The Ekaterina Quartet (Aaron Violin 1, Chaewon Violin 2, Robin Cello, and Calynn Viola) play Haydn Quartet in G major Op. 76 No. 1 at the 2008 Britt String Quartet Acadamy's final recital. [ More Detail ]
Point Counter Point Chamber Music Camp Campers preforming Haydn's 46th Quartett. This is not the final concert for these performers.Philip Guntermann, Kristina LewisViolin Reagan McNameeKingViola William WalkerCello [ More Detail ]
Wesley Lima and Anna Barchie, violins - Yasmin Okabayashi, viola - Jacob Bonnema, cello ---- Playing String Quartet Op. 17 No. 6 in D Major. We played the first Presto movement. [ More Detail ]
This is a piano transcription of a portion of the closing Adagio from Haydn's "Farewell" Symphony in F sharp minor, no. 45. The Farewell Symphony is unique in that musicians walk one-at-a-time off the stage, eventually leaving only two first violinists on the stage performing a duet. I began the transcription somewhere around letter S in the score, when there is only the equivalent of a string quartet left on the stage.I am a cellist in the Willowbrook High School (Villa Park, IL) orchestra, under the direction of veteran conductor Bruce Hanson. On March 18, 2008, our orchestra performed the Farewell Symphony; it was that performance that inspired me to transcribe part of Haydn's masterpiece for piano.I memorized and transcribed this piece soly by listening many a time to various recordings, mainly those done by Sir Charles Mackerras (Orchestra of St. Luke's), Barry Wordsworth (Capella Istropolitana), and Lazar Gosman (Leningrad Chamber Orchestra). [ More Detail ]
Franz Joseph Haydn(1732-1809)Quartet No.11IV. Finale:Vivace assaiEunji Park, ViolinKenneth Trotter, ViolinJonathan Lloyed, ViolaChristina Kihm, CelloSean Katsuyama, Coach [ More Detail ]
GEORG MATTHIAS MONN (1717-1750)Concerto for cello, strings and basso continuo in G minor3. Allegro non tantoPerformed by the Freiburger BarockorchesterFeaturing Jean-Guihen Queyras, celloConducted by Petra Mullejans*Georg Matthias Monn was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.Together with Georg Christoph Wagenseil and Josef Starzer, Monn formed the Viennese Pre-Classical movement (Wiener Vorklassik in German), whose composers are nowadays mostly known only by their names. However, his successful introduction of the secondary theme in the symphony was an important condition for the First Viennese School that would come some fifty years later.We know much less about Monn's life than about his musical ideas. Only his appointments as an organist are known, at first in Klosterneuburg near Vienna. Afterwards, he was appointed in the same function in Melk in Lower Austria and at the Karlskirche in Vienna's district Wieden. Monn died from tuberculosis when he was only 33 years old.Monn's brother Johann Christoph Mann (never Monn, 1726?-82) was also a composer whose works have been confused at times with those of Georg Matthias Monn. The reason for this is that most of Monn's compositions only survive in copies from the 1780s and could therefore also be the works of his younger brother. We still have absolutely no proof that the Johann Georg Mann born in 1717 is the same person as the Georg Matthias Monn who died in 1750. His role as pioneer of the symphony is a scholarly image, coined in the early 20th century, could need some basic musicological revaluation.Together with Georg Christoph Wagenseil and other contemporaries such as Leopold Mozart, Monn forms a school of Austrian composers who had thoroughly studied the principles of counterpoint as practised by Johann Sebastian Bach and Johann Joseph Fux, but also forced the change from the Baroque style to the looser, graceful Galante music. Moreover, they renewed the sonata form by expanding the concepts of secondary theme and development. Later on, Michael and Joseph Haydn would develop these concepts to a high point.The catalog of works written by Matthias Monn contains sixteen symphonies, a score of quartets, sonatas, masses and compositions for violin and keyboard. A harpsichord concerto by Monn was freely transcribed by Arnold Schoenberg into a cello concerto for Pablo Casals. The Monn/Schoenberg cello concerto in D major has been recorded by Yo-Yo Ma and many other cellists. Schoenberg also wrote "continuo realizations" for several works by Monn, including a cello concerto in G minor, which was recorded by Jacqueline Du Pré. [ More Detail ]
GEORG MATTHIAS MONN (1717-1750)Concerto for cello, strings and basso continuo in G minor2. AdagioPerformed by the Freiburger BarockorchesterFeaturing Jean-Guihen Queyras, celloConducted by Petra Mullejans*Georg Matthias Monn was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.Together with Georg Christoph Wagenseil and Josef Starzer, Monn formed the Viennese Pre-Classical movement (Wiener Vorklassik in German), whose composers are nowadays mostly known only by their names. However, his successful introduction of the secondary theme in the symphony was an important condition for the First Viennese School that would come some fifty years later.We know much less about Monn's life than about his musical ideas. Only his appointments as an organist are known, at first in Klosterneuburg near Vienna. Afterwards, he was appointed in the same function in Melk in Lower Austria and at the Karlskirche in Vienna's district Wieden. Monn died from tuberculosis when he was only 33 years old.Monn's brother Johann Christoph Mann (never Monn, 1726?-82) was also a composer whose works have been confused at times with those of Georg Matthias Monn. The reason for this is that most of Monn's compositions only survive in copies from the 1780s and could therefore also be the works of his younger brother. We still have absolutely no proof that the Johann Georg Mann born in 1717 is the same person as the Georg Matthias Monn who died in 1750. His role as pioneer of the symphony is a scholarly image, coined in the early 20th century, could need some basic musicological revaluation.Together with Georg Christoph Wagenseil and other contemporaries such as Leopold Mozart, Monn forms a school of Austrian composers who had thoroughly studied the principles of counterpoint as practised by Johann Sebastian Bach and Johann Joseph Fux, but also forced the change from the Baroque style to the looser, graceful Galante music. Moreover, they renewed the sonata form by expanding the concepts of secondary theme and development. Later on, Michael and Joseph Haydn would develop these concepts to a high point.The catalog of works written by Matthias Monn contains sixteen symphonies, a score of quartets, sonatas, masses and compositions for violin and keyboard. A harpsichord concerto by Monn was freely transcribed by Arnold Schoenberg into a cello concerto for Pablo Casals. The Monn/Schoenberg cello concerto in D major has been recorded by Yo-Yo Ma and many other cellists. Schoenberg also wrote "continuo realizations" for several works by Monn, including a cello concerto in G minor, which was recorded by Jacqueline Du Pré. [ More Detail ]
GEORG MATTHIAS MONN (1717-1750)Concerto for cello, strings and basso continuo in G minor1. Allegro moderatoPerformed by the Freiburger BarockorchesterFeaturing Jean-Guihen Queyras, celloConducted by Petra Mullejans*Georg Matthias Monn was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.Together with Georg Christoph Wagenseil and Josef Starzer, Monn formed the Viennese Pre-Classical movement (Wiener Vorklassik in German), whose composers are nowadays mostly known only by their names. However, his successful introduction of the secondary theme in the symphony was an important condition for the First Viennese School that would come some fifty years later.We know much less about Monn's life than about his musical ideas. Only his appointments as an organist are known, at first in Klosterneuburg near Vienna. Afterwards, he was appointed in the same function in Melk in Lower Austria and at the Karlskirche in Vienna's district Wieden. Monn died from tuberculosis when he was only 33 years old.Monn's brother Johann Christoph Mann (never Monn, 1726?-82) was also a composer whose works have been confused at times with those of Georg Matthias Monn. The reason for this is that most of Monn's compositions only survive in copies from the 1780s and could therefore also be the works of his younger brother. We still have absolutely no proof that the Johann Georg Mann born in 1717 is the same person as the Georg Matthias Monn who died in 1750. His role as pioneer of the symphony is a scholarly image, coined in the early 20th century, could need some basic musicological revaluation.Together with Georg Christoph Wagenseil and other contemporaries such as Leopold Mozart, Monn forms a school of Austrian composers who had thoroughly studied the principles of counterpoint as practised by Johann Sebastian Bach and Johann Joseph Fux, but also forced the change from the Baroque style to the looser, graceful Galante music. Moreover, they renewed the sonata form by expanding the concepts of secondary theme and development. Later on, Michael and Joseph Haydn would develop these concepts to a high point.The catalog of works written by Matthias Monn contains sixteen symphonies, a score of quartets, sonatas, masses and compositions for violin and keyboard. A harpsichord concerto by Monn was freely transcribed by Arnold Schoenberg into a cello concerto for Pablo Casals. The Monn/Schoenberg cello concerto in D major has been recorded by Yo-Yo Ma and many other cellists. Schoenberg also wrote "continuo realizations" for several works by Monn, including a cello concerto in G minor, which was recorded by Jacqueline Du Pré. [ More Detail ]
WOLFGANG AMADEUS MOZART (1756-1791)Quintet for clarinet, two violins, viola and cello in A major KV5814. Allegretto con VariazioniPerformed by the Kuijken String QuartetFeaturing Lorenzo Coppola, clarinet [ More Detail ]
WOLFGANG AMADEUS MOZART (1756-1791)Quintet for clarinet, two violins, viola and cello in A major KV5812. LarghettoPerformed by the Kuijken String QuartetFeaturing Lorenzo Coppola, clarinet [ More Detail ]
WOLFGANG AMADEUS MOZART (1756-1791)Quintet for clarinet, two violins, viola and cello in A major KV5811. AllegroPerformed by the Kuijken String QuartetFeaturing Lorenzo Coppola, clarinet [ More Detail ]
String Quartet boys with friends playing Haydn Piano Trio in C major at St:Jakob Church in Gothenburg.Visit our website at stringquartet.se for more information. [ More Detail ]
The String Quartet from the recital concert at the Furman University Band and Orchestra camp.I'm REEEEAAAALLY sorry you can't see Dalton...at least you can hear him =DI also apologize for the terrible sound and picture quality. My camera's a piece of crap...oh, and ignore my random spasms. I was laughing at something my friend beside me said XD [ More Detail ]
Quartetto di Radiotelevisione Albanese, fondato nel 1985, presentava per la prima volta ai suoi telespettatori, Il Quartetto d'Archi di F.J. Hayden N° 71... I Membri del Quartetto:I Violino - Ilir Cerisha, II Violino - Arben Kadesha, Viola - Petrit Dervishi, V/Cello - Aristidh Prosi Regia di Osman Mula. [ More Detail ]
FRANZ JOSEPH HAYDN (1732-1809)Concerto for cello and orchestra in C major Hob. VIIb:11. Moderato [part 1]*Because this movement is over 10 minutes long, I have split the track in half so that this post will fit under Youtube's time limit.Part 2 of first movement:http://ca.youtube.com/watch?v=BMKaQ-WFmVEPerformed by the Freiburger BarockorchesterFeaturing Jean-Guihen Queyras, celloConducted by Petra Mullejans [ More Detail ]
Nicola, 10, played this piece at the qualifying round of a national competition and walked away with a second prize. Duleen 12 is on first violin, Maartje (11) is on second violin, and Dieuwke (11) is on the cello [ More Detail ]