Pesebre'' came in 1969, when Casals, by then 92, conducted it in Jerusalem before an audience of 3,000. In 1966, he participated in the Metropolitan Opera Auditions in New York and was selected by the Dean of the Indiana University School of Music to join their voice faculty. He remained there for eight years and performed leading baritone roles in the opera school's productions. Elvíra maintained his primary residence in Bozeman, Montana, and he became known as a strong supporter of opera in that state. After a year spent performing in Europe, he returned briefly to Indiana before moving to New York and debuting with New York City's Metropolitan Opera in 1978, becoming one of the leading baritones and performed there over 100 times during the next 12 years. In 1974, he made his first appearance with the New York City Opera. He performed with such opera greats as Joan Sutherland, Beverly Sills, Renata Scotto, Roberta Peters, Marilyn Horne, Cecilia Bartoli, Carlo Bergonzi, Justino Diaz, Luciano Pavarotti and Placido Domingo, who stated Elvira was "By far the greatest baritone in the world." During his career, Elvira sang in France, Germany, South America, Australia, Puerto Rico, Israel and throughout the United States. Among others, he received honors and distinctions like the "Israel Medal", Honor Awards by the US Government, Honors in New York from Governor Mario Cuomo and Mayor Ed Koch. He was the first baritone singing in the opening of the Michigan Opera Theater, as well as the openings of Chang Kai Shek Memorial Theater in Taiwan and the Melbourne Australia Performing Arts Center. In 1967-68 he sang in the world --premiere of Jerome Hines' opera "I am the Way", first in Indianapolis and reprising it at the MET. In 1972 he sang the title role in the world premiere of John Eaton's opera ''Heracles,'' which inaugurated Indiana University's 1,460-seat Musical Arts Center.Among his vast repertoire, his signature role was Figaro in Rossini's"Il Barbiere di Siviglia" (The Barber of Seville) and critics and colleagues alike crowned him "The best Figaro" of his generation. His musicality, solid technique, breathing control (which he developed by many years of trumpet playing) and seamless legato; along with his great acting skills, sets him apart and creates a real admiration from his colleagues, as Jerome Hines documented in his book "Great Singers on Great Singing". Pablo Elvira died in 2000 at 62. The musician, artist, singer and above all great human being is greatly missed. Some commercial recordings are proof of his art, and other private sources too:Commercial discography:*Montemezzi: L'amore dei tre re (Moffo, Domingo; Santi, 1976) RCA *Mascagni: Cavalleria rusticana (Scotto, Domingo; Levine, 1978) RCA *Donizetti: La Favorita (Alfredo Kraus, Shirley Verrett, James Morris; Eve Queler, NY City Opera, 1975) GALA Records [live]Commercial philmography:*Puccini: Manon Lescaut (Scotto, Domingo; Levine, Menotti, 1980) [live] *Donizetti: Lucia di Lammermoor (Sutherland, Kraus, Plishka; Bonynge, Donnell, 1982) [live] Books:*Great Singers on Great Singing: Opera Star Jerome Hines Interviews 40 Famous Opera Singers on the Technique of Singing, by Jerome Hines [ More Detail ]
by fabiantenor 5min25sec, Views:2023, Ratings:5.00pt, Votes:8, Comments:4, Added at:08/04/27 [ DownLoad ]
PABLO ELVIRA SINGS "COME PARIDE VEZZOSO" FROM ELISIR
PUERTORRICAN BARITONE PABLO ELVIRA SINGS "COME PARIDE VEZZOSO" FROM DONIZETTI'S "L'ELISIR D'AMORE". HIGH G NATURAL IN THE CADENZA BY MR. ELVIRA, JUST TO PUT THE CHERRY ON THE PIE!NEMORINO-CARLO BERGONZIADINA-ROBERTA PETERSBELCORE-PABLO ELVIRADRESS REHEARSAL, NEWARK 1989.Pablo Elvira, 1937-2000Born on Sept. 24, 1937. A gifted musician, native of San Juan, Puerto Rico and the son of a dance orchestra leader, Elvira began his musical career playing jazz trumpet (after playing piano, alto sax and bass fiddle!) with his father's group and later formed his own orchestra. A meeting with the famous cellist, composer and conductor Pablo Casals led to his pursuing a career as an opera singer. In 1960 Casals finished work on a biblical oratorio for world peace, ''El Pesebre,'' one of the cellist's small body of compositions. Needing five soloists for a recording and tour of the work, Casals heard Mr. Elvira audition and asked him to sing the baritone part. One of Mr. Elvira's most memorable performances of ''El Pesebre'' came in 1969, when Casals, by then 92, conducted it in Jerusalem before an audience of 3,000. In 1966, he participated in the Metropolitan Opera Auditions in New York and was selected by the Dean of the Indiana University School of Music to join their voice faculty. He remained there for eight years and performed leading baritone roles in the opera school's productions. Elvíra maintained his primary residence in Bozeman, Montana, and he became known as a strong supporter of opera in that state. After a year spent performing in Europe, he returned briefly to Indiana before moving to New York and debuting with New York City's Metropolitan Opera in 1978, becoming one of the leading baritones and performed there over 100 times during the next 12 years. In 1974, he made his first appearance with the New York City Opera. He performed with such opera greats as Joan Sutherland, Beverly Sills, Renata Scotto, Roberta Peters, Marilyn Horne, Cecilia Bartoli, Carlo Bergonzi, Justino Diaz, Luciano Pavarotti and Placido Domingo, who stated Elvira was "By far the greatest baritone in the world." During his career, Elvira sang in France, Germany, South America, Australia, Puerto Rico, Israel and throughout the United States. Among others, he received honors and distinctions like the "Israel Medal", Honor Awards by the US Government, Honors in New York from Governor Mario Cuomo and Mayor Ed Koch. He was the first baritone singing in the opening of the Michigan Opera Theater, as well as the openings of Chang Kai Shek Memorial Theater in Taiwan and the Melbourne Australia Performing Arts Center. In 1967-68 he sang in the world --premiere of Jerome Hines' opera "I am the Way", first in Indianapolis and reprising it at the MET. In 1972 he sang the title role in the world premiere of John Eaton's opera ''Heracles,'' which inaugurated Indiana University's 1,460-seat Musical Arts Center.Among his vast repertoire, his signature role was Figaro in Rossini's"Il Barbiere di Siviglia" (The Barber of Seville) and critics and colleagues alike crowned him "The best Figaro" of his generation. His musicality, solid technique, breathing control (which he developed by many years of trumpet playing) and seamless legato; along with his great acting skills, sets him apart and creates a real admiration from his colleagues, as Jerome Hines documented in his book "Great Singers on Great Singing". Pablo Elvira died in 2000 at 62. The musician, artist, singer and above all great human being is greatly missed. Some commercial recordings are proof of his art, and other private sources too:Commercial discography:*Montemezzi: L'amore dei tre re (Moffo, Domingo; Santi, 1976) RCA *Mascagni: Cavalleria rusticana (Scotto, Domingo; Levine, 1978) RCA *Donizetti: La Favorita (Alfredo Kraus, Shirley Verrett, James Morris; Eve Queler, NY City Opera, 1975) GALA Records [live] Commercial philmography:*Puccini: Manon Lescaut (Scotto, Domingo; Levine, Menotti, 1980) [live] *Donizetti: Lucia di Lammermoor (Sutherland, Kraus, Plishka; Bonynge, Donnell, 1982) [live] Books:*Great Singers on Great Singing: Opera Star Jerome Hines Interviews 40 Famous Opera Singers on the Technique of Singing, by Jerome Hines [ More Detail ]
by fabiantenor 3min7sec, Views:1006, Ratings:4.70pt, Votes:6, Comments:6, Added at:08/04/26 [ DownLoad ]