YouTube NAVI
cellist ian bass :: 
Now Searches:[ ]
Ian Schwindt &Mark Gieseke, Trombones: Six "Serious" Pieces
Ian Schwindt &Mark Gieseke, Trombones: Six "Serious" Pieces
Andrew Bishop, TrumpetIan Schwindt TromboneWiedemann Recital HallWichita State UniversityMay 8, 1995This was a "fun" recital that Ian and I gave at the end of the school year in 1995. As you can see below the program was, if nothing else, very eclectic. I've only decided to upload the pieces I performed... but I could NOT resist throwing my good buddy Ian under the bus by also adding the video to "Six 'Serious' Pieces." He's probably going to have some colorful words for me for posting this, and I seriously can't wait until his students in the Titusville, FL band program come across a video of their fearless leader when he was a acting like a boob as a wee lad of 23. Sorry Ian! (Ok, not really....)Program:Intrada (Arthur Honegger)Andrew Bishop, TrumpetGenevieve Bishop, PianoHarmonius Blacksmith (G.F. Handel)At the Grave of Weber (Richard Wagner)Trombone Quartet:Ian Schwindt, Matt Blauer,Mark Gieseke, Brian PostierToccata (Giambattista Martini)Andrew Bishop, TrumpetGenevieve Bishop, OrganSix "Serious" PiecesIan Schwindt &Mark Gieseke, TrombonesPavan pour une Infante Defunté (Maurice Ravel)Ian Schwindt, TromboneAnn Roush, HarpSu le sponde del Tebro (Alessandro Scarlatti)I. Sinfonia. GraveII. RecitativoIII. Sinfonia - AriaIV. RecitativoV. Aria - LargoVI. Aria. Poco mosso, sempre dolce e leggiero - RitornelloVII. RecitativoVIII. Aria -- Sinfonia. Grave (da capo)Soprano: Cara JohnstonTrumpet: Andrew BishopWSU Scarlatti Orchestra -- Jeffrey Bishop, Conductor:Violins: Rasmus Heggdal, Malin Huffman, Elizabeth Birger, Ami FrederickCello: Julianne StokkeBass: Joshua PickenbaughHarpsichord: Genevieve BishopPlease visit me at:www.myspace.com/andrewbishoptrumpet [ More Detail ]
Toccata (Giambattista Martini)
Andrew Bishop, TrumpetIan Schwindt TromboneWiedemann Recital HallWichita State UniversityMay 8, 1995This was a "fun" recital that Ian and I gave at the end of the school year in 1995. As you can see below the program was, if nothing else, very eclectic. I've only decided to upload the pieces I performed... but I could NOT resist throwing my good buddy Ian under the bus by also adding the video to "Six 'Serious' Pieces." He's probably going to have some colorful words for me for posting this, and I seriously can't wait until his students in the Titusville, FL band program come across a video of their fearless leader when he was a acting like a boob as a wee lad of 23. Sorry Ian! (Ok, not really....)Program:Intrada (Arthur Honegger)Andrew Bishop, TrumpetGenevieve Bishop, PianoHarmonius Blacksmith (G.F. Handel)At the Grave of Weber (Richard Wagner)Trombone Quartet:Ian Schwindt, Matt Blauer,Mark Gieseke, Brian PostierToccata (Giambattista Martini)Andrew Bishop, TrumpetGenevieve Bishop, OrganPavan pour une Infante Defunté (Maurice Ravel)Ian Schwindt, TromboneAnn Roush, HarpSu le sponde del Tebro (Alessandro Scarlatti)I. Sinfonia. GraveII. RecitativoIII. Sinfonia - AriaIV. RecitativoV. Aria - LargoVI. Aria. Poco mosso, sempre dolce e leggiero - RitornelloVII. RecitativoVIII. Aria -- Sinfonia. Grave (da capo)Soprano: Cara JohnstonTrumpet: Andrew BishopWSU Scarlatti Orchestra -- Jeffrey Bishop, Conductor:Violins: Rasmus Heggdal, Malin Huffman, Elizabeth Birger, Ami FrederickCello: Julianne StokkeBass: Joshua PickenbaughHarpsichord: Genevieve BishopPlease visit me at:www.myspace.com/andrewbishoptrumpet [ More Detail ]
Intrada (Arthur Honegger)
Andrew Bishop, TrumpetIan Schwindt TromboneWiedemann Recital HallWichita State UniversityMay 8, 1995The video submissions from this recital represent the very earliest undergraduate examples I'll have uploaded onto youtube. This was a "fun" recital that Ian and I gave at the end of the school year in 1995. It was enjoyable in the sense that there wasn't a whole lot of pressure as a "degree recital" (I wouldn't give my Junior Recital until the next year) might have presented. The pieces I picked were things I had worked on recently, or were interested in performing. As for Ian's musical selections...well, I can't speak for him. Hahaha. As you can see below the program was, if nothing else, very eclectic. I was only going to upload the pieces I performed... but I could NOT resist throwing my good buddy Ian under the bus by also adding the video to "Six 'Serious' Pieces." He's probably going to have some colorful words for me for posting this, and I seriously can't wait until his students in the Titusville, FL band program come across a video of their fearless leader when he was a acting like a boob asa wee lad of 23. Sorry Ian! (Ok, not really....)Program:Intrada (Arthur Honegger)Andrew Bishop, TrumpetGenevieve Bishop, PianoHarmonius Blacksmith (G.F. Handel)At the Grave of Weber (Richard Wagner)Trombone Quartet:Ian Schwindt, Matt Blauer,Mark Gieseke, Brian PostierToccata (Giambattista Martini)Andrew Bishop, TrumpetGenevieve Bishop, OrganSix "Serious" PiecesIan Schwindt &Mark Gieseke, TrombonesPavan pour une Infante Defunté (Maurice Ravel)Ian Schwindt, TromboneAnn Roush, HarpSu le sponde del Tebro (Alessandro Scarlatti)I. Sinfonia. GraveII. RecitativoIII. Sinfonia - AriaIV. RecitativoV. Aria - LargoVI. Aria. Poco mosso, sempre dolce e leggiero - RitornelloVII. RecitativoVIII. Aria -- Sinfonia. Grave (da capo)Soprano: Cara JohnstonTrumpet: Andrew BishopWSU Scarlatti Orchestra -- Jeffrey Bishop, Conductor:Violins: Rasmus Heggdal, Malin Huffman, Elizabeth Birger, Ami FrederickCello: Julianne StokkeBass: Joshua PickenbaughHarpsichord: Genevieve BishopPlease visit me at:www.myspace.com/andrewbishoptrumpet [ More Detail ]
Brandenburg Concerto No. 2 (Bach) - III. Allegro assai
Andrew BishopJunior Trumpet RecitalWiedemann Recital HallWichita State UniversityFebruary 22, 1996At the end of the spring semester before the year I gave this Junior Recital at WSU, my trumpet instructor Bob Grim told me that he thought I should start working on and conditioning for Bach's Brandenburg Concerto No. 2 and perform it the next school year. I was excited that he believed I had the ability to perform the famous (infamous!) masterwork, and eagerly began working on it. I had originally thought of asking the top violinist, oboist, and flautist at WSU at the beginning of the year if they would consider doing it as a audition for the WSU Concerto/Aria contest later that spring. But before I did that, I thought I'd ask Dr. Jay Decker, director of the orchestral program if that unusual audition piece would be allowed. So the first week of school I made an appointment and presented my idea to him. To my astonishment, he informed me that he had already programmed the piece on a future concert that year! I was very excited, especially after the GTA of the trumpet studio wanted no part of playing it. The unfortunate thing about performing Brandenburg 2 on the orchestra concert, was that Dr. Decker insisted on having the whole WSU string section play on the piece, because the Bach was one of only two pieces on the concert (the other, incredibly, was Stravinsky's "Rite of Spring!") Both WSU Conducting GTA Anthony Arnone (who was conducting the piece) and I lobbied voraciously for a much more appropriate and authentic performance using a small baroque orchestra instead, but to no avail. It was a fine first Brandenburg performance of my career, but as you can imagine, not an ideal balance between soli and tutti. HOWEVER, to remedy the situation somewhat, I decided to program my Junior Trumpet Recital just two days after the orchestra concert, and by doing so, have executive decision on the instrumentation numbers for the Bach. Little did I know that absolute disaster was awaiting me when I arrived at school the morning of my recital. As I walked into the music office, someone asked me if I was going to go ahead with my recital that afternoon. Having absolutely no reason why I wouldn't, I said of course, to which the reply came, "who is going to play oboe on the Brandenburg?" At that moment I knew something horrendous had happened, and sure enough, Oboe GTA Andrea Banke (who, BTW, is now the oboe professor at WSU) had smashed her hand in a car door the night before and broken her finger(s). Mercifully, my utter panic subsided quickly after learning that she had already contacted top undergraduate oboist David Jordan to play the part on my recital. David basically sight read the part without any rehearsing, and truly saved the day with a remarkably fine job under those circumstances.Program:Let the Bright Seraphim (G.F. Handel)From "Samson"Brandenburg Concerto No. 2 in F Major (J.S. Bach)I. AllegroII. AndanteIII. Allegro assaiAir for Erin (1992) -- Phil SnedecorCousins (H.L. Clarke)Musicians:Marla Fogderund -- SopranoThomas C. Grubb -- PianoIan Schwindt -- TromboneGenevieve Bishop -- Piano, OrganBrandenburg Soloists:Chastity Spencer -- FluteDavid Jordan -- OboeJeffrey Parry -- ViolinWSU Brandenburg Orchestra -- Anthony Arnone, ConductorViolin I: Loralyn Staples, Angela Scalise, Valene GoldenbergViolin II. Keith Redpath, Malin Huffman, Elizabeth BirgerViola: Vannia Phillips, David MarsdenCello: Marcia Chase, Mary LindsayBass: Kathleen ZellerHarpsichord: Julie BarnesPlease visit me at:www.myspace.com/andrewbishoptrumpet [ More Detail ]
Brandenburg Concerto No. 2 (Bach) - I. Allegro
Andrew BishopJunior Trumpet RecitalWiedemann Recital HallWichita State UniversityFebruary 22, 1996At the end of the spring semester before the year I gave this Junior Recital at WSU, my trumpet instructor Bob Grim told me that he thought I should start working on and conditioning for Bach's Brandenburg Concerto No. 2 and perform it the next school year. I was excited that he believed I had the ability to perform the famous (infamous!) masterwork, and eagerly began working on it. I had originally thought of asking the top violinist, oboist, and flautist at WSU at the beginning of the year if they would consider doing it as a audition for the WSU Concerto/Aria contest later that spring. But before I did that, I thought I'd ask Dr. Jay Decker, director of the orchestral program if that unusual audition piece would be allowed. So the first week of school I made an appointment and presented my idea to him. To my astonishment, he informed me that he had already programmed the piece on a future concert that year! I was very excited, especially after the GTA of the trumpet studio wanted no part of playing it. The unfortunate thing about performing Brandenburg 2 on the orchestra concert, was that Dr. Decker insisted on having the whole WSU string section play on the piece, because the Bach was one of only two pieces on the concert (the other, incredibly, was Stravinsky's "Rite of Spring!") Both WSU Conducting GTA Anthony Arnone (who was conducting the piece) and I lobbied voraciously for a much more appropriate and authentic performance using a small baroque orchestra instead, but to no avail. It was a fine first Brandenburg performance of my career, but as you can imagine, not an ideal balance between soli and tutti. HOWEVER, to remedy the situation somewhat, I decided to program my Junior Trumpet Recital just two days after the orchestra concert, and by doing so, have executive decision on the instrumentation numbers for the Bach. Little did I know that absolute disaster was awaiting me when I arrived at school the morning of my recital. As I walked into the music office, someone asked me if I was going to go ahead with my recital that afternoon. Having absolutely no reason why I wouldn't, I said of course, to which the reply came, "who is going to play oboe on the Brandenburg?" At that moment I knew something horrendous had happened, and sure enough, Oboe GTA Andrea Banke (who, BTW, is now the oboe professor at WSU) had smashed her hand in a car door the night before and broken her finger(s). Mercifully, my utter panic subsided quickly after learning that she had already contacted top undergraduate oboist David Jordan to play the part on my recital. David basically sight read the part without any rehearsing, and truly saved the day with a remarkably fine job under those circumstances.Program:Let the Bright Seraphim (G.F. Handel)From "Samson"Brandenburg Concerto No. 2 in F Major (J.S. Bach)I. AllegroII. AndanteIII. Allegro assaiAir for Erin (1992) -- Phil SnedecorCousins (H.L. Clarke)Musicians:Marla Fogderund -- SopranoThomas C. Grubb -- PianoIan Schwindt -- TromboneGenevieve Bishop -- Piano, OrganBrandenburg Soloists:Chastity Spencer -- FluteDavid Jordan -- OboeJeffrey Parry -- ViolinWSU Brandenburg Orchestra -- Anthony Arnone, ConductorViolin I: Loralyn Staples, Angela Scalise, Valene GoldenbergViolin II. Keith Redpath, Malin Huffman, Elizabeth BirgerViola: Vannia Phillips, David MarsdenCello: Marcia Chase, Mary LindsayBass: Kathleen ZellerHarpsichord: Julie BarnesPlease visit me at:www.myspace.com/andrewbishoptrumpet [ More Detail ]
Let the Bright Seraphim (G.F. Handel)
Andrew BishopJunior Trumpet RecitalWiedemann Recital HallWichita State UniversityFebruary 22, 1996While at WSU I was very lucky to befriend Soprano GTA Marla Fogderud while singing in the Concert Chorale. We stood next to each other, though the chasm that represented her vocal talent next to my own was (and still is) nothing short of infinite. But, where my vocal talent lacked, my abilities on the trumpet must have been the reason for her reciprocating the musical respect I had/have for her. We became fast friends, and after this first collaboration, have performed together many times since. Program:Let the Bright Seraphim (G.F. Handel)From "Samson"Brandenburg Concerto No. 2 in F Major (J.S. Bach)I. AllegroII. AndanteIII. Allegro assaiAir for Erin (1992) -- Phil SnedecorCousins (H.L. Clarke)Musicians:Marla Fogderund -- SopranoThomas C. Grubb -- PianoIan Schwindt -- TromboneGenevieve Bishop -- Piano, OrganBrandenburg Soloists:Chastity Spencer -- FluteDavid Jordan -- OboeJeffrey Parry -- ViolinWSU Brandenburg Orchestra -- Anthony Arnone, ConductorViolin I: Loralyn Staples, Angela Scalise, Valene GoldenbergViolin II. Keith Redpath, Malin Huffman, Elizabeth BirgerViola: Vannia Phillips, David MarsdenCello: Marcia Chase, Mary LindsayBass: Kathleen ZellerHarpsichord: Julie BarnesPlease visit me at:www.myspace.com/andrewbishoptrumpet [ More Detail ]
No Fuzzy No Fries Reprise- StanFest 2008
Steve Antle and Friends revisit "No Fuzzy No Fries", to close out Gordie Sampson's Mainstage set, complete with recitation of WB Yeats' "The Song of Wandering Aengus" - Stan Rogers Folk Festival, 2008.On Stage:"Sunday Night Voice" Vocal - Steve AntleSupporting vocal and "Knighting ceremony" - Kelly PeckWB Yeats recitation - Eric MacEwanBouncing Bass - Gordie SampsonGuitars - Matt Andersen and Jamie RobinsonHorns - Ian Sherwood, Coco Love Alcorn and David MylesDrums - Mark ScholtzCello - Kevin FoxOff Stage:Steve - Bubble Machine and props [ More Detail ]
by Kraftsvids 9min58sec, Views:171, Ratings:4.00pt, Votes:1, Comments:1, Added at:08/08/05 [ DownLoad ]
Ian Axel - Waltz w/ band
@ Rockwood Music Hall 6/26/08w/ Trevor Exter (Cello), Adam Christgau (drums), Justin Kimmel (bass) [ More Detail ]
by ianaxelmusic 4min14sec, Views:118, Ratings:5.00pt, Votes:2, Comments:1, Added at:08/06/29 [ DownLoad ]
DOOM/DARK/GOTHIC CRISTIANO
BANDAS DOOM DARK GOTHIC CRISTIANASDIVERSAS BANDAS KE ADORAN AL DUEÑO DE LA LUZ Y LA OSCURIDAD, LA VIDA Y LA MUERTE ... JESUCRISTOAPOSTISY (Melodic Doom/Death/Dark Metal)United States of America (California) 1994INTEGRANTES: Blake Harris: VocalsEdward Stoklannd: Guitar/BassDave Edmunds: Drums PAGINA OFICIAL:http://www.myspace.com/apostisyASHEN MORTALITY (Doom Metal/Influencias Folk) United Kingdom (Weston-Super-Mare, North Somerset) 1993INTEGRANTES:Ian Arkley - Guitar &Lead Vocals (Seventh Angel (UK),ex-Paramaecium, My Silent Wake, Century Sleeper)Melanie Bolton - Keyboards &VocalsTim Cooper - Bass (R.I.P. 17th August 2006,leukemia)George Aytoun - DrumsPAGINA OFICIAL:http://www.blackplanet0.freeserve.co.uk/ashen.htmhttp://www.myspace.com/ashenmortalityHeztael (Black/Funeral Doom Metal/Ambient)United States of America (Bixby, Oklahoma) 2006INTEGRANTES:Heztael Tyrot - Everything (ex-Aristaeus)PAGINA OFICIAL:http://www.myspace.com/heztaelhttp://www.metalhordes.com/bandprofiles.php?op=view&bid=1746FROM ASHES (Dark Metal)Finland (Espoo) 2001INTEGRANTES:Otto - Drums (2007-) (Demolisher)Wille - Vocals, guitar (2001-)Minttu Hietamäki - Bass (2002-) (Carnal Creation)Joonas - Synth (2001-)Arttu - Cello (2001-)PAGINA OFICIAL:http://www.fromashes.com/http://www.myspace.com/fromashesmetalBLEAKWAIL (Dark/Gothic Metal)Finland (Helsinki) 2000INTEGRANTES:Jacob: VocalsGabriel: Rhythm GuitarsJeremiah: Bass, Backing VocalsThymian: Synth, FlutePAGINA OFICIAL:http://www.bleakwail.com/http://www.myspace.com/bleakwailMY SILENT WAKE(Gothic/Death/Doom Metal)United Kingdom (North Somerset) 2005INTEGRANTES:Ian Arkley: Lead Guitar/Vocals (Seventh Angel (UK), ex-Ashen Mortality, ex-Paramaecium)Andi Lee: Bass/GuitarJasen Whyte: DrumsAlan Southorn: Bass/GuitarKate Hamilton: Cello/KeyboardsPAGINA OFICIAL:http://www.mysilentwake.co.uk/NECROMANICIDER (Death/Doom Metal)Brazil (Rio de Janeiro) UnknownINTEGRANTES:Evandro Luiz ``Dinato`` - VocalsXavier - Drums, Backing VocalsDc. Jesus - BassAmitchi Tebaldi - Guitar, Backing VocalsRobin Barret - GuitarSCHALIACH (Death Metal Melodic) Norway (Bekkestua) 1995INTEGRANTES:Ole Børud: Guitars, Bass, Drums (ex-Extol) Peter Dalbekk: Guitars, Vocals (Vardøger)PAGINA OFICIAL:http://www.myspace.com/schaliachhttp://www.nolifetilmetal.com/schaliach.htmPARAMAECIUM (Death/Doom Metal)Australia (Melbourne, Victoria) 1990INTEGRANTES:Andrew Tompkins: Bass, VocalsJason De Ron: Guitar (Altera Enigma)Jayson Sherlock: Drums (ex-Mortification (Aus), Horde, Altera Enigma)PAGINA OFICIAL:http://www.paramaecium.com/news.phphttp://www.myspace.com/paramaeciumVIRGIN BLACK (Doom/Gothic/Metal)Australia 1990INTEGRANTES:Rowan London - Vocals, Piano, Keyboards (1994-) (ex-Discarnated)Samantha Escarbe - Lead Guitar, CelloGrayh - Bass, VocalsLuke Faz - DrumsPAGINA OFICIAL:http://www.virginblack.com/http://www.myspace.com/virginblackoff...DELIRIUM GOTHIChttp://groups.msn.com/deliriumgothic/... EL LUGAR DE LA CALAVERAhttp://www.ellugardelacalavera.tk/ [ More Detail ]
by MataDemonioss 5min8sec, Views:3564, Ratings:2.90pt, Votes:10, Comments:20, Added at:08/05/31 [ DownLoad ]
JUSTINO DIAZ IS SCARPIA; PUCCINI'S TOSCA ACT 2, PT 5 (1999)
JUSTINO DIAZ IS SCARPIA; PUCCINI'S TOSCA ACT 2, PT 5 (1999)JUSTINO DIAZ IS THE PERFECT SCARPIA, NOT ONLY VOCALLY AND IN HIS ACTING, BUT HIS ARTISTIC ACHIEVMENT IS SO OUTSTANDING, THAT YOU END UP BELIEVING HE "IS" SCARPIA! I UPLOADED THE "TE DEUM" FROM ACT 1 AND THE COMPLETE ACT 2 OF THIS PERFORMANCE IN 5CLIPS. I ALSO UPLOADED THE SAME SCENES FROM A 1983 PERFORMANCE SO YOU CAN COMPARE!JUSTINO DIAZ came to international prominence at the age of 23 when he made his debut at Carnegie Hall opposite Dame Joan Sutherland in a concert performance of I Puritani. A few months later he made his Metropolitan Opera debut and became the youngest bass ever to sing there. That same year he also made impressive debuts with the London Symphony Orchestra, chosen by Lorin Maazel, Bernstein and the New York Philharmonic, and the Cleveland Orchestra under George Szell. Three years later, at the age of 26, he inaugurated the new Met in Lincoln Center opposite Leontyne Price in the world premiere of Samuel Barber's opera Antony and Cleopatra. By the time he was 35 he had sung in all the world's great musical centers.Although he has sung all over the world perhaps his natural operatic home has been the Metropolitan Opera where he has sung 398 performances of 39 roles in 23 seasons including eight new productions and six opening nights. Some of the many other roles he has sung there include Don Giovanni, Figaro, Macbeth, Iago, Scarpia, Mephistopheles, Escamillo, Padre Guardiano in La Forza del Destino, Alvise in La Gioconda, Basilio in The Barber of Seville, Maometto II in The Siege of Corinth, Prince Gremin in Eugene Onegin, Count Rodolfo in La Sonnambula, as well as Raimondo, Ramphis, Colline, Sparafucile and the Grand Inquisitor. With the New York City Opera, he performed the title roles of Mephistopheles, Attila, Julius Caesar, Don Giovanni (and Leporello). He created the role of Francesco Cenci in the world premiere of Beatrix Cenei by Alberto Ginastera, the first opera presented at the new Kennedy Center in Washington D.C. Ginastera also wrote for Justino Díaz a piece for Baritone, Percussion and Cello with a textby Pablo Neruda, which was premiered by the Chamber Music Society of Lincoln Center.He has sung such diverse operatic roles as Don Giovanni, Figaro, Iago, Scarpia, Macbeth, Rigoletto, Count di Luna, Germont, Gerard, Michele, Jack Rance, Boccanegra, Escamillo, Mephistopheles, Alvise, Phillip II, Attila, four villains in the Tales of Hoffmann and Cristoforo Colombo, under conductors that include Levine, Kleiber, von Karajan, Bernstein, Karl Böhm, and the legendary Pablo Casals. The list of stage directors he has worked with is no less impressive as it includes such names as Franco Zeffirelli, Gunther Renert, Goetz Friederich, Gian Carlo Menotti, Sarah Caldwell, Ponnelle, Mansouri, Eduardo de Filippo, Tito Capobianco, Ian Judge, Piero Faggione, Nuria Espert, Jonathan Miller, and Pilar Miró.His many recordings of Operas and Oratorios include Messiah, Otello, Semele, Lucia di Lammermoor, La Wally, L'Assedio di Corinto, La Pietra del Paragone, The Tales of Hoffmann, Rossini's Stabat Mater for the labels Deutsche Grammophon, RCA Sony, EMI, London, Vanguard and ASV. Among his numerous videos is the famous Zeffirelli movie of Otello which features him as Iago opposite Placido Domingo's Moor as well as various telecasts from different opera houses including the Metropolitan, San Francisco and most recently he sang the title role in El Gato Montes for Los Angeles which was seen nationwide on PBS.Justino Díaz was born in Puerto Rico where he sings regulary. He studied at the University of Puerto Rico with further studies in opera, music and voice at the New England Conservatory in Boston from which he received and Honorary Doctorate Degree in Music. He is the recipient of the Handel Medallion, New York City's highest cultural award, as well as several Honorary Doctorate degrees -- including the New England Conservatory and the Universities of Puerto Rico and El Turabo. At the Conservatory of music he is visiting professor of voice to advanced students. [ More Detail ]
by fabiantenor 10min0sec, Views:232, Ratings:0.00pt, Votes:0, Comments:0, Added at:08/05/23 [ DownLoad ]
JUSTINO DIAZ SINGS "NON PIU ANDRAI" FROM LE NOZZE DI FIGARO
JUSTINO DIAZ SINGS "NON PIU ANDRAI" FROM MOZART'S "LE NOZZE DI FIGARO"FROM THE CD "JUSTINO DIAZ SINGS MOZART ARIAS"JUSTINO DIAZ came to international prominence at the age of 23 when he made his debut at Carnegie Hall opposite Dame Joan Sutherland in a concert performance of I Puritani. A few months later he made his Metropolitan Opera debut and became the youngest bass ever to sing there. That same year he also made impressive debuts with the London Symphony Orchestra, chosen by Lorin Maazel, Bernstein and the New York Philharmonic, and the Cleveland Orchestra under George Szell. Three years later, at the age of 26, he inaugurated the new Met in Lincoln Center opposite Leontyne Price in the world premiere of Samuel Barber's opera Antony and Cleopatra. By the time he was 35 he had sung in all the world's great musical centers.Although he has sung all over the world perhaps his natural operatic home has been the Metropolitan Opera where he has sung 398 performances of 39 roles in 23 seasons including eight new productions and six opening nights. Some of the many other roles he has sung there include Don Giovanni, Figaro, Macbeth, Iago, Scarpia, Mephistopheles, Escamillo, Padre Guardiano in La Forza del Destino, Alvise in La Gioconda, Basilio in The Barber of Seville, Maometto II in The Siege of Corinth, Prince Gremin in Eugene Onegin, Count Rodolfo in La Sonnambula, as well as Raimondo, Ramphis, Colline, Sparafucile and the Grand Inquisitor. With the New York City Opera, he performed the title roles of Mephistopheles, Attila, Julius Caesar, Don Giovanni (and Leporello). He created the role of Francesco Cenci in the world premiere of Beatrix Cenei by Alberto Ginastera, the first opera presented at the new Kennedy Center in Washington D.C. Ginastera also wrote for Justino Díaz a piece for Baritone, Percussion and Cello with a textby Pablo Neruda, which was premiered by the Chamber Music Society of Lincoln Center.He has sung such diverse operatic roles as Don Giovanni, Figaro, Iago, Scarpia, Macbeth, Rigoletto, Count di Luna, Germont, Gerard, Michele, Jack Rance, Boccanegra, Escamillo, Mephistopheles, Alvise, Phillip II, Attila, four villains in the Tales of Hoffmann and Cristoforo Colombo, under conductors that include Levine, Kleiber, von Karajan, Bernstein, Karl Böhm, and the legendary Pablo Casals. The list of stage directors he has worked with is no less impressive as it includes such names as Franco Zeffirelli, Gunther Renert, Goetz Friederich, Gian Carlo Menotti, Sarah Caldwell, Ponnelle, Mansouri, Eduardo de Filippo, Tito Capobianco, Ian Judge, Piero Faggione, Nuria Espert, Jonathan Miller, and Pilar Miró.His many recordings of Operas and Oratorios include Messiah, Otello, Semele, Lucia di Lammermoor, La Wally, L'Assedio di Corinto, La Pietra del Paragone, The Tales of Hoffmann, Rossini's Stabat Mater for the labels Deutsche Grammophon, RCA Sony, EMI, London, Vanguard and ASV. Among his numerous videos is the famous Zeffirelli movie of Otello which features him as Iago opposite Placido Domingo's Moor as well as various telecasts from different opera houses including the Metropolitan, San Francisco and most recently he sang the title role in El Gato Montes for Los Angeles which was seen nationwide on PBS.Justino Díaz was born in Puerto Rico where he sings regulary. He studied at the University of Puerto Rico with further studies in opera, music and voice at the New England Conservatory in Boston from which he received and Honorary Doctorate Degree in Music. He is the recipient of the Handel Medallion, New York City's highest cultural award, as well as several Honorary Doctorate degrees -- including the New England Conservatory and the Universities of Puerto Rico and El Turabo. At the Conservatory of music he is visiting professor of voice to advanced students. [ More Detail ]
by fabiantenor 3min50sec, Views:549, Ratings:5.00pt, Votes:3, Comments:4, Added at:08/05/23 [ DownLoad ]
JUSTINO DIAZ IS SCARPIA; PUCCINI'S TOSCA ACT 2, PT 3 (1999)
JUSTINO DIAZ IS SCARPIA; PUCCINI'S TOSCA ACT 2, PT 3 (1999)JUSTINO DIAZ IS THE PERFECT SCARPIA, NOT ONLY VOCALLY AND IN HIS ACTING, BUT HIS ARTISTIC ACHIEVMENT IS SO OUTSTANDING, THAT YOU END UP BELIEVING HE "IS" SCARPIA! I UPLOADED THE "TE DEUM" FROM ACT 1 AND THE COMPLETE ACT 2 OF THIS PERFORMANCE IN 5CLIPS. I ALSO UPLOADED THE SAME SCENES FROM A 1983 PERFORMANCE SO YOU CAN COMPARE!JUSTINO DIAZ came to international prominence at the age of 23 when he made his debut at Carnegie Hall opposite Dame Joan Sutherland in a concert performance of I Puritani. A few months later he made his Metropolitan Opera debut and became the youngest bass ever to sing there. That same year he also made impressive debuts with the London Symphony Orchestra, chosen by Lorin Maazel, Bernstein and the New York Philharmonic, and the Cleveland Orchestra under George Szell. Three years later, at the age of 26, he inaugurated the new Met in Lincoln Center opposite Leontyne Price in the world premiere of Samuel Barber's opera Antony and Cleopatra. By the time he was 35 he had sung in all the world's great musical centers.Although he has sung all over the world perhaps his natural operatic home has been the Metropolitan Opera where he has sung 398 performances of 39 roles in 23 seasons including eight new productions and six opening nights. Some of the many other roles he has sung there include Don Giovanni, Figaro, Macbeth, Iago, Scarpia, Mephistopheles, Escamillo, Padre Guardiano in La Forza del Destino, Alvise in La Gioconda, Basilio in The Barber of Seville, Maometto II in The Siege of Corinth, Prince Gremin in Eugene Onegin, Count Rodolfo in La Sonnambula, as well as Raimondo, Ramphis, Colline, Sparafucile and the Grand Inquisitor. With the New York City Opera, he performed the title roles of Mephistopheles, Attila, Julius Caesar, Don Giovanni (and Leporello). He created the role of Francesco Cenci in the world premiere of Beatrix Cenei by Alberto Ginastera, the first opera presented at the new Kennedy Center in Washington D.C. Ginastera also wrote for Justino Díaz a piece for Baritone, Percussion and Cello with a textby Pablo Neruda, which was premiered by the Chamber Music Society of Lincoln Center.He has sung such diverse operatic roles as Don Giovanni, Figaro, Iago, Scarpia, Macbeth, Rigoletto, Count di Luna, Germont, Gerard, Michele, Jack Rance, Boccanegra, Escamillo, Mephistopheles, Alvise, Phillip II, Attila, four villains in the Tales of Hoffmann and Cristoforo Colombo, under conductors that include Levine, Kleiber, von Karajan, Bernstein, Karl Böhm, and the legendary Pablo Casals. The list of stage directors he has worked with is no less impressive as it includes such names as Franco Zeffirelli, Gunther Renert, Goetz Friederich, Gian Carlo Menotti, Sarah Caldwell, Ponnelle, Mansouri, Eduardo de Filippo, Tito Capobianco, Ian Judge, Piero Faggione, Nuria Espert, Jonathan Miller, and Pilar Miró.His many recordings of Operas and Oratorios include Messiah, Otello, Semele, Lucia di Lammermoor, La Wally, L'Assedio di Corinto, La Pietra del Paragone, The Tales of Hoffmann, Rossini's Stabat Mater for the labels Deutsche Grammophon, RCA Sony, EMI, London, Vanguard and ASV. Among his numerous videos is the famous Zeffirelli movie of Otello which features him as Iago opposite Placido Domingo's Moor as well as various telecasts from different opera houses including the Metropolitan, San Francisco and most recently he sang the title role in El Gato Montes for Los Angeles which was seen nationwide on PBS.Justino Díaz was born in Puerto Rico where he sings regulary. He studied at the University of Puerto Rico with further studies in opera, music and voice at the New England Conservatory in Boston from which he received and Honorary Doctorate Degree in Music. He is the recipient of the Handel Medallion, New York City's highest cultural award, as well as several Honorary Doctorate degrees -- including the New England Conservatory and the Universities of Puerto Rico and El Turabo. At the Conservatory of music he is visiting professor of voice to advanced students. [ More Detail ]
by fabiantenor 3min53sec, Views:245, Ratings:4.00pt, Votes:1, Comments:0, Added at:08/05/22 [ DownLoad ]
JUSTINO DIAZ IS SCARPIA; TOSCA ACT 2, PT 2 (1999)
JUSTINO DIAZ IS SCARPIA; PUCCINI'S TOSCA ACT 2, PT 2 (1999)JUSTINO DIAZ IS THE PERFECT SCARPIA, NOT ONLY VOCALLY AND IN HIS ACTING, BUT HIS ARTISTIC ACHIEVMENT IS SO OUTSTANDING, THAT YOU END UP BELIEVING HE "IS" SCARPIA! I UPLOADED THE "TE DEUM" FROM ACT 1 AND THE COMPLETE ACT 2 OF THIS PERFORMANCE IN 5CLIPS. I ALSO UPLOADED THE SAME SCENES FROM A 1983 PERFORMANCE SO YOU CAN COMPARE!JUSTINO DIAZ came to international prominence at the age of 23 when he made his debut at Carnegie Hall opposite Dame Joan Sutherland in a concert performance of I Puritani. A few months later he made his Metropolitan Opera debut and became the youngest bass ever to sing there. That same year he also made impressive debuts with the London Symphony Orchestra, chosen by Lorin Maazel, Bernstein and the New York Philharmonic, and the Cleveland Orchestra under George Szell. Three years later, at the age of 26, he inaugurated the new Met in Lincoln Center opposite Leontyne Price in the world premiere of Samuel Barber's opera Antony and Cleopatra. By the time he was 35 he had sung in all the world's great musical centers.Although he has sung all over the world perhaps his natural operatic home has been the Metropolitan Opera where he has sung 398 performances of 39 roles in 23 seasons including eight new productions and six opening nights. Some of the many other roles he has sung there include Don Giovanni, Figaro, Macbeth, Iago, Scarpia, Mephistopheles, Escamillo, Padre Guardiano in La Forza del Destino, Alvise in La Gioconda, Basilio in The Barber of Seville, Maometto II in The Siege of Corinth, Prince Gremin in Eugene Onegin, Count Rodolfo in La Sonnambula, as well as Raimondo, Ramphis, Colline, Sparafucile and the Grand Inquisitor. With the New York City Opera, he performed the title roles of Mephistopheles, Attila, Julius Caesar, Don Giovanni (and Leporello). He created the role of Francesco Cenci in the world premiere of Beatrix Cenei by Alberto Ginastera, the first opera presented at the new Kennedy Center in Washington D.C. Ginastera also wrote for Justino Díaz a piece for Baritone, Percussion and Cello with a textby Pablo Neruda, which was premiered by the Chamber Music Society of Lincoln Center.He has sung such diverse operatic roles as Don Giovanni, Figaro, Iago, Scarpia, Macbeth, Rigoletto, Count di Luna, Germont, Gerard, Michele, Jack Rance, Boccanegra, Escamillo, Mephistopheles, Alvise, Phillip II, Attila, four villains in the Tales of Hoffmann and Cristoforo Colombo, under conductors that include Levine, Kleiber, von Karajan, Bernstein, Karl Böhm, and the legendary Pablo Casals. The list of stage directors he has worked with is no less impressive as it includes such names as Franco Zeffirelli, Gunther Renert, Goetz Friederich, Gian Carlo Menotti, Sarah Caldwell, Ponnelle, Mansouri, Eduardo de Filippo, Tito Capobianco, Ian Judge, Piero Faggione, Nuria Espert, Jonathan Miller, and Pilar Miró.His many recordings of Operas and Oratorios include Messiah, Otello, Semele, Lucia di Lammermoor, La Wally, L'Assedio di Corinto, La Pietra del Paragone, The Tales of Hoffmann, Rossini's Stabat Mater for the labels Deutsche Grammophon, RCA Sony, EMI, London, Vanguard and ASV. Among his numerous videos is the famous Zeffirelli movie of Otello which features him as Iago opposite Placido Domingo's Moor as well as various telecasts from different opera houses including the Metropolitan, San Francisco and most recently he sang the title role in El Gato Montes for Los Angeles which was seen nationwide on PBS.Justino Díaz was born in Puerto Rico where he sings regulary. He studied at the University of Puerto Rico with further studies in opera, music and voice at the New England Conservatory in Boston from which he received and Honorary Doctorate Degree in Music. He is the recipient of the Handel Medallion, New York City's highest cultural award, as well as several Honorary Doctorate degrees -- including the New England Conservatory and the Universities of Puerto Rico and El Turabo. At the Conservatory of music he is visiting professor of voice to advanced students. [ More Detail ]
by fabiantenor 9min1sec, Views:204, Ratings:4.00pt, Votes:1, Comments:0, Added at:08/05/22 [ DownLoad ]
JUSTINO DIAZ IS SCARPIA; TOSCA ACT 2, PT 1 (1999)
JUSTINO DIAZ IS SCARPIA; TOSCA ACT 2, PT 1 (1999)JUSTINO DIAZ IS THE PERFECT SCARPIA, NOT ONLY VOCALLY AND IN HIS ACTING, BUT HIS ARTISTIC ACHIEVMENT IS SO OUTSTANDING, THAT YOU END UP BELIEVING HE "IS" SCARPIA! I UPLOADED THE "TE DEUM" FROM ACT 1 AND THE COMPLETE ACT 2 OF THIS PERFORMANCE IN 5CLIPS. I ALSO UPLOADED THE SAME SCENES FROM A 1983 PERFORMANCE SO YOU CAN COMPARE!JUSTINO DIAZ came to international prominence at the age of 23 when he made his debut at Carnegie Hall opposite Dame Joan Sutherland in a concert performance of I Puritani. A few months later he made his Metropolitan Opera debut and became the youngest bass ever to sing there. That same year he also made impressive debuts with the London Symphony Orchestra, chosen by Lorin Maazel, Bernstein and the New York Philharmonic, and the Cleveland Orchestra under George Szell. Three years later, at the age of 26, he inaugurated the new Met in Lincoln Center opposite Leontyne Price in the world premiere of Samuel Barber's opera Antony and Cleopatra. By the time he was 35 he had sung in all the world's great musical centers.Although he has sung all over the world perhaps his natural operatic home has been the Metropolitan Opera where he has sung 398 performances of 39 roles in 23 seasons including eight new productions and six opening nights. Some of the many other roles he has sung there include Don Giovanni, Figaro, Macbeth, Iago, Scarpia, Mephistopheles, Escamillo, Padre Guardiano in La Forza del Destino, Alvise in La Gioconda, Basilio in The Barber of Seville, Maometto II in The Siege of Corinth, Prince Gremin in Eugene Onegin, Count Rodolfo in La Sonnambula, as well as Raimondo, Ramphis, Colline, Sparafucile and the Grand Inquisitor. With the New York City Opera, he performed the title roles of Mephistopheles, Attila, Julius Caesar, Don Giovanni (and Leporello). He created the role of Francesco Cenci in the world premiere of Beatrix Cenei by Alberto Ginastera, the first opera presented at the new Kennedy Center in Washington D.C. Ginastera also wrote for Justino Díaz a piece for Baritone, Percussion and Cello with a textby Pablo Neruda, which was premiered by the Chamber Music Society of Lincoln Center.He has sung such diverse operatic roles as Don Giovanni, Figaro, Iago, Scarpia, Macbeth, Rigoletto, Count di Luna, Germont, Gerard, Michele, Jack Rance, Boccanegra, Escamillo, Mephistopheles, Alvise, Phillip II, Attila, four villains in the Tales of Hoffmann and Cristoforo Colombo, under conductors that include Levine, Kleiber, von Karajan, Bernstein, Karl Böhm, and the legendary Pablo Casals. The list of stage directors he has worked with is no less impressive as it includes such names as Franco Zeffirelli, Gunther Renert, Goetz Friederich, Gian Carlo Menotti, Sarah Caldwell, Ponnelle, Mansouri, Eduardo de Filippo, Tito Capobianco, Ian Judge, Piero Faggione, Nuria Espert, Jonathan Miller, and Pilar Miró.His many recordings of Operas and Oratorios include Messiah, Otello, Semele, Lucia di Lammermoor, La Wally, L'Assedio di Corinto, La Pietra del Paragone, The Tales of Hoffmann, Rossini's Stabat Mater for the labels Deutsche Grammophon, RCA Sony, EMI, London, Vanguard and ASV. Among his numerous videos is the famous Zeffirelli movie of Otello which features him as Iago opposite Placido Domingo's Moor as well as various telecasts from different opera houses including the Metropolitan, San Francisco and most recently he sang the title role in El Gato Montes for Los Angeles which was seen nationwide on PBS.Justino Díaz was born in Puerto Rico where he sings regulary. He studied at the University of Puerto Rico with further studies in opera, music and voice at the New England Conservatory in Boston from which he received and Honorary Doctorate Degree in Music. He is the recipient of the Handel Medallion, New York City's highest cultural award, as well as several Honorary Doctorate degrees -- including the New England Conservatory and the Universities of Puerto Rico and El Turabo. At the Conservatory of music he is visiting professor of voice to advanced students. [ More Detail ]
by fabiantenor 9min15sec, Views:369, Ratings:0.00pt, Votes:0, Comments:0, Added at:08/05/22 [ DownLoad ]
JUSTINO DIAZ IS SCARPIA, TOSCA ACT 2, PT4 (1999)
JUSTINO DIAZ IS SCARPIA, TOSCA ACT 2, PT4 (1999)JUSTINO DIAZ IS THE PERFECT SCARPIA, NOT ONLY VOCALLY AND IN HIS ACTING, BUT HIS ARTISTIC ACHIEVMENT IS SO OUTSTANDING, THAT YOU END UP BELIEVING HE "IS" SCARPIA! I UPLOADED THE "TE DEUM" FROM ACT 1 AND THE COMPLETE ACT 2 OF THIS PERFORMANCE IN 5CLIPS. I ALSO UPLOADED THE SAME SCENES FROM A 1983 PERFORMANCE SO YOU CAN COMPARE!JUSTINO DIAZ came to international prominence at the age of 23 when he made his debut at Carnegie Hall opposite Dame Joan Sutherland in a concert performance of I Puritani. A few months later he made his Metropolitan Opera debut and became the youngest bass ever to sing there. That same year he also made impressive debuts with the London Symphony Orchestra, chosen by Lorin Maazel, Bernstein and the New York Philharmonic, and the Cleveland Orchestra under George Szell. Three years later, at the age of 26, he inaugurated the new Met in Lincoln Center opposite Leontyne Price in the world premiere of Samuel Barber's opera Antony and Cleopatra. By the time he was 35 he had sung in all the world's great musical centers.Although he has sung all over the world perhaps his natural operatic home has been the Metropolitan Opera where he has sung 398 performances of 39 roles in 23 seasons including eight new productions and six opening nights. Some of the many other roles he has sung there include Don Giovanni, Figaro, Macbeth, Iago, Scarpia, Mephistopheles, Escamillo, Padre Guardiano in La Forza del Destino, Alvise in La Gioconda, Basilio in The Barber of Seville, Maometto II in The Siege of Corinth, Prince Gremin in Eugene Onegin, Count Rodolfo in La Sonnambula, as well as Raimondo, Ramphis, Colline, Sparafucile and the Grand Inquisitor. With the New York City Opera, he performed the title roles of Mephistopheles, Attila, Julius Caesar, Don Giovanni (and Leporello). He created the role of Francesco Cenci in the world premiere of Beatrix Cenei by Alberto Ginastera, the first opera presented at the new Kennedy Center in Washington D.C. Ginastera also wrote for Justino Díaz a piece for Baritone, Percussion and Cello with a textby Pablo Neruda, which was premiered by the Chamber Music Society of Lincoln Center.He has sung such diverse operatic roles as Don Giovanni, Figaro, Iago, Scarpia, Macbeth, Rigoletto, Count di Luna, Germont, Gerard, Michele, Jack Rance, Boccanegra, Escamillo, Mephistopheles, Alvise, Phillip II, Attila, four villains in the Tales of Hoffmann and Cristoforo Colombo, under conductors that include Levine, Kleiber, von Karajan, Bernstein, Karl Böhm, and the legendary Pablo Casals. The list of stage directors he has worked with is no less impressive as it includes such names as Franco Zeffirelli, Gunther Renert, Goetz Friederich, Gian Carlo Menotti, Sarah Caldwell, Ponnelle, Mansouri, Eduardo de Filippo, Tito Capobianco, Ian Judge, Piero Faggione, Nuria Espert, Jonathan Miller, and Pilar Miró.His many recordings of Operas and Oratorios include Messiah, Otello, Semele, Lucia di Lammermoor, La Wally, L'Assedio di Corinto, La Pietra del Paragone, The Tales of Hoffmann, Rossini's Stabat Mater for the labels Deutsche Grammophon, RCA Sony, EMI, London, Vanguard and ASV. Among his