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Eugene Gorzaltchik plays Haydn's Divertimento #6 (3)
Eugene Gorzaltchik plays Haydn's Divertimento #6 (3)
Franz Joseph HaydnDivertimento #6 op.100 (3.Vivace)"Devienne Trio"Eugene Gorzaltchik-fluteReuven Ben-David-violinRoman Breude-cello [ More Detail ]
Eugene Gorzaltchik plays Haydn's Divertimento #6 (2)
Franz Joseph HaydnDivertimento #6 op.100 (2.Adagio)"Devienne Trio"Eugene Gorzaltchik-fluteReuven Ben-David-violinRoman Breude-cello [ More Detail ]
Eugene Gorzaltchik plays Haydn's Divertimento #6 (1)
Franz Joseph HaydnDivertimento #6 op.100 (1.Allegro moderato)"Devienne Trio"Eugene Gorzaltchik-fluteReuven Ben-David-violinRoman Breude-cello [ More Detail ]
Young Artists Symphony YAS San Diego California
YAS Young Artists Symphony2008 Spring Concert HighlightsRienzi Overture-Richard WagnerFlute Concerto- Joseph HaydnEntrance of the Queen of Sheba - G.F. HandelCello Concerto- Edouard LaloPictures at an Exhibition - M. P. Mussorgsky [ More Detail ]
by Kikaphotos03 8min56sec, Views:298, Ratings:0.00pt, Votes:0, Comments:3, Added at:08/08/17 [ DownLoad ]
M.Sargent/Dohnányi "Suite romantique" (for orchestra)Part3-5
================================Ernst von Dohnányi Suite for orchestra in F sharp minor ("Suite romantique"), Op.19 1. Andante con variazioni (Andante con moto) Parts1&2-52. Scherzo (Allegretto vivace) Parts3-53. Romanza (Andante poco moto) Parts4-54. Rondo (Allegro vivace) Part5-5The Royal Philharmonic Orches6tra/Malcolm Sargent================================Related information:Sir Harold Malcolm Watts Sargent (29 April 1895 -- 3 October 1967) was an English conductor, organist and composer widely regarded as Britain's leading conductor of choral works.[1] The musical ensembles with which he was associated included the Ballets Russes, the Royal Choral Society, the D'Oyly Carte Opera Company, and the London Philharmonic, Hallé, Liverpool Philharmonic, BBC Symphony and Royal Philharmonic orchestras.As chief conductor of London's internationally famous summer music festival the Proms from 1948 to 1967, Sargent was one of the best-known English conductors.[2] His fame extended beyond the concert hall: to the British public, he was a familiar broadcaster in BBC radio talk shows, and generations of Gilbert and Sullivan devotees have known his recordings of the most popular Savoy Operas. Sargent toured widely throughout the world and was noted for his skill as a conductor, his debonair appearance, and his championship of British composers.Musical reputation and repertoireToscanini, Beecham and many others regarded Sargent as the finest choral conductor in the world.[61] Even orchestral musicians gave him credit: the principal violist of the BBC Symphony Orchestra wrote of him, "He is able to instil into the singers a life and efficiency they never dreamed of. You have only to see the eyes of a choral society screwing into him like hundreds of gimlets to understand what he means to them."[62] Although orchestral players resented Sargent for much of his career after the 1936 interview,[63] instrumental soloists generally liked working with him. The cellist Pierre Fournier called him a "guardian angel" and compared him favourably with George Szell and Herbert von Karajan. Artur Schnabel, Jascha Heifetz and Yehudi Menuhin thought similarly highly of him.[64] Cyril Smith wrote in his autobiography, "...he seems to sense what the pianist wants of the music even before he begins to play it.... He has an incredible speed of mind, and it has always been a great joy, as well as a rare professional experience, to work with him."[65] For this reason, among others, Sargent was continually in demand as a conductor for concertos.[66]The Times obituary said Sargent, "was of all British conductors in his day the most widely esteemed by the lay public... a fluent, attractive pianist, a brilliant score-reader, a skilful and effective arranger and orchestrator... as a conductor his stick technique was regarded by many as the most accomplished and reliable in the world.... [H]is taste... was moulded by the Victorian cathedral tradition into which he was born." It commented that, in his later years, his interpretations of the standard classical and romantic repertoire were "prepared... down to the last detail" but sometimes "unexuberant", though his performances of "the music composed within his lifetime... remained lucid and continually compelling."[35] The flute player Gerald Jackson wrote, "I feel that [Walton] conducts his own music as well as anyone else, with the possible exception of Sargent, who of course introduced and always makes a big thing of Belshazzar's Feast."[65]The composers whose works Sargent regularly conducted included, from the eighteenth century, J. S. Bach, Handel, Gluck, Mozart and Haydn; and from the nineteenth century, Beethoven, Berlioz, Schubert, Schumann, Mendelssohn, Brahms, Wagner, Tchaikovsky, Smetana, Sullivan and Dvořák. From the twentieth century, British composers in his repertoire included Bliss, Britten, Delius, Elgar (a favourite, especially Elgar's oratorios The Dream of Gerontius, The Apostles and The Kingdom and symphonies),[65] Holst, Tippett, Vaughan Williams and Walton. With the exception of the Berg Violin Concerto, Sargent avoided the works of the Second Viennese School but programmed works by Bartók, Dohnányi, Hindemith, Honneger, Kodály, Martinů, Poulenc, Prokofiev, Rachmaninoff, Shostakovich, Sibelius, Richard Strauss, Stravinsky and Szymanowski.[67]http://en.wikipedia.org/wiki/Malcolm_Sargent================================ *Note:Support the artist, their families and their legacy by purchasing their music. [ More Detail ]
by tHEnOOSEsWING 4min30sec, Views:401, Ratings:5.00pt, Votes:2, Comments:0, Added at:08/08/04 [ DownLoad ]
Haydn - Symphony No. 6 "Le Matin" - Mov. 3-4/4
FRANZ JOSEPH HAYDN (1732-1809)Symphony No. 6 for flute, two oboes, bassoon, 2 horns, violin concertante, cello concertante, strings, and double bass in D major "Le Matin" (The Morning) Hob 1:63. Menuetto avec Trio4. Finale: AllegroPerformed by the Freiburger Barockorchester*Haydn wrote this, his first symphonic work for his new employer Prince Nikolaus Eszterházy, in the spring of 1761, shortly after joining the court. The Eszterházys maintained in permanent residence an excellent chamber orchestra and with his first contribution for it in the symphonic genre, Haydn fully exploited the talents of the players. In this, Haydn was consciously drawing on the familiar tradition of the concerto grosso, exemplified by the works of Antonio Vivaldi, Giuseppe Tartini, and Tomaso Albinoni then much in vogue at courts across Europe. Nikolaus Eszterházy had a fondness for programme music of this kind. Amongst the scores owned by the court musical establishment were Vivaldi's "Four Seasons"; and in 1748 the prince's Kapellmeister Gregor Joseph Werner had composed a "Musikalischer Instrumental-Kalender' on all twelve months. [ More Detail ]
by HARMONICO101 8min56sec, Views:1013, Ratings:5.00pt, Votes:7, Comments:1, Added at:08/07/14 [ DownLoad ]
Haydn - Symphony No. 6 "Le Matin" - Mov. 2/4
FRANZ JOSEPH HAYDN (1732-1809)Symphony No. 6 for flute, two oboes, bassoon, 2 horns, violin concertante, cello concertante, strings, and double bass in D major "Le Matin" (The Morning) Hob 1:62. Adagio - Andante - AdagioPerformed by the Freiburger Barockorchester*Haydn wrote this, his first symphonic work for his new employer Prince Nikolaus Eszterházy, in the spring of 1761, shortly after joining the court. The Eszterházys maintained in permanent residence an excellent chamber orchestra and with his first contribution for it in the symphonic genre, Haydn fully exploited the talents of the players. In this, Haydn was consciously drawing on the familiar tradition of the concerto grosso, exemplified by the works of Antonio Vivaldi, Giuseppe Tartini, and Tomaso Albinoni then much in vogue at courts across Europe. Nikolaus Eszterházy had a fondness for programme music of this kind. Amongst the scores owned by the court musical establishment were Vivaldi's "Four Seasons"; and in 1748 the prince's Kapellmeister Gregor Joseph Werner had composed a "Musikalischer Instrumental-Kalender' on all twelve months. [ More Detail ]
by HARMONICO101 8min38sec, Views:422, Ratings:4.80pt, Votes:4, Comments:0, Added at:08/07/14 [ DownLoad ]
Haydn - Symphony No. 6 "Le Matin" - Mov. 1/4
FRANZ JOSEPH HAYDN (1732-1809)Symphony No. 6 for flute, two oboes, bassoon, 2 horns, violin concertante, cello concertante, strings, and double bass in D major "Le Matin" (The Morning) Hob 1:61. Adagio - AllegroPerformed by the Freiburger Barockorchester*Haydn wrote this, his first symphonic work for his new employer Prince Nikolaus Eszterházy, in the spring of 1761, shortly after joining the court. The Eszterházys maintained in permanent residence an excellent chamber orchestra and with his first contribution for it in the symphonic genre, Haydn fully exploited the talents of the players. In this, Haydn was consciously drawing on the familiar tradition of the concerto grosso, exemplified by the works of Antonio Vivaldi, Giuseppe Tartini, and Tomaso Albinoni then much in vogue at courts across Europe. Nikolaus Eszterházy had a fondness for programme music of this kind. Amongst the scores owned by the court musical establishment were Vivaldi's "Four Seasons"; and in 1748 the prince's Kapellmeister Gregor Joseph Werner had composed a "Musikalischer Instrumental-Kalender' on all twelve months. [ More Detail ]
by HARMONICO101 6min10sec, Views:947, Ratings:5.00pt, Votes:6, Comments:1, Added at:08/07/14 [ DownLoad ]
"Trio No.2" - Kinhaven 08
Trio No.2 - Joseph HaydnGabe Fridkis - fluteToto Bidwell - celloTaylor Artez - pianohttp://www.lusoformosa.com [ More Detail ]
by lusoformosa 6min3sec, Views:77, Ratings:5.00pt, Votes:1, Comments:0, Added at:08/07/14 [ DownLoad ]
London Trio No. 2, Andante-Allegro
Flute and cello trio by Franz Joseph Haydn, from a recital at Eastman Community Music School. Performed by Laura Pillman, Laurel Reisig, and Katie Contino [ More Detail ]
D Major Trio for flute, cello and Piano, Mov.3 - Haydn
May 24, 2008, 11 years old, Annual Class Concert [ More Detail ]
by crystalyeh 4min20sec, Views:166, Ratings:4.50pt, Votes:2, Comments:2, Added at:08/05/28 [ DownLoad ]
Haydn - Notturno in G Major Hob II :27 - Mov. 2-3/3
FRANZ JOSEPH HAYDN (1732-1809)Notturno in G major for flute, oboe, 2 violins, two violas, cello, double bass and two horns (London version) No. 8 Hob II :272. Adagio3. Finale: vivace assaiPerformed by Ensemble Baroque de Limoges and Quator Masaiques [ More Detail ]
by HARMONICO101 8min18sec, Views:1580, Ratings:5.00pt, Votes:5, Comments:0, Added at:08/03/29 [ DownLoad ]
Andre Schwiede op.16-2 Allegretto
Andre Schwiede op.16-2 Allegretto.Orchestra: Flute, Corni, Violin1, Violin2, Viola, Cello, Bassi, [ More Detail ]
by conbrio1983 6min20sec, Views:166, Ratings:5.00pt, Votes:2, Comments:2, Added at:08/03/24 [ DownLoad ]
Cesar Peredo plays Haydn London Trio Nº 3
The flute player Cesar Peredo plays Haydn, London trio Nº 3 with violinist Javier Rodriguez and cellist Marco Lucioni. [ More Detail ]
by cesarmartin41 9min23sec, Views:532, Ratings:5.00pt, Votes:1, Comments:3, Added at:08/02/25 [ DownLoad ]
Colorado Symphony Orchestra - 2007-8 season
* NOMINATED for Colorado Broadcasters Association award, Spring 2008 * This year we wanted to shake it up (see previous 3 years of CBS4/CSO promos on this channel)We put 7 musicians plus conductor Jeffrey Kahane in front of our green screen/weather wall, and recorded them in black/white silhouettte. Then Patti, Queen of Graphics took over the visuals as I put an audio bed together from Beethoven's 9th, 2nd movement. Our best one yet. Thanks as always, Gene!ludwig van beethoven 9th symphony 2nd movement ode to joy silhouette musicians french horn trumpet timpani flute violin viola cello molly hughes partnership non-profit cso colorado symphony orchestra marketing classical music media corporate sponsor sponsorship wolfgang amadeus mozart brahms chopin bach haydn vivaldi handel schubert schumann romantic period concerto elgar wagner liszt mahler tchaikovsky grieg dvorak [ More Detail ]
by baywatched 29sec, Views:4310, Ratings:5.00pt, Votes:6, Comments:0, Added at:07/06/29 [ DownLoad ]
J.Haydn Trio D-Dur for flute, cello and piano 2-3mv(Varelas)
Dmitriy Varelas, Seeli Toivio and Gertrud Andrasi play J.Haydn Trio in D major. Look for more http://www.varelas.net/dmitry/ [ More Detail ]
J.Haydn Trio D-Dur for flute, cello and piano 1mv. (Varelas)
Dmitriy Varelas, Seeli Toivio and Gertrud Andrasi play J.Haydn Trio in D major. Look for more http://www.varelas.net/dmitry/ [ More Detail ]