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Beethoven piano Trio E Flat Major op 70 #2 Itzhak Perlman, Vladimir Ashkenazy, Lynn Harrell
Beethoven piano Trio E Flat Major op 70 #2 Itzhak Perlman, Vladimir Ashkenazy, Lynn Harrell
This is one of the most beautiful trios I considered! So joyful and romantic, completely drunk w/ waltz melody! The clip is from one of my DVDs: ITZHAK PERLMAN - VIRTUOSO VIOLINIST. If you are a Perlman fan, this DVD is a must have! Enjoy! :)Video clip:Beethoven piano Trio E Flat Major op 70 #2 Violin: Itzhak PerlmanPiano: Vladimir AshkenazyCello: Lynn Harrell [ More Detail ]
by RomanceInStrings 4min44sec, Views:593, Ratings:5.00pt, Votes:7, Comments:2, Added at:08/09/25 [ DownLoad ]
Monn - Cello Concerto in G Minor - Mov. 3/3
GEORG MATTHIAS MONN (1717-1750)Concerto for cello, strings and basso continuo in G minor3. Allegro non tantoPerformed by the Freiburger BarockorchesterFeaturing Jean-Guihen Queyras, celloConducted by Petra Mullejans*Georg Matthias Monn was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.Together with Georg Christoph Wagenseil and Josef Starzer, Monn formed the Viennese Pre-Classical movement (Wiener Vorklassik in German), whose composers are nowadays mostly known only by their names. However, his successful introduction of the secondary theme in the symphony was an important condition for the First Viennese School that would come some fifty years later.We know much less about Monn's life than about his musical ideas. Only his appointments as an organist are known, at first in Klosterneuburg near Vienna. Afterwards, he was appointed in the same function in Melk in Lower Austria and at the Karlskirche in Vienna's district Wieden. Monn died from tuberculosis when he was only 33 years old.Monn's brother Johann Christoph Mann (never Monn, 1726?-82) was also a composer whose works have been confused at times with those of Georg Matthias Monn. The reason for this is that most of Monn's compositions only survive in copies from the 1780s and could therefore also be the works of his younger brother. We still have absolutely no proof that the Johann Georg Mann born in 1717 is the same person as the Georg Matthias Monn who died in 1750. His role as pioneer of the symphony is a scholarly image, coined in the early 20th century, could need some basic musicological revaluation.Together with Georg Christoph Wagenseil and other contemporaries such as Leopold Mozart, Monn forms a school of Austrian composers who had thoroughly studied the principles of counterpoint as practised by Johann Sebastian Bach and Johann Joseph Fux, but also forced the change from the Baroque style to the looser, graceful Galante music. Moreover, they renewed the sonata form by expanding the concepts of secondary theme and development. Later on, Michael and Joseph Haydn would develop these concepts to a high point.The catalog of works written by Matthias Monn contains sixteen symphonies, a score of quartets, sonatas, masses and compositions for violin and keyboard. A harpsichord concerto by Monn was freely transcribed by Arnold Schoenberg into a cello concerto for Pablo Casals. The Monn/Schoenberg cello concerto in D major has been recorded by Yo-Yo Ma and many other cellists. Schoenberg also wrote "continuo realizations" for several works by Monn, including a cello concerto in G minor, which was recorded by Jacqueline Du Pré. [ More Detail ]
by HARMONICO101 4min45sec, Views:785, Ratings:4.90pt, Votes:8, Comments:1, Added at:08/07/12 [ DownLoad ]
Monn - Cello Concerto in G Minor - Mov. 2/3
GEORG MATTHIAS MONN (1717-1750)Concerto for cello, strings and basso continuo in G minor2. AdagioPerformed by the Freiburger BarockorchesterFeaturing Jean-Guihen Queyras, celloConducted by Petra Mullejans*Georg Matthias Monn was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.Together with Georg Christoph Wagenseil and Josef Starzer, Monn formed the Viennese Pre-Classical movement (Wiener Vorklassik in German), whose composers are nowadays mostly known only by their names. However, his successful introduction of the secondary theme in the symphony was an important condition for the First Viennese School that would come some fifty years later.We know much less about Monn's life than about his musical ideas. Only his appointments as an organist are known, at first in Klosterneuburg near Vienna. Afterwards, he was appointed in the same function in Melk in Lower Austria and at the Karlskirche in Vienna's district Wieden. Monn died from tuberculosis when he was only 33 years old.Monn's brother Johann Christoph Mann (never Monn, 1726?-82) was also a composer whose works have been confused at times with those of Georg Matthias Monn. The reason for this is that most of Monn's compositions only survive in copies from the 1780s and could therefore also be the works of his younger brother. We still have absolutely no proof that the Johann Georg Mann born in 1717 is the same person as the Georg Matthias Monn who died in 1750. His role as pioneer of the symphony is a scholarly image, coined in the early 20th century, could need some basic musicological revaluation.Together with Georg Christoph Wagenseil and other contemporaries such as Leopold Mozart, Monn forms a school of Austrian composers who had thoroughly studied the principles of counterpoint as practised by Johann Sebastian Bach and Johann Joseph Fux, but also forced the change from the Baroque style to the looser, graceful Galante music. Moreover, they renewed the sonata form by expanding the concepts of secondary theme and development. Later on, Michael and Joseph Haydn would develop these concepts to a high point.The catalog of works written by Matthias Monn contains sixteen symphonies, a score of quartets, sonatas, masses and compositions for violin and keyboard. A harpsichord concerto by Monn was freely transcribed by Arnold Schoenberg into a cello concerto for Pablo Casals. The Monn/Schoenberg cello concerto in D major has been recorded by Yo-Yo Ma and many other cellists. Schoenberg also wrote "continuo realizations" for several works by Monn, including a cello concerto in G minor, which was recorded by Jacqueline Du Pré. [ More Detail ]
by HARMONICO101 7min37sec, Views:809, Ratings:5.00pt, Votes:3, Comments:0, Added at:08/07/12 [ DownLoad ]
Monn - Cello Concerto in G Minor - Mov. 1/3
GEORG MATTHIAS MONN (1717-1750)Concerto for cello, strings and basso continuo in G minor1. Allegro moderatoPerformed by the Freiburger BarockorchesterFeaturing Jean-Guihen Queyras, celloConducted by Petra Mullejans*Georg Matthias Monn was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.Together with Georg Christoph Wagenseil and Josef Starzer, Monn formed the Viennese Pre-Classical movement (Wiener Vorklassik in German), whose composers are nowadays mostly known only by their names. However, his successful introduction of the secondary theme in the symphony was an important condition for the First Viennese School that would come some fifty years later.We know much less about Monn's life than about his musical ideas. Only his appointments as an organist are known, at first in Klosterneuburg near Vienna. Afterwards, he was appointed in the same function in Melk in Lower Austria and at the Karlskirche in Vienna's district Wieden. Monn died from tuberculosis when he was only 33 years old.Monn's brother Johann Christoph Mann (never Monn, 1726?-82) was also a composer whose works have been confused at times with those of Georg Matthias Monn. The reason for this is that most of Monn's compositions only survive in copies from the 1780s and could therefore also be the works of his younger brother. We still have absolutely no proof that the Johann Georg Mann born in 1717 is the same person as the Georg Matthias Monn who died in 1750. His role as pioneer of the symphony is a scholarly image, coined in the early 20th century, could need some basic musicological revaluation.Together with Georg Christoph Wagenseil and other contemporaries such as Leopold Mozart, Monn forms a school of Austrian composers who had thoroughly studied the principles of counterpoint as practised by Johann Sebastian Bach and Johann Joseph Fux, but also forced the change from the Baroque style to the looser, graceful Galante music. Moreover, they renewed the sonata form by expanding the concepts of secondary theme and development. Later on, Michael and Joseph Haydn would develop these concepts to a high point.The catalog of works written by Matthias Monn contains sixteen symphonies, a score of quartets, sonatas, masses and compositions for violin and keyboard. A harpsichord concerto by Monn was freely transcribed by Arnold Schoenberg into a cello concerto for Pablo Casals. The Monn/Schoenberg cello concerto in D major has been recorded by Yo-Yo Ma and many other cellists. Schoenberg also wrote "continuo realizations" for several works by Monn, including a cello concerto in G minor, which was recorded by Jacqueline Du Pré. [ More Detail ]
by HARMONICO101 5min53sec, Views:1913, Ratings:5.00pt, Votes:13, Comments:9, Added at:08/07/12 [ DownLoad ]
Re: Beethoven can save the Climate
Cello metal band Apocalyptica joined web and SMS Greenpeace's call to mark 5th of June - World Environment Day, from the main stage at Rock in Rio Lisbon they let rip by playing Beethoven's Fifth Symphony to inspire G8 leaders to take action to stop climate change. [ More Detail ]
by oscarcitosoria 3min26sec, Views:342, Ratings:5.00pt, Votes:5, Comments:2, Added at:08/06/08 [ DownLoad ]
Chang chin shan played Beethoven Piano Trio OP.70 No1 Age13
The first prize of Piano Trio music competition in Taipei 獻給林鳳儀,陳省身二位同學Viollin :hong-yi LinCello :jin-shen CnenPiano :chin-shan Chang [ More Detail ]
St. Lawrence String Quartet rehearsal at Jordan Hall, Boston
St. Lawrence String Quartet in rehearsal at Jordan Hall, Boston November 18th, 2007. Playing a bit of Beethoven.The St. Lawrence String QuartetGeoff Nuttall, violinScott St. John , violinLesley Robertson, violaChristopher Costanza, celloHaving walked on stage together over 1800 times in the past eighteen years the St. Lawrence String Quartet (SLSQ) has established itself among the world-class chamber ensembles of its generation. In 1992, they won both the Banff International String Quartet Competition and Young Concert Artists International Auditions, launching them on a performing career that has brought them across North and South America, Europe and Asia.The long awaited initial recording of the St. Lawrence Quartet, Schumann's First and Third Quartets, was released in May 1999 to great critical acclaim. The CD received the coveted German critics award, the Preis der Deutschen Schallplattenkritik, as well as Canada's annual Juno Award. BBC Music Magazine gave the recording its "highest rating," calling it the benchmark recording of the works. In October of 2001, EMI released their recording of string quartets of Tchaikovsky. In 2002 their recording Yiddishbbuk featuring the chamber music of the celebrated Argentinean-American composer Osvaldo Golijov received two Grammy nominations. Their most recent recording of Shostakovich Quartets was released in July, 2006.The Quartet performs over 100 concerts worldwide. Highlights of the 2007/08 season include their popular series Sunday's with the St. Lawrence for Stanford Lively Arts, concerts in New York (Lincoln Center), Boston, Philadelphia, Los Angeles, Chicago, Dallas, Toronto, Vancouver, Montreal, Tucson, Phoenix, Cincinnati, Salt Lake City, Denver, Buffalo, New Orleans, and Albuquerque. They will also make two tours to Europe.Their summer calendar features their 13th year as Resident Quartet to the Spoleto USA Festival in Charleston, SC. Other recent summer festival appearances include Mostly Mozart in New York, Maverick Concerts, Bay Chamber Concerts (Maine), and the Ottawa Chamber Music Festival.The SLSQ has been involved in numerous inventive collaborations, including projects with the renowned Pilobolus Dance Theatre, and the Emerson Quartet. In 2007 they joined with Soprano Heidi Grant Murphy and pianist Kevin Murphy to premiere Roberto Sierra's "Songs from the Diaspora" -- a commission through the Music Accord consortium. They have also performed R. Murray Shafer's concerto for quartet and orchestra "4-40" with Peter Oundjian and the Toronto Symphony, Emmanuel Villaume and the Spoleto Festival Orchestra, and Yuli Turovsky with I Musici de Montreal.The foursome regularly delivers traditional quartet repertoire, but is also fervently committed to performing and expanding the works of living composers. Among those with whom the St. Lawrence Quartet currently has active working relationships are R. Murray Schafer, Osvaldo Golijov, Christos Hatzis, Jonathan Berger, Ka Nin Chan, Roberto Sierra, and Mark Applebaum.Having been privileged to study with the Emerson, Tokyo and Juilliard String Quartets the St. Lawrence, are themselves passionate educators. Since 1998 they have held the position of Ensemble in Residence at Stanford University. This residency includes working with students of music as well as extensive collaborations with other faculty and departments using music to explore a myriad of topics. Recent collaborations have involved the School of Medicine, School of Education, and Jewish Studies. In addition to their appointment at Stanford, the SLSQ has served as visiting artists to the University of Toronto since 1995 and this season will inaugurate a new visiting chamber music residency at the Arizona State University. The foursome's passion for opening up musical arenas to players and listeners alike is evident in their annual summer chamber music seminar at Stanford and their many forays into the depths of musical meaning with preeminent music educator Robert Kapilow.The SLSQ is deeply committed to bringing music to less traditional venues outside the classroom or concert hall. Whether at Lincoln Center or an elementary school classroom, the St. Lawrence players maintain a strong desire to share the wonders of chamber music with their listeners, a characteristic of the foursome that has led them to a more informal performance style than one might expect from chamber musicians. Alex Ross of The New Yorker Magazine writes, "the St. Lawrence are remarkable not simply for the quality of their music making, exalted as it is, but for the joy they take in the act of connection."The St. Lawrence String Quartet records exclusively for EMI/ANGEL. [ More Detail ]
Beethoven String Quartet Op. 74 - Mvt. 1
Eric Cheng, Jenn Chang, Hans Cutiongco, Ian Mok - 1.7.05 Paine Hall, Harvard University - BAM [ More Detail ]
The United World Philharmonic at UNFCCC
this is a "greed free..!" projectThe United World Philharmonic is Caring for our Futureclassical music &technology for sustainable livingunder the patronage of UNITED NATIONS ENVIRONMENT PROGRAMMEexcerpts from an EXCLUSIVE GALA CONCERTclassical music synchronized with digitally mastered multimedia images- a reflection on the human civilization -31st October 1999 in Bonn the official cutural event, live broadcasted on ZDF GERMAN TV at Beethoven Concert Hall .The United World Philharmonic Youth Orchestra of extraordinary young musicians from all over the world and its music are the focal point of the evening. Futuristic communications technology such as "virtual multimedia technology" will be employed to visually present live concerts of classical music.Images showing the state of our world will merge with the orchestra and the music and transport the viewer into a realistic fantasy world. The evening also experiments with the senses - images and sound will be united to create a new experience of classical music."Youth is the Future" - this key idea is the pillar on which this project has developed and taken on a highly unique viewpoint of the closing century and more particularly of the new millennium. Having arrived at the end of the 20th century it seems that there is no tangible history and no clear view of life upon which young people can orientate themselves. But hidden from sight in the minds of some people there is something which they are able to visualise very clearly and which has led to a new view of life, namely the idea of "sustainable development", of living and economising so that the next generation will not be worse off than we today. This concept of the future has become the hub of the event.On this particular evening, Youth is symbolised by an international orchestra which has been specially brought together for this live event. The artists come from all corners of the earth, are aged between 18 and 25, and every one of them is a professional musician. The orchestra can be seen as a microcosm of "sustainable living" for only when all the musicians play together in a disciplined manner and strive towards a common goal will they be crowned with success. And note that these young people are bringing us all a gift: the gift of their wonderful music, the precious cultural heritage of past generations, the timeless and stimulating beauty of classical music which appeals to all our senses.Beethovenhalle Bonn31st October 1999Antonio Vivaldi(1678 - 1741)The Four SeasonsFinale from "Summer"comments by Prof. Dr. Klaus Töpfer, former Executive Director of UNEPLudwig van Beethoven(1770 - 1827)Symphony No. 6 in F major, op. 68 "Pastoral" 1st movementErwachen heiterer Empfindungen bei der Ankunft auf dem Lande(Awakening of Cheerful Feelings upon Arrival in the Country)Allegro ma non troppoAthena Ronquillo, Greenpeace Philipins Marisol Montalvo, soprano Heitor Villa-Lobos(1887 - 1959)Bachianas brasileiras No. 5for Soprano, Solo Cello and Cello Ensemble(Text: Ruth V. Correa)I. Aria (Cantilena).Marisol Montalvo, sopranoTahar Hadj-Sadok, Deputy Executive Secretary UN Framework Convention on Climate Change (UNFCCC) on behalf of Michael Zammit Cutajar Claude Debussy(1862 - 1918)La Mer - Trois Esquisses symphoniques2. Jeux de vagues. AllegroChristopher Flavin, World Watch Institute Maurice Ravel(1875 - 1937)Daphnis et Chloé - Suite No. 2Fragments symphoniques - 2e sérieLever du jour - Pantomine - Danse généraleLuisa Islam-Ali-Zade performs Gustav Mahler(1860 - 1911)Symphony No. 3 in D minor4th movementSehr langsam. Misterioso. Durchaus ppp(Text: Friedrich Nietzsche)Luisa Islam-Ali-Zade, mezzo-soprano-------------------------------------------------Happy ending Hermann Scheer, Winner of the "Alternative Nobel Award" Marisol Montalvo, Ray M. Wade jr. singing Leonard Bernstein(1918 - 1990)West Side Story"Something´s coming""Somewhere"Encore"A short ride in a fast machine" from John AdamsConductor: Jonathan ShefferOrchestra left as a part of its efforts its own 30 kW photovoltaic panels on roof of Beethovenhalle ..can be seen at the end of movie as well as tree planting action... UN Delegates from 186 countries had been invited....by the way the musicians never met and played together before.... The Orchestra will be renamed for future activities into "United Nations Youth Orchestra"more information under www.UNYouthOrchestra.org broadcast and co-produced bythe environmental programme department of ZDF/arte/3sat [ More Detail ]
Beethoven Piano Trio in C minor, Op. 1, No. 3: 1st movement
Shannon Cheng, pianoRay Cheng, violinDarren Chang, cello [ More Detail ]
by virtuosoho 6min55sec, Views:8818, Ratings:3.60pt, Votes:19, Comments:16, Added at:07/03/03 [ DownLoad ]