http://www.perryolsen.com/Mens-Tungsten-Carbide-Rings-100489.html Unique tungsten carbide wedding band ring for men. 9mm wide and with spikes no the center piece that can spin around the wedding ring. Comfort fit, hypoallergenic, scratch proof; this ring is the ultimate Tungten carbide wedding band ring that will last you a lifetime. Visit PerryOlsen.com website for wedding band rings in materials such as platinum, titanium, tungsten carbide, black zirconium, black ceramic, 14K and 18K gold, and more. Click on the below link to see all our Tungsten carbide rings: http://www.perryolsen.com/Mens-Tungsten-Carbide-Rings-100489.html [
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perryolsen 21sec, Views:13, Ratings:0.00pt, Votes:0, Comments:0, Added at:08/08/26 [
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Kris Brooks: Concepts in Contrast (Excerpt 5)The genesis of this composition grew out of a sympathy the composer has for neglected instrumental groups, and out of his love of unique sound worlds. Concepts in Contrast is scored for 12 cellos, 3 double basses, and percussion, including timpani, suspended cymbal, tam-tam, celesta, piano, marimba, and vibraphone. The content of the music is concerned with somewhat negative states of mind. Until 1991, Brooks' music was mostly positive, being imbued with an overall sense of optimism. But in his compositional pursuit to convey the eternal theme of good vs. evil, Brooks realized something that would prove important to his development as a mature composer -- simply, that a light shines much more brightly in the darkness. If an in-depth study of "dark music" would enhance his future compositional attempts at contrasting good and evil, then he would soon set himself to this task. 1991 saw the completion of Devil's Fate, a portentous and threatening work for full orchestra based on a passage from the Book of Revelation. Only a month later he was hard at work on Concepts in Contrast. Originally a single movement piece titled "Agitation", Brooks soon began work on three more movements. "Dreamer's Passion", "Haunting Mood", and "Frantic Energy", which he completed in the summer of 1992, further explore darker states of mind. Even in the seemingly positive "Dreamer's Passion", the pleasantness of a daydream is subjected to strange uncertainties and ultimately the dream is denied of any resolution. All four movements are attacca, or played without a break in the music, and take the listener through a score which belies its instrumentation, leaving low strings and percussion sounding more like an orchestra.Concepts in Contrast was premièred in Aachen in 1995 by Cellissimo, an ensemble made up of musicians from the Hochschule für Musik Köln and augmented by members of the Kölner Rundfunk-Sinfonie-Orchester, with Herbert Görtz conducting.©2003 [
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Kris Brooks: Concepts in Contrast (Excerpt 4)The genesis of this composition grew out of a sympathy the composer has for neglected instrumental groups, and out of his love of unique sound worlds. Concepts in Contrast is scored for 12 cellos, 3 double basses, and percussion, including timpani, suspended cymbal, tam-tam, celesta, piano, marimba, and vibraphone. The content of the music is concerned with somewhat negative states of mind. Until 1991, Brooks' music was mostly positive, being imbued with an overall sense of optimism. But in his compositional pursuit to convey the eternal theme of good vs. evil, Brooks realized something that would prove important to his development as a mature composer -- simply, that a light shines much more brightly in the darkness. If an in-depth study of "dark music" would enhance his future compositional attempts at contrasting good and evil, then he would soon set himself to this task. 1991 saw the completion of Devil's Fate, a portentous and threatening work for full orchestra based on a passage from the Book of Revelation. Only a month later he was hard at work on Concepts in Contrast. Originally a single movement piece titled "Agitation", Brooks soon began work on three more movements. "Dreamer's Passion", "Haunting Mood", and "Frantic Energy", which he completed in the summer of 1992, further explore darker states of mind. Even in the seemingly positive "Dreamer's Passion", the pleasantness of a daydream is subjected to strange uncertainties and ultimately the dream is denied of any resolution. All four movements are attacca, or played without a break in the music, and take the listener through a score which belies its instrumentation, leaving low strings and percussion sounding more like an orchestra.Concepts in Contrast was premièred in Aachen in 1995 by Cellissimo, an ensemble made up of musicians from the Hochschule für Musik Köln and augmented by members of the Kölner Rundfunk-Sinfonie-Orchester, with Herbert Görtz conducting.©2003 [
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Brooks: Concepts in Contrast (Excerpt 3)The genesis of this composition grew out of a sympathy the composer has for neglected instrumental groups, and out of his love of unique sound worlds. Concepts in Contrast is scored for 12 cellos, 3 double basses, and percussion, including timpani, suspended cymbal, tam-tam, celesta, piano, marimba, and vibraphone. The content of the music is concerned with somewhat negative states of mind. Until 1991, Brooks' music was mostly positive, being imbued with an overall sense of optimism. But in his compositional pursuit to convey the eternal theme of good vs. evil, Brooks realized something that would prove important to his development as a mature composer -- simply, that a light shines much more brightly in the darkness. If an in-depth study of "dark music" would enhance his future compositional attempts at contrasting good and evil, then he would soon set himself to this task. 1991 saw the completion of Devil's Fate, a portentous and threatening work for full orchestra based on a passage from the Book of Revelation. Only a month later he was hard at work on Concepts in Contrast. Originally a single movement piece titled "Agitation", Brooks soon began work on three more movements. "Dreamer's Passion", "Haunting Mood", and "Frantic Energy", which he completed in the summer of 1992, further explore darker states of mind. Even in the seemingly positive "Dreamer's Passion", the pleasantness of a daydream is subjected to strange uncertainties and ultimately the dream is denied of any resolution. All four movements are attacca, or played without a break in the music, and take the listener through a score which belies its instrumentation, leaving low strings and percussion sounding more like an orchestra.Concepts in Contrast was premièred in Aachen in 1995 by Cellissimo, an ensemble made up of musicians from the Hochschule für Musik Köln and augmented by members of the Kölner Rundfunk-Sinfonie-Orchester, with Herbert Görtz conducting.©2003 [
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Kris Brooks: Concepts in Contrast (Excerpt 2)The genesis of this composition grew out of a sympathy the composer has for neglected instrumental groups, and out of his love of unique sound worlds. Concepts in Contrast is scored for 12 cellos, 3 double basses, and percussion, including timpani, suspended cymbal, tam-tam, celesta, piano, marimba, and vibraphone. The content of the music is concerned with somewhat negative states of mind. Until 1991, Brooks' music was mostly positive, being imbued with an overall sense of optimism. But in his compositional pursuit to convey the eternal theme of good vs. evil, Brooks realized something that would prove important to his development as a mature composer -- simply, that a light shines much more brightly in the darkness. If an in-depth study of "dark music" would enhance his future compositional attempts at contrasting good and evil, then he would soon set himself to this task. 1991 saw the completion of Devil's Fate, a portentous and threatening work for full orchestra based on a passage from the Book of Revelation. Only a month later he was hard at work on Concepts in Contrast. Originally a single movement piece titled "Agitation", Brooks soon began work on three more movements. "Dreamer's Passion", "Haunting Mood", and "Frantic Energy", which he completed in the summer of 1992, further explore darker states of mind. Even in the seemingly positive "Dreamer's Passion", the pleasantness of a daydream is subjected to strange uncertainties and ultimately the dream is denied of any resolution. All four movements are attacca, or played without a break in the music, and take the listener through a score which belies its instrumentation, leaving low strings and percussion sounding more like an orchestra.Concepts in Contrast was premièred in Aachen in 1995 by Cellissimo, an ensemble made up of musicians from the Hochschule für Musik Köln and augmented by members of the Kölner Rundfunk-Sinfonie-Orchester, with Herbert Görtz conducting.©2003 [
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Kris Brooks: Concepts in Contrast (Excerpt 1)The genesis of this composition grew out of a sympathy the composer has for neglected instrumental groups, and out of his love of unique sound worlds. Concepts in Contrast is scored for 12 cellos, 3 double basses, and percussion, including timpani, suspended cymbal, tam-tam, celesta, piano, marimba, and vibraphone. The content of the music is concerned with somewhat negative states of mind. Until 1991, Brooks' music was mostly positive, being imbued with an overall sense of optimism. But in his compositional pursuit to convey the eternal theme of good vs. evil, Brooks realized something that would prove important to his development as a mature composer -- simply, that a light shines much more brightly in the darkness. If an in-depth study of "dark music" would enhance his future compositional attempts at contrasting good and evil, then he would soon set himself to this task. 1991 saw the completion of Devil's Fate, a portentous and threatening work for full orchestra based on a passage from the Book of Revelation. Only a month later he was hard at work on Concepts in Contrast. Originally a single movement piece titled "Agitation", Brooks soon began work on three more movements. "Dreamer's Passion", "Haunting Mood", and "Frantic Energy", which he completed in the summer of 1992, further explore darker states of mind. Even in the seemingly positive "Dreamer's Passion", the pleasantness of a daydream is subjected to strange uncertainties and ultimately the dream is denied of any resolution. All four movements are attacca, or played without a break in the music, and take the listener through a score which belies its instrumentation, leaving low strings and percussion sounding more like an orchestra.Concepts in Contrast was premièred in Aachen in 1995 by Cellissimo, an ensemble made up of musicians from the Hochschule für Musik Köln and augmented by members of the Kölner Rundfunk-Sinfonie-Orchester, with Herbert Görtz conducting.©2003 [
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Barbara Mendes invites you to experience the beauty and joy of fine art for all! Learn more at Barabara's website-www.barbaramendes.org. [
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Recorded on July 25, 2009 using a Flip Video camcorder. [
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日期Date:28/6/2008 (Sat)時間Time:3:00pm-4:00pm 地點Venue:屯門大會堂大堂 Tuen Mun Town Hall, Foyer. Composer interview and music excerpt 日期Date:28/6/2008 (Sat)時間Time:3:00pm-4:00pm 地點Venue:屯門大會堂大堂 Tuen Mun Town Hall, Foyer. Composer interview and music excerpt of "賣唱 Mai Chang"Composer: Tony LamFlutist: Wyman WAT Nga-man Violist: WANG Dan Cellist: Eric YIP Chun-hei Details:http://www.compohk.org/CompoConcert/2008TMTH/2008TMTH01.php (more) [
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my own dance 2007, organized by CCDC, Hong Kong [
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chanfee 59sec, Views:54, Ratings:0.00pt, Votes:0, Comments:0, Added at:08/05/17 [
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This piece comes from an anthology of Chinese piano music published in 1979 in Hong Kong. The composer was also a collaborator on the heroic piece 'Battling the Typhoon'. I have never understood why it is that millions of Chinese study mainstream European classical piano works, but I know of barely any non-ethnic Chinese pianist who play the Chinese repertoire. Maybe most non-Chinese believe that Lang Lang - who plays that repertoire with such incredible finesse - and a few other Chinese pianists are unsurpassable in it.---------------------------------------Played by Phillip Searhttp://www.psear.co.uk [
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PSearPianist 3min1sec, Views:205, Ratings:4.50pt, Votes:2, Comments:5, Added at:08/05/16 [
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http://www.imamuseum.org/Indianapolis Museum of Art - IMADirector's Journal 6.0 featuring the work of Maya LinSpend a moment with Max Anderson, The Melvin &Bren Simon Director and CEO of the Indianapolis Museum of Art as he takes you on a tour of the latest and greatest that the IMA has to offer. [
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IMAItsMyArt 2min1sec, Views:776, Ratings:5.00pt, Votes:3, Comments:3, Added at:08/04/22 [
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The Italian classical guitarist Andrea Dieci plays Light Frameworks (2002, dedicato ad Andrea Dieci) by Nicola Jappelli [
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mbsv 6min36sec, Views:1374, Ratings:5.00pt, Votes:8, Comments:2, Added at:08/02/23 [
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A Experimental film i made as part of the 510 project at Unitec in 2004 [
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TIMJAMES2008 3min52sec, Views:28, Ratings:0.00pt, Votes:0, Comments:0, Added at:08/02/18 [
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3 Minute Portrait I made at Unitec in my first year of studying there. [
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TIMJAMES2008 2min56sec, Views:472, Ratings:0.00pt, Votes:0, Comments:1, Added at:08/02/18 [
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http://www.bananartista.comhttp://www.myspace.com/bananartistahttp://www.asxpo.ithttp://www.oreamalia.ithttp://www.famigliamargini.comAvete mai visto un personaggio aggirarsi per Milano completamentevestito dai suoi dipinti, con una grande (b) sulla testa, armato dichitarra e spirito performativo?E' il Bananartista..... in mostra presso lo spazio POP UP XPO', ilprimo spazio espositivo ricavato presso un parrucchiere trendy diMilano. Il Bananartista si esibira' in esclusiva in una performance invetrina mentre gli avventori si potranno beatamente fare lo shampoo ofarsi realizzare l'ultimo grido di taglio di capelli "EMO"....EPISTEMOLOGIA DI UN ESTETICA MONDANA SECONDO il (b)ANANA, Star diMyspace.Mostra e performance di (b)ananartistaa cura di Christian GangitanoVernissage Performativo Giovedì 21 febbraio 2008ore 19.00/22.30allo Spazio POP UP XPO', presso Orea Malia',via Marghera 18 Milano (MM Wagner)Epistemologia é quella parte della Teoria Generale della Conoscenza chesi occupa della filosofia della scienza, cioè dei fondamenti, dellanatura, dei limiti e della validità del sapere scientifico, sia dellescienze esatte (logica e matematica) che delle scienze empiriche(fisica, chimica, psicologia, sociologia etc.) .Ho utilizzato questa chiave di lettura per presentare e far comprenderemeglio il Bananartista , grazie al modello della "presenza" rispetto aquello dell'"assenza" per l'analisi dell'arte contemporanea che mi hatrasmesso il mio "guru" Renato Barilli.Un'estetica mondana, quindi, quella del "Banana".Una "fenomenologia" dagli stili diversi, consapevolmente ingenua per ungiovane artista che utilizza assolutamente libero "tools" pescati opresi in prestito dal magma interdisciplinare, ri-trovati nella paludestigia multimediale, resi propri nell'essere un "grande artista" senzatabu', auto conclamatosi tale.Opera d'arte ambulate, situazionista "spontaneo" e surfista dei media,il Banana sta gia' esplorando il web 3.0. Collabora infatti per questa mostra con artisti internazionali comeTOMOKO NAGAO (JP), che "gioca" con l'aspetto piu' tecnologico delleopere " web 3.0 " dei second life o dei video clikkatissimi su Youtubeo myspace, postati dal Banana.Una figura eclettica, auto referenziale, irriverente e gia' quotatomigliaia di euro secondo se stesso e quindi assolutamente"avant"business", oltre il mercato in quanto gia' nato nel mercato..Un artista "di nascita", che utilizza media "aperti". Agisce in unalogica "open source" raggiungendo la vetta quando si presenta comeopera d'arte vivente, producendo e consumando l'arte stessa nel soloatto di vivere e di esserne emanazione..Un artista cosi' protagonista della contemporaneità milanese da esserne"oltre" e quindi ai margini della ribalta del Jet set dello spettacolointegrato.L' Evento e' realizzato in collaborazione con la galleria FamigliaMargini.Christian GancitanoCoordinatore, Associazione ATELIER SPAZIO XPO'www.asxpo.itwww.oreamalia.it(b)ananartista® orgasmo SBUFF pittore captatore musicista performer emuseo viventehttp://www.bananartista.comhttp://www.myspace.com/bananartistainfo: Christian Gancitanoxpo@asxpo.itAssociazione ATELIER SPAZIO XPO'www.asxpo.itSpazio XPO'/ Orea Malia' : via Marghera, 18 Milanosex 17 hot porn tits boobs picasso dino buzzati pop fluxus dadaism futurism noveau realism minimalism click here pay buy donation patron shaman shamanism ritual cerimony britney spears shock pokopony band famiglia margini grace zanotto emilio cejalvo pornofauve fauve miss magmin zorba il greco the buddha christ jesus golgota calvario banana bananas plant yellow warhol andy dandy velvet underground blues rock rap snoop dogg calvary sbuff sbuffoni sbuffone protestantism animism taoism osho guru trip trance ipnosi guarigione health outsider brut crazy fool carisma artist pittore scultore performer videomaker eraclito cratilo platone [
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bananartista 1min47sec, Views:1094, Ratings:5.00pt, Votes:3, Comments:9, Added at:08/02/17 [
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Ich hatte einen Traum: Mit einem Flügel nicht immer nur dort spielen zu können, wo einer steht, sondern frei zu sein, mobil zu sein. Die Realisierung ist ein Konzertflügel auf einem Fahrradanhänger, gezogen von einem Tridem (einem Dreier-Tandem). Pianomobile ist wirklich "mobile Musik". [
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clausfaber 7min18sec, Views:202, Ratings:2.00pt, Votes:1, Comments:0, Added at:08/02/16 [
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Summer 2007: Introduction to Contemporary Dance [
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eljeeoh 1min25sec, Views:114, Ratings:0.00pt, Votes:0, Comments:0, Added at:08/02/07 [
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Here are still photos from some of our open classes. All photos were taken by Rosalie O'Connor. For more information please visit our website www.stepsnyc.com [
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StepsNYC 3min7sec, Views:1409, Ratings:5.00pt, Votes:3, Comments:7, Added at:07/12/07 [
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Lindsay Russell and Angga Wardana performing "Bedroom" for dance comp. COBALT [
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wahrdana06 4min35sec, Views:322, Ratings:5.00pt, Votes:3, Comments:2, Added at:07/12/03 [
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A series of instances. A loose collection of tresholds and ideas in choreography and dance.choreography: Michael Kliendance: Angie Smalisa Daghdha production. www.daghdha.ie [
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michaelklien 1min5sec, Views:153, Ratings:5.00pt, Votes:1, Comments:0, Added at:07/11/07 [
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A series of public performances of space in central locations. This is in Johannesburg, South Africa, October 2007, CC licensed by Nathaniel Stern. Performers / documentarians include Brendan Copestake, Ismail Farouk, Anthea Moys, João Orecchia, Rat Western [
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implicitart 2min29sec, Views:410, Ratings:5.00pt, Votes:3, Comments:0, Added at:07/10/08 [
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A series of public performances of space in central locations. This is in Dubrovnik, Croatia, June 2007, CC licensed by Nathaniel Stern. Performers / documentarians include JC Bukenya, Tomislav Domis, Joy Garnett, Ana Husman, Kathryn Smith, Tim Whidden, Jaka Železnikar [
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implicitart 2min26sec, Views:166, Ratings:3.00pt, Votes:2, Comments:0, Added at:07/10/08 [
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Shanghai Contermporary Art Fair Opening in Moganshan Lu - famous gallery area in shanghai - Sept2007Island 6 Gallery - Artist Thomas Israel [
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annebluesky 59sec, Views:155, Ratings:0.00pt, Votes:0, Comments:0, Added at:07/09/06 [
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法国巴黎首演2006pascal Contet -AccordeonCaro Robinson - clarinetwu wei -shengTom mays- VJ,Live Eletronicwww.wuweimusic.com [
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weiwu1 1min13sec, Views:699, Ratings:4.80pt, Votes:4, Comments:0, Added at:07/01/06 [
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Sb03-Barbara SarreauMusic作曲: Wu wei 吴巍编舞Chrographie : Barbara SarreauDance:Wu Wei , Karine Flavgny中法现代舞蹈 2004 巴黎首演www.wuweimusic.com [
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weiwu1 4min31sec, Views:701, Ratings:4.00pt, Votes:4, Comments:0, Added at:07/01/06 [
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二重奏:笙与打击乐吴巍/笙,卢卡斯 尼格里/ 鼓师duo wu wei