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Nicki Minaj (Lil Wayne artist) - my tongue is my best asset
![Lea Salonga - The Journey[Lyrics] (Filipino Artist)](http://i3.ytimg.com/vi/Jtniz1owOxU/default.jpg)
![Hayley Westenra [Artist] - Shenandoah/One Fine Day/E Pari Ra Medley](http://i2.ytimg.com/vi/1P5W22C_zDs/default.jpg)
![Hayley Westenra [Artist] - Both Sides Now - Video](http://i2.ytimg.com/vi/YBtIS6O6prY/default.jpg)
Nicki Minaj (Lil Wayne artist) - my tongue is my best asset
Lil Wayne's mistress Nicki Minaj talks about how her tongue is her best asset [ More Detail ]
R.Petrova, Sonata # 1, - Rondo, Kalin Ivanov, Cello
Tribeca Arts Center, New YorkKalin Ivanov, CelloElena Antimova, Piano [ More Detail ]
by BulgarianVirtuosi 4min50sec, Views:48, Ratings:5.00pt, Votes:2, Comments:0, Added at:08/08/17 [ DownLoad ]
Tara of VH1's The PickUp Artist Introduces PickUpTara.com
Tara of VH1's The PickUp Artist introduces her new website and online web series PickUpTara.com. Tara shares a hilarious introduction to her website while discussing pickup (pua), poking fun of herself and explaining how everyone has flaws. Watch Out! Tara will be releasing more videos and also scheduling live broadcasts at http://www.pickuptara.com where you can suggest topics for the next PickUpTara episode, ask questions and receive feedback. [ More Detail ]
by pickuptara 3min34sec, Views:133464, Ratings:3.60pt, Votes:14, Comments:15, Added at:08/08/14 [ DownLoad ]
Pickup Artist Savoy on Openers part 3
http://www.lovesystems.com/Pickup Artist Savoy, consultant to the VH1 The Pickup Artist show, talks about openers and transition in more depth than the previous videos. If you have missed the previous videos, here they are:Part 1: http://www.youtube.com/watch?v=Qs182c8g-4oPart 2: http://www.youtube.com/watch?v=yrBAf01DzsQhttp://www.lovesystems.com/Tags: love systems lovesystems daygame day game dating pua the pickup artist live hidden camera video how to howto seduction dating social dynamics bootcamp demo sarging k-close fclose full close seduce style neil strauss flirting pickup lines number kiss close kino escalation howto how to body language attraction comfort qualification openers opening transition attract women approach anxiety braddock savoy dahunter kisser 5.0 cajun tenmagnet the don big business fader hiroller knoxville lbd moxie mr.m prestige rokker samurai sheriff soul sphinx londonsoul [ More Detail ]
by LoveSystems 8min29sec, Views:16532, Ratings:5.00pt, Votes:9, Comments:6, Added at:08/08/14 [ DownLoad ]
Pickup Artist Savoy on Openers part 2
http://www.lovesystems.com/Pickup Artist Savoy, consultant to the VH1 The Pickup Artist show, continues to discuss opening and transitioning according to the Emotional Progression Model of Magic Bullets. Part 1: http://www.youtube.com/watch?v=Qs182c8g-4oPart 3: http://www.youtube.com/watch?v=xOd5XvXQ5mAhttp://www.lovesystems.com/ Tags: love systems lovesystems daygame day game dating the pickup artist live hidden camera video how to howto seduction dating social dynamics bootcamp demo sarging k-close fclose full close seduce style neil strauss flirting pickup lines number kiss close kino escalation howto how to body language attraction comfort qualification openers opening transition attract women approach anxiety braddock savoy dahunter kisser 5.0 cajun tenmagnet the don big business fader hiroller knoxville lbd moxie mr.m prestige rokker samurai sheriff soul sphinx londonsoul [ More Detail ]
by LoveSystems 4min42sec, Views:65432, Ratings:5.00pt, Votes:5, Comments:3, Added at:08/08/14 [ DownLoad ]
Pt 2 - Lil Wayne's artist Jae Millz speaks on Tyga chain snatching
VladTV.com exclusive!!!part 2/2Jae Millz, signed to Lil Wayne's Young Money label, speaks on the crew's reaction to Tyga getting his chain snatched and 40 Glocc released the video with the chain. [ More Detail ]
Art:21 | Elegy for Robert Rauschenberg
"Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two.)"-- Robert Rauschenberg, 1959Elegy for Robert Rauschenberg is an homage to an artist who was my personal hero, and my nemesis, in my student years. He was my hero because of the infallibility of his touch, and the constancy of his ability to invent and re-invent the potency and power of visual art — to push the boundaries of what art could be. He was my nemesis because I saw him as pure genius and his every gesture as perfection — conditions that were not, I thought, possible for others to attain. But my joy and delight in his work continued and my pleasure in talking with him from time to time over the years was enormous.Curated by Paul Schimmel, Robert Rauchenberg: Combines was shown in early 2006 at The Metropolitan Museum of Art in New York. On seeing it there, and upon learning that there were no plans to film it, I asked Bob for permission to do so at the next venue, The Museum of Contemporary Art, Los Angeles.This elegy is dedicated to the memory of Robert Rauschenberg (1925-2008) and to the memory of his friendship with my late husband, Earle Brown (1926-2002), whose music has been intertwined and juxtaposed here with images of the glorious Combines.Susan Sollins-BrownExecutive DirectorArt21Elegy for Robert Rauschenberg has been created from footage filmed by Art21 at The Museum of Contemporary Art, Los Angeles during the 2006 exhibition of Robert Rauschenberg: Combines. Among the works seen in whole or in part are Minutiae (1954); Interview (1955); Monogram (1955-59); Canyon (1959); Gift for Apollo (1959); Black Market (1961); Empire II (1961); Pantomime (1961); Ace (1962); and Gold Standard (1964). The video is set to music composed by Earle Brown who, along with Rauschenberg, was a member of a small group of friends in the 1950s that included John Cage, Merce Cunningham, Morton Feldman, Jasper Johns, and Christian Wolff, among others. In the spirit of that long-ago friendship, and in the collaborative spirit of that time and group, excerpts from the following works by Brown have been selected and collaged, with permission of The Earle Brown Music Foundation, for this video: Music for Violin, Cello, &Piano (1952); Octet I (1953); Folio and 4 Systems (1954); String Quartet (1965); New Piece (1971); and Special Events (1999).VIDEO | Producer: Susan Sollins. Camera: Bob Elfstrom. Sound: Ray Day. Editor: Lizzie Donahue. Special thanks to Robert Rauschenberg's Studio and David White; Paul Schimmel and The Museum of Contemporary Art, Los Angeles; The Earle Brown Music Foundation and Thomas Fichter. [ More Detail ]
Eric Arceneaux - How I Became A Recording Artist
Eric on iTuneshttp://www.apple.com/search/ipoditunes/?q=ericarceneauxEric on CDbabyhttp://www.cdbaby.com/ericarceneauxHear more musichttp://www.myspace.com/ericarcenauxThis is my mini version of "Behind The Music" lol. Thought it would be cool to share some of my past experiences(and embarrassing pictures) with my fans and those who just want to know more about me. [ More Detail ]
by EricArceneaux 9min14sec, Views:24483, Ratings:5.00pt, Votes:77, Comments:89, Added at:08/04/20 [ DownLoad ]
Lea Salonga - The Journey[Lyrics] (Filipino Artist)
Watch in HQ:http://youtube.com/watch?v=Jtniz1owOxU&fmt=18About Lea Salonga:Lea Salonga-Chien (born Maria Ligaya Carmen Imutan Salonga on February 22, 1971 in the Philippines) is a multi-awarded Filipino singer and actress who is best known for her acclaimed portrayal of Kim in the musical Miss Saigon. In the field of musical theater, she is recognized for having won the Olivier, Tony, Drama Desk, Outer Critics, and Theatre World Awards, the first to win various international awards for a single role. She was also the first Asian to play Eponine in the musical Les Misérables on Broadway. In 2007, Salonga released her first studio album in seven years called "Inspired," which has been certified platinum, and finished another stint in the musical Les Misérables on Broadway, this time as Fantine. She is slated to appear in a number of musical events scheduled in different countries until 2008.Early career:Lea Salonga started as a child star in the Philippines, making her professional debut in 1978 at the age of seven through the musical The King and I by Repertory Philippines. She became the lead star of Annie and joined other productions such as Cat On A Hot Tin Roof, Fiddler On The Roof, The Rose Tattoo, The Sound of Music, The Goodbye Girl, Paper Moon, and The Fantasticks. She began her recording career at the age of ten with her first album, Small Voice, which received a gold certification. A song on the album, the duet "Happiness," marked her first recording collaboration with her younger brother Gerard Salonga who would, years later, work with her either as musical director or creative director in her concerts and recordings. Her second album, "Lea," was released in 1988. In addition to performing in musical theater and recordings, Salonga hosted her own musical television show, Love, Lea, and was a member of the cast of German Moreno's teen variety show That's Entertainment. She likewise acted in films,which included the family-oriented Tropang Bulilit, Like Father, Like Son, Ninja Kids, Captain Barbell and Pik Pak Boom. She also opened for international acts such as Menudo and Stevie Wonder in their concerts in Manila in 1985 and in 1988, respectively. As a young performer, Lea Salonga received a Filipino Academy of Movie Arts and Sciences (FAMAS) award nomination (the Philippine equivalent of an Oscar nomination) for Best Child Actress and three wins from the Aliw (literally, "entertainment") Awards as Best Child Performer.International career:Salonga's big breakthrough came when she was selected to play Kim in the megahit musical Miss Saigon in 1989. Unable to find a strong enough Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead role of this major British production. For her audition, the 17-year-old Salonga chose to sing Boublil and Schönberg's "On My Own" from Les Misérables and was later asked to sing "Sun and Moon" to test her voice quality's compatibility with the songs in the musical. The members of the panel were impressed with Salonga's rendition of the songs, noting that from Salonga's very first note, they already knew they had a potential Kim. Salonga competed with childhood friend and fellow Repertory Philippines performer Monique Wilson as they were tested with songs from the musical, which included "Too Much for One Heart," a number replaced by the duet "Please" right before the musical opened. Salonga was offered the lead role, with Wilson as the alternate (who was also assigned the role of bar girl Mimi).For complete information about Lea Salonga:Visit: http://en.wikipedia.org/wiki/Lea_SalongaOfficial Site:http://www.leasalonga.com/Disclaimer:I do not own the song, this is purely fanmade. No copyright infringement intended. [ More Detail ]
by PinoyMusicChoice 4min34sec, Views:144661, Ratings:4.80pt, Votes:227, Comments:111, Added at:08/03/05 [ DownLoad ]
Antic Cafe Pick Up Artist Interview (Eng Subs)
I know this video is a old video of Ancafe(Bou is still there) but I managed to put the subs together by using http://anticcafe.com/pickupartists.html subsOh yea, youtube messed up with matching the audio when they were talking about the characteristics of the band so the subs dont match the audio so well, but the rest of the questions before and after the characteristics question is fine0( ≧∀≦ )0 Nyappy! [ More Detail ]
by formercandy 9min30sec, Views:17077, Ratings:5.00pt, Votes:199, Comments:117, Added at:08/02/14 [ DownLoad ]
"ELEGY" - ARNO BABADJANIAN - A. NERSISSIAN /1995)
ARNO H. BABADJANIAN Né le 22 janvier 1921 à Erevan (Republique d´Arménie), ARNO H. BABADJANIAN a été lauréat du Conservatoire Gomidas de cette ville en 1947 et a étudié la classe de piano du Conservatoire Tchaikovsky de Moscou en 1948.De 1950 à 1957, il prit la classe de piano du Conservatoire d'etat de Erevan en tant que professeur. Dès 1957, il se dévoua complètement à la composition.La réputation de Babadjanian en tant que compositeur fut révélée très tôt et ce depuis les années 1940.En 1957 il fut honoré comme lauréat au Festival Des Jeunes Étudiants à Prague (Tchécoslovaquie) pour sa composition "Suite de pièces pour piano". Il atteint sa vraie maturité en 1950 avec sa "BALLADE HEROIQUE" (Concerto pour piano et orchestre) et ensuite il gagna un Prix de l' Etat avec son « Trio de piano, violon et violoncelle », sa « Sonate pour violon et piano », le « Concerto pour alto », six « Images pour piano solo » et surtout son troisieme « Quatuor pour cordes » dédié à Chostakovitch (1976).En tant que pianiste Babadjanian avait un talent exceptionnel, ne jouant pas uniquement ses propres œuvres, mais il fut également un brillant interprète de Rachmaninov, Chopin et Van Beethoven.Le talent d'Arno Babadjanian s'exprime le plus pleinement dans la musique instrumentale et la musique de chambre. Au piano, Babadjanian a une envergure proprement rachmaninovienne, et sa palette étincelle de couleurs peu communes. Babadjanian pianiste est le fidèle conseiller de Babadjanian compositeur.Ses œuvres pour piano - la "Sonate polyphonique" (1947), un "Capriccio" (1951), les Six Tableaux op. 40 (1965), un "Poème" (1966), la "Ballade Héroïque" pour piano et orchestre (1950), un "Trio pour piano, violin et cello" (1953) et la "Elegie in Memoriam Aram Khatchatourian" (1978)- appartiennent aux meilleures pages de la littérature nationale pour piano. Elles font partie du répertoire des interprètes aussi bien russes qu'étrangers. Une certaine largeur de vues, l'intensité de l'émotion, une force élémentaire assagie par l'intelligence, ces traits, caractéristiques de l'œuvre de Babadjanian, enchantent de nombreux amateurs de son art. Arno Babadjanian est aussi largement connu en tant que chansonnier. Pourtant, c'est ce qu'il a écrit de meilleur dans le genre sérieux qui lui a valu la renommée d'un des plus brillants représentants de la musique soviétique. Son œuvre fut hautement récompensé par l'Etat d'Arménie, avec le prix «Lénine», le titre «d'Artiste Du Peuple», et lauréat de nombreux prix de l'Etat d'Arménie.Pour finir, il a été élu plusieurs fois en tant que membre du Comite De L'Union Des Compositeurs Arméniens.Le monde de la musique academique a éprouvé une grande perte avec la mort de A. Babadjanian le 15 novembre 1983.Traduit par Sahag Doroumian [ More Detail ]
by keutahi