And His Mother Called Him Bill (1967)Personnel: Duke Ellington (piano); Russell Procope, Jimmy Hamilton (alto saxophone, clarinet); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (baritone saxophone); Cat Anderson, Mercer Ellington, Herbie Jones, Cootie Williams (trumpet); Clark Terry (flugelhorn); John Sanders, Lawrence Brown, Buster Cooper, Chuck Connors (trombone); Aaron Bell, Jeff Castleman (bass); Steve Little, Sam Woodyard (drums).I am completely captivated by the Strayhorn/Ellington narrative and by the 1967 CD And His Mother Called Him Bill. Every story has a beginning and a middle, and as many of us eventually figure out , there are no real endings. This CD is a living legacy of that reality. My appreciation for this body of work is inseparable from the love story it expresses. Can you imagine being fortunate enough to meet someone in your lifetime that you connect with on a creative and soul level so profound that it is not a threat to, nor rivalled by any other kind of intimacy? From all that I have read by historians and biographers, and all myths aside, this is the essence of the relationship Duke Ellington and Billy Strayhorn shared and nurtured for 30 years. A bond beyond gender or sexuality, and even deeper than friendship. Yet, most of their famous compositions were collaborated on while apart and from completely different approaches, one being self taught liking contrast and discord, the other classically trained loving harmony and melody. Strayhorn recalled the first time he watched the Duke in action: Something inside me changed when I saw Ellington on stage, like I hadn't been living until then. And later Ellington described Strayhorn as my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine. When Billy Strayhorn died in 1967 after a two year struggle with esophagus cancer, Ellington was so devastated that he did not get out of bed for weeks, and three months later he called his band into the studio to record this tribute album.Hence, my inspiration to share. These are my first You Tube uploads, audio only and not perfect, but just lay back, close your eyes and drift. [ More Detail ]
And His Mother Called Him Bill (1967)Personnel: Duke Ellington (piano); Russell Procope, Jimmy Hamilton (alto saxophone, clarinet); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (baritone saxophone); Cat Anderson, Mercer Ellington, Herbie Jones, Cootie Williams (trumpet); Clark Terry (flugelhorn); John Sanders, Lawrence Brown, Buster Cooper, Chuck Connors (trombone); Aaron Bell, Jeff Castleman (bass); Steve Little, Sam Woodyard (drums).I am completely captivated by the Strayhorn/Ellington narrative and by the 1967 CD *And His Mother Called Him Bill.* Every story has a beginning and a middle, and as many of us eventually figure out , there are no real endings. This CD is a living legacy of that reality. My appreciation for this body of work is inseparable from the the love story it expresses.Can you imagine being fortunate enough to meet someone in your lifetime that you connect with on a creative and soul level so profound that it is not a threat to, nor rivalled by any other kind of intimacy? From all that I have read by historians and biographers, and all myths aside, this is the essence of the relationship Duke Ellington and Billy Strayhorn shared and nurtured for 30 years. A bond beyond gender or sexuality, and even deeper than friendship. Yet, most of their famous compositions were collaborated on while apart and from completely different approaches, one being self taught liking contrast and discord, the other classically trained loving harmony and melody. Strayhorn recalled the first time he watched the Duke in action: Something inside me changed when I saw Ellington on stage, like I hadn't been living until then. And later Ellington described Strayhorn as my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine. When Billy Strayhorn died in 1967 after a two year struggle with esophagus cancer, Ellington was so devastated that he did not get out of bed for weeks, and three months later he called his band into the studio to record this tribute album.Hence, my inspiration to share. These are my first You Tube uploads, audio only and not perfect, but just lay back, close your eyes and drift.Blood Count is the last composition written by Billy Strayhorn in the months before he died [ More Detail ]
Ellington sidemen featured. Carney on baritone, Williams (plunger), and high note specialist cat anderson on trumpet.If you're an Ellington fan and enjoy the kind of 'musician talk' heard here, you must read the bio Reminiscing In Tempo byStuart Nicholson. Nearly the entire book is comprised of first-hand comments and recollections by Ellington musicians and associates going all the way back to Duke'shumblest beginnings (when he aspired to be a graphics artist.) [ More Detail ]
Duke Ellington was a composer and band leader-- and one of the most important figures in Western music. He was born in Washington, DC in 1899, the grandchild of slaves. By the 1940's he was considered a musical giant. Side by Side was a 1959 release, officially billed as a Duke Ellington and Johnny Hodges project. Hodges was Ellington's lead sax player for years. Some of the other players, pictured in the clip, are Harry "Sweets" Edison (trumpet), Roy Eldridge (trumpet), Jo Jones (drums), Johnny Hodges (alto sax), and Billy Strayhorn (piano). [ More Detail ]
A rare clip of the great Duke Ellington along with his big band perform two of his classic compositions, "Passion Flower" and "Things Ain't What They Used To Be" at 1962 Newport Jazz Fest. The clip features the unmistakable Johnny Hodges on alto sax. [ More Detail ]
A 1942 recording of C Jam Blues beformed by Duke Ellington and a collection of other Jazz giants in a famous recording called "Jam Session".Other artist included Barney Bigard, Sonny Greer, Ray Nance, Joe 'Tricky Sam' Nanton, Rex Stewart, and Ben Webster.Use this link to open my Jazz Giants library playlist. http://www.youtube.com/cp/vjVQa1PpcFNgJPmAJf6QfSRPBzZb7Pq9-6 EUdGs6FKg= [ More Detail ]
http://www.artistopia.com/hessionsessioTwo new solo piano CD's are available as of April,2008.Caravan an Ellington classic by Juan Tizol and Ellington from 1937; one of the first major big band hits to feature a hard driving latin rhythm, predating the Dizzy Gillespie latin hits of the 1940's. This piece is also popular in jam sessions, but rarely heard on solo piano. Needless to say, Hession hears the whole band in his head which leads to the solo rendition with latin rhythm on rhythm implied. [ More Detail ]
This is an exceptional showcase recording of Duke Ellington &His Cotton Club Orchestra, made for Victor on April 13th, 1929. It recreates the atmosphere of a real concert situation at the Cotton Club. The band plays a medley, including:1. Cotton Club Stomp2. Misty Morning3. Goin' To Town4. Freeze And Melt [ More Detail ]
a CBS broadcast to honor Duke, with Snooky Young, Clark Terry, Cootie Williams, Cat Anderson, Quincy Joneshttp://trumpetkings.blogspot.com [ More Detail ]