F Major Diatonic Harmonica. C will work on some notes. In straight harp. Some naasty 2 hole bending on this (2') and (2")...This is the harmonica group for any questions.. http://www.youtube.com/group/HarmonicaEnthusiasts [ More Detail ]
Some basic excersizes using chromatic lower neighbour tones and diatonic upper neighbour tones. The material in the books by David Baker titled 'how to play bebop' were a reference for this kind of excersizes. [ More Detail ]
Aluminum Ladder Improv by Christian Tatonetti. Half speed from original recording. This is not gonna be a hit on Youtube. I know it! :) [ More Detail ]
ok now in my video i play with diatonic scale,major n minor pentatonic n Am blues+chromatic scale.in here i play with cort EVL K6,POD XTL,ACER Aspire,n backing track for my metronome with fruity loops.but it's no good,because i'M not perfect to play guitar.please your comment for my video after wathing!ok,n thank's [ More Detail ]
A song I made in C Major, did lead and rhythm in it. I learned what diatonic means recently so here's some of it in usage. Hope you enjoy [ More Detail ]
Lento e largo—Tranquillissimo(only the second part of the 3st movement)The tempo of the third movement is not as slow as the previous two, and subtle changes in dynamism and mode make it more complex and involving than it may at first appear. It comprises three verses in A minor[1] and, like the first movement, is constructed from evolving variations on a simple motif. The melody is established in the opening verse, and the second and third verses revisit the cradling motifs of the second movement. As in the second movement, the motifs are built up from inversions of plain triads and seventh chords stretching across several octaves. As the soprano sings the final words, the key changes to a pure diatonic A major which accompanies, in writer David Ellis's words, the "ecstatic final stanza":[1]O sing for him / God's little song-birds / Since his mother cannot find him. And you, God's little flowers / May you blossom all around / that my son may a sleep happy sleep.[16] [ More Detail ]
When I practice scales, I almost never just play the scale alone unless I am out and about. I think this stuff is better learned when put into an appropriate musical context. The scales are listed below. Practice playing the scales over the backing track and then generalize the sound of the scale juxtaposed to the chord by playing whatever comes to mind. Keep time with the music and work on phrasing during the progression. You can also practice playing the chord tones against the chords, I delineated them with 1st inversion chords, try to stay away from always playing roots with Chord tones, that's the bassist's job!I tried to keep theory talk out of this vid as much as possible but in future videos I'll demonstrate how these modes are a precursor to playing changes and especially the ii-V-I which is something every musician should know. The greek modes:C = Ionian/major CDEFGABC D = Dorian DEFGABC (funk/blues/jazz)E = Phrygian EFGABCDE (Mid-east/Spanish/Jazz)F = Lydian FGABCDEF (Jazz/Folk)G - Myxolydian GABCDEFG (Blues/Rock/Country)A = Aoelian ABCDEFG (Folk/Latin/Jazz)B = Locrian BCDEDFAB (Algerian/Jazz/Ethinic)Scale-Tone Chords of the C major scale1. Cmaj7 = E - G - B - C2. Dm7 = F - A - C - D3. Em7 = G - B - D - E4. Fmaj7 = A - C - E - F5. G7 = B - D - F - F6. Am7 = C - E - G - A7. Bø = D - F - A - BThe backing track is available at:http://www.buddhasgarden.net/music/the_modes.mp3The plan is to eventually visit each and every key on it's own. All major and minor scales [ More Detail ]
Standard tuning: EADGBE Played mostly in C Aeolian mode of the D# Major diatonic scale. There are a few licks in C Minor pentatonic. It proves to be a nice mix of the two scales. The song pretty much stays in one area of the fretboard, so there's not alot of moving around, but it sounds like it's all over the place. Carlos Santana is a GENIUS! IMHO. Sorry it took so long. I have been working on this song for awhile (approx. a month) and it is 100% solo, so it wasn't easy for me. [ More Detail ]
Guitar lesson for Santana's Europa.Standard tuning: EADGBE Played mostly in C Aeolian mode of the D# Major diatonic scale. There are a few licks in C Minor pentatonic. It proves to be a nice mix of the two scales. The song pretty much stays in one area of the fretboard, so there's not alot of moving around, but it sounds like it's all over the place. Carlos Santana is a GENIUS! IMHO. Sorry it took so long. I have been working on this song for awhile (approx. a month) and it is 100% solo, so it wasn't easy for me. [ More Detail ]
6-Diatonic Modes Symmetry is the 6th clip in the "Harmony Basics" animated tutorial series. Building on previous clips, this clip looks at chords in Modes and how the modes are structured symmetrically and are perfectly symmetrical to one another. This clip also starts looking at chord progressions with antecedents and consequents. A content rich clip that demonstrates, in under 90 seconds, what had never been demonstrated successfully before, the perfect symmetry of the natural diatonic Major and Minor modes. Using 3D animation and fractals, this clip offers both 100% original content and container. Don't miss it and take the time to listen, observe, and understand the natural structures of music. These clips are short and dense but they loop well ... Tell us what you think and find out more from both the MusicNovatory encyclopedic site, as well as this MusicPhenomenon.com portal pages. [ More Detail ]
the 5 positions of the C major diatonic scale, as taught by many instructors, are shown. John explains where they come from, and why he prefers the 7 scale positions with 3 notes on every string. That lesson is called "seven positions of major diatonic scale" on YouTube. On the website it's the lesson right before this one.3rd of six in series of introductory diatonic scale lessons. [ More Detail ]
The diatonic scales explained. After introducing Chrominicism in the first and second clips, this third clip in the "Harmony Basics" series, explains the origin and structure of diatonic scales while also demonstrating how scales are really permutations of the natural string of fifths, that semi-tones in diatonic scales result from Chrominicism, and that Chrominicism is a fundamental music and harmony component. This also explains why diatonic scales are not uniform, why they have 5 tones and 2 semi-tones, why all steps are not equal, why are there missing black keys on the piano keyboard, as well as why keys and staff follow the string of fifths. If scales are not fundamental components but only accessory permutations, what are the foundations of music and harmony? This clip addresses and resolves these questions in just 90 seconds. More clips will build on this and resolve more major music mysteries, like they have never been before. [ More Detail ]
C major diatonic harmonica. (most common kind)This was after like 4 hrs of practice.. 90min of which were leading up to this. This was probably the best I was at playing the whole song and I just wanted to get it down... It has really great elements at the end riff that walks up and uses whole note steps on the harp (or something like that) and really stresses what you are used to playing on the harp. (Or what I was used to playing anyway)... Since then, Ive gotten better at playing parts, but not necessarily the whole song..Anywho, I think it is an awesome song. I really liked it when I played that Zelda game, and props to Joe for tabbing it all out. Perhaps I will take on another Zelda song soon.Mad props to Joe Lo Giudice for sending me this tab:I usually use -# for drawing in airSarias song-5 -6 -7 -5 -6 -7-5 -6 -7 8 -8 -7 7 -7 6 5 -4 5 6 5-5 -6 -7 -5 -6 -7-5 -6 -7 8 -8 -7 7 8 -7 6 -7 6 -4 5-4 5 -5 6 -6 -7 7 -7 5-4 5 -5 6 -6 -7 7 -7 8-4 5 -5 6 -6 -7 7 -7 5-4 4 -5 5 6 -5 -6 6 -7 -6 7 -7 -8 78 -9 -8 8 (more) (less)All my how to's are here: http://www.youtube.com/groups_videos?name=HarmonicaEnthusiastsand check out my page as well:http://www.youtube.com/user/pazzmanmusic [ More Detail ]
Software plays the 8 notes of the C Major scale in order, then related diatonic modes of C Major that have 6 of 7 notes in common: 42 modes for Major, 21 for Harmonic Minor, 21 for Harmonic Major, and 28 for Melodic Minor. All 112 modes are played before the 25th mode of C Melodic Minor (Bb Major) is selected and the process repeats (in Bb). The order of tonal centers continues: Ab, Gb, E, D, then to F (via the related C Ionian of D melodic minor), then following the same descending M2 pattern, Eb, Db, B, A, G. Finally, the modes of C are played again. All of this is done in 60 seconds (as the composition was commissioned for the Vox Novus "60x60" project. [ More Detail ]
MY CD OF MYSTICAL, ANCIENT LYRE MUSIC IS OUT NOW!!! Please visit my Youtube Profile Page for details on how to order a copy..."THRENOS" - by the ancient Greek poet Simonides, c.700BC!!I heard this truly haunting fragment of ancient Greek music on a tantalizing clip I heard, of a CD recording of ancient Greek music by Petros Tabouris...unfortunately I have been unable to acquire ANY of his complete work, on either Amazon or Ebay!:o(This piece inititally appears to be in the ancient Greek "Mixolydian Mode"; the equivelant intervals heard in a scale from B-B when played on the white notes of the piano...This is not to be confused with the MEDIEVAL usage of the term "Mixolydian" Mode, which refers to the intervals of a scale from G-G on the white notes of the piano!Due to a misinterpretation of the Latin texts of Boethius, mediaeval modes were given the wrong Greek names! For the CORRECT names of the ORIGINAL ancient Greek modes, see:http://www.harmonics.com/lucy/lsd/corrections.htmlThis piece is, in fact, in the ancient Greek "Hypophrygian" mode, the same intervals as G-G on the white notes of the piano...it later becomes evident that the starting note is the 3rd degree of the scale, and not the 7th degree. Confusingly, the actual ancient Greek Hypophrygian mode has exactly the same intervals as the medieval "mixolydian" mode! I love this piece, due to this ambiguous nature of the tonic note - the starting note sounds either like the 7th degree of a diatonic major scale, or the 3rd degree of the scale, and the feeling of the tonic note fluctuates between the 1st and 4th degrees of scale in this haunting ancient Greek mode.For the actual views of the great Philosophers of ancient Greece; Plato and Aristotle, on the musical modes, please see the following fascinating link:http://www.pathguy.com/modes.htm [ More Detail ]