Stereo: http://br.youtube.com/watch?v=jpsZpNCylds&fmt=18Antonio Lucio Vivaldi (1678 - 1741).Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings &continuo in D major (RV 589):VIII. Domine Deus, Agnus Dei (Contralto and Chorus).IX. Qui tollis peccata mundi (Chorus).X. Qui sedes ad dexteram Patris (Contralto).Concerto Italiano.Deborah York (Soprano).Patrizia Biccire (Soprano).Sara Mingardo (Contralto).Dir. Rinaldo Alessandrini.To angarath.Movements:Gloria in excelsis Deo (Chorus).Et in terra pax (Chorus).Laudamus te (Sopranos I and II).Gratias agimus tibi (Chorus).Propter magnam gloriam (Chorus).Domine Deus (Soprano).Domine, Fili unigenite (Chorus).Domine Deus, Agnus Dei (Contralto and Chorus).Qui tollis peccata mundi (Chorus).Qui sedes ad dexteram Patris (Contralto).Quoniam tu solus sanctus (Chorus).Cum Sancto Spiritu (Chorus).This is the better known setting of the Gloria, simply known as "the Vivaldi Gloria" due to its outstanding popularity. This piece, along with its mother composition RV 588, was composed at the same time during Vivaldi's employment at the Pieta. Two introduzioni exist as explained in the aforementioned article.RV 589 is more mature and original than its predecessor, however evidence of obvious inspiration (and plagiarism) still exist. The first movement's chorus shares similar key modulations to that of the first movement of RV 588, only modified to fit a triple meter instead of the quadruple meter of RV 588; the orchestral motifs are also shared, including octaval jumps in the primal motives of the piece. The second movement is much more dramatic in RV 589, but nevertheless shares with RV Anh. 23 in that the second movement of both employ the use of incessant and repetitious semiquaver behind chord progressions in the chorus. The "Qui Tollis" movement of RV 589 is rhythmically similar to the first few measures of RV 588 (and ultimately RV Anh. 23). The last movement, "Cum Sancto Spiritu," is essentially an "upgraded" version of Ruggieri's original movement — that is to say, updated to fit the standards of the emerging classical style, with the addition of accidentals that were missing in RV Anh. 23 and RV 588. [ More Detail ]
ANTONIO VIVALDI (1678-1741)Psalm 109 for two sopranos, alto, tenor, bass, two oboes, two trumpets, strings and basso continuo in D major RV5957. "Judacabit in nationibus" - Largo - Presto8. "De torrente in via bibet" - Largo9. "Gloria Patri" - Allegro10. "Sicut erat in principio" - Allegro11. "Et in saecular seculorum" - [...]Performed by La Grande Ecurie et la Chambre du Roy and La Maitrise BorealeFeaturing Lynne Dawson, sopranoJames Bowman, counter-tenorJohn Elwes, tenorStephen Varcoe, baritonConducted by Jean-claude Malgoire [ More Detail ]
ANTONIO VIVALDI (1678-1741)Psalm 109 for two sopranos, alto, tenor, bass, two oboes, two trumpets, strings and basso continuo in D major RV5951. "Dixit Dominus" - Allegro2. "Donec pacem inimicos tuos" - Allegro3. "Virgam virtutis tuae" - AllegroPerformed by La Grande Ecurie et la Chambre du Roy and La Maitrise BorealeFeaturing Lynne Dawson, sopranoJames Bowman, counter-tenorJohn Elwes, tenorStephen Varcoe, baritonConducted by Jean-claude Malgoire [ More Detail ]
Well, it's Easter, but I have yet more important exams to worry about. So, feeling nostalgic and thinking about Japan and NGE, I discovered the Re-Take doujinshi online with an English translation. It's genius, truly something, and feeling all inspired and moved by it, I made another Neon Genesis Evangelion AMV, this time with the ending theme to the first half of Death and Rebirth.This anime is simply a masterpiece, and what better way to look back on it than with Pachelbel's Canon?Anime - Neon Genesis EvangelionArtist - Johann PachelbelTrack - Canon and Gigue in D Major for Three Violins and Basso ContinuoAlbum - Neon Genesis Evangelion: S2 Workswww.shrinkinguniverse.co.uk [ More Detail ]
Georg Philipp Telemann (1681 - 1767).Biography:Georg Philipp Telemann was a German Baroque music composer, born in Magdeburg. Self-taught in music, he studied law at the University of Leipzig. The most prolific composer in history (at least in terms of surviving oeuvre), he was a contemporary of Johann Sebastian Bach, Antonio Vivaldi and a lifelong friend of George Frideric Handel. While in the present day Bach is generally thought of as the greater composer, Telemann was more widely renowned for his musical abilities during his lifetime.Telemann traveled widely, absorbing various musical styles and incorporating them into his own compositions. He is known for writing concertos for unusual combinations of instruments, such as multiple violas or trumpets or oboes or harpsichords.He held a series of important musical positions, culminating in that of music director of the five largest churches in Hamburg, from 1720 until his death in 1767.Suite in D Major:1. Air: Tempo giusto.Musica Antiqua Köln.Michael Niesemann (Oboe).Friedemann Immer (Tromba).Dir. Reinhard Goebel. [ More Detail ]
Antonio Lucio Vivaldi (1678 - 1741).Biography:As one biography describes it:"The fate of the Italian composer's legacy is unique. After the Napoleonic wars, it was thought that a large part of Vivaldi's work had been irrevocably lost. However, in the autumn of 1926, after a detective-like search by researchers, 14 folios of Vivaldi's previously unknown religious and secular works were found in the library of a monastery in Piedmont. Some even and odd-numbered volumes were missing and so, the search continued. Finally, in October 1930, the missing volumes were found to be with the descendants of the Grand Duke Durazzo, who had acquired the property as early as the eighteenth century. To its amazement, the world of music was presented with 300 concerts for various instruments, 18 operas, not counting a number of arias and more than 100 vocal-instrumental pieces. Such an impressive list of newly unearthed opuses warranted a re-evaluation of Vivaldi's creativity."Flute Concerto in D major "Il gardelino" (RV 428):1. Allegro.Il Giardino Armonico.Giovanni Antonini (Flute).Dir. Giovanni Antonini. [ More Detail ]
click link for Stereo soundhttp://www.youtube.com/watch?v=B0GCyxO3H9Y&fmt=18Haydn London Symphony No. 101 in D Major "the Clock" - 2nd movement - AndanteRichard Hickox, Collegivm Mvsicvm 90Chaconne (Chandos) [ More Detail ]
*Plays over closing credits to THERE WILL BE BLOODBrahms: Violin Concerto (movt. 3), Gidon Kremer, Leonard Bernstein, Wiener Philharmoniker [ More Detail ]
Canon In D major (High quality)Canon and Gigue in D major for three Violins and Basso Continuo(Kanon und Gigue in D-Dur für drei Violinen und Basso Continuo)http://en.wikipedia.org/wiki/Pachelbel's_Canon [ More Detail ]
John Williams, guitar (1993)"Allegro guisto and Largo" from "Concerto for Lute in D major"Music by Antonio Vivaldi (1678-1741)Orquesta Sinfonica de Sevilla/Jose BuenaguThe Royal Alcazar Palace (Sevilla, Spain)"John Williams - The Sevilla Concert""Launched in 1994, Classic Arts Showcase is a free cable television program designed to bring the classic arts experience to the largest audience possible by providing video clips of the arts in hopes that we may tempt you, the viewer, to go out and feast from the buffet of arts available in your community. The spectrum of classic arts disciplines aired on Classic Arts Showcase includes video samplings of animation, architectural art, ballet, chamber and choral music, dance, folk art, museum art, musical theater, opera, orchestral, recital, solo instrumental. solo vocal, and theatrical performances, as well as classic film and archival documentaries. If we've inspired you to see a concert, attend a recital, or go to the theatre, please share your story with us. Classic Arts Showcase broadcasts 24-hours from Satellite Galaxy 15 Transponder 5, and is picked up by over 500 Channels in the United States alone. We're available free of charge to PEG channels, PBS, basic cable tiers and non-commercial broadcasters"Download sourcehttp://www.archive.org/details/Allegro_giusto_and_Largo_Classic_Arts_Showcase [ More Detail ]
Joahnn Sebastian Bach - Magnificat in D major, BWV 243:1. Chor.Magnificat anima mea Dominum.My soul magnifies the Lord.2. Arie:Et exultavit spiritus meus in Deo salutari meo.And my spirit rejoices in God my Savior. 3. Arie.Quia respexit humilitatem ancillae suae.Ecce enim ex hoc beatam me dicent.For He has regarded the lowliness of His handmaiden. Behold, from henceforth, I will be called blessed.4. Chor.Omnes generationes.My soul magnifies the Lord.Gabrieli Consort and Players.Kimberly McCord (Soprano I).Julia Gooding (Soprano II).Robin Blaze (Alto).Paul Agnew (Tenor).Neal Davies (Bass).Dir. Paul McCreesh. [ More Detail ]
Stereo: http://br.youtube.com/watch?v=4X7N0wU2L8o&fmt=18Johann Sebastian Bach (1685 - 1750).Brandenburg Concerto No. 5 in D major (BWV 1050):1st mov: Allegro.Musica Antiqua Köln.Reinhard Goebel (Violin).Wilbert Hazelzet (Transverse flute).Andreas Staier (Harpsichord).Dir. Reinhard Goebel.Title on autograph score: Concerto 5to d'une Traversiere, une Violino principale, une Violino è una Viola in ripieno, Violoncello, Violone è Cembalo concertato.Movements:1st: Allegro 2nd: Affettuoso 3rd: AllegroConcertino: harpsichord, violin, flute.Ripieno: violin, viola, cello, violone, (harpsichord).The harpsichord is both a concertino and a ripieno instrument: in the concertino passages the part is obbligato; in the ripieno passages it has a figured bass part and plays continuo.This concerto makes use of a popular chamber music ensemble of the time (flute, violin, and harpsichord), which Bach used on their own for the middle movement. It is believed that it was written in 1719, to show off a new harpsichord by Michael Mietke which Bach had brought back from Berlin for the Cöthen court. It is also thought that Bach wrote it for a competition at Dresden with the French composer and organist Louis Marchand; in the central movement, Bach uses one of Marchand's themes. Marchand fled before the competition could take place, apparently scared off in the face of Bach's great reputation of virtuosity and improvisation.The concerto is well suited throughout to showing off the qualities of a fine harpsichord and the virtuosity of its player, but especially in the lengthy solo 'cadenza' to the first movement. It seems almost certain that Bach, considered a great organ and harpsichord virtuoso, was the harpsichord soloist at the premiere. Scholars have seen in this work the origins of the solo keyboard concerto; indeed it is said to be the first-ever example.An earlier version, BWV 1050a, has innumerable small differences from its later cousin, but only two main ones: there is no part for cello, and there is a shorter and less elaborate harpsichord cadenza in the first movement. (The cello part in BWV 1050, when it differs from the violone part, doubles the left hand of the harpsichord.) [ More Detail ]
Jacques Loussier trio plays Bach: Well Tempered Clavier, Fugue No. 5 Piano: Jacques LoussierBass: Vincent CharbonnierPercussion: André ArpinoRecorder live in Munich, 1989.I'm composer. I cordially invite you to listen to my music &give your opinion:http://www.youtube.com/watch?v=o8NjRFUZwMAhttp://es.youtube.com/watch?v=gOkwrbCijrwhttp://www.youtube.com/watch?v=PbkkaihgB3whttp://www.youtube.com/watch?v=QQx3ZEerQ1Qhttp://www.youtube.com/watch?v=xNjpo63NGwohttp://www.youtube.com/watch?v=iNgh4EpWM1Mhttp://es.youtube.com/watch?v=wdw78-6T0MAhttp://www.youtube.com/watch?v=wYKGjFyZbiYhttp://www.youtube.com/watch?v=FnZOQbVZb-shttp://es.youtube.com/watch?v=HZmGEfsXijc (más) [ More Detail ]