This is a tribute to all Formula 1 drivers that lost their life in a Formula 1 car or a F1 event. I want to say that no graphic footage is shown here but since they are fatal crash some of the videos may result shocking to watch. This is the first part from 1950 to 1967, part 2 coming soon. List of the driver in part 1 : 1953 Charles de Tornaco Modena Ferrari1954 Onofre Marimon Nurburgrin Maserati1958 Luigi Musso Rheims Ferrari1958 Peter Collins Nurburgring Ferrari1958 Stewart Lewis-Evans Ain-Diab Vanwall1960 Harry Schell Silverstone1960 Alan Stacey Spa Lotus1960 Christ Bristow Spa Cooper1961 Wolfgang von Trips Monza Ferrari1962 Ricardo Rodriguez Mexico Ferrari1964 Carel Beaufort Nurburgring1966 John Taylor Nurburgring1967 Bob Anderson Silverstone1967 Lorenzo Bandini Monaco Ferrari [ More Detail ]
From the 1976 Shirley Bassey show. Part 3.http://shirleybassey.wordpress.comThe Ballad Of The Sad Young Men Music written by Thomas J. Wolf Jr. and lyrics by Frances Landesman. Released on the 1972 album And I Love You So and on a single. Also on the collection Bassey - The EMI/UA Years 1959 - 1979. Shirley Bassey sang this song also in the 1976 and 1979 BBC specials. Shirley Bassey sang it again live on her Millennium Tour. This song is from the 1959 Broadway jazz musical "The Nervous Set".Also performed by for example: Gil Evans (1958), Anita O'Day (1960), Roberta Flack, Petula Clark, Rod McKuen. LyricsSing a song of sad young men, glasses full of rye All the news is bad again, kiss your dreams goodbye All the sad young men, sitting in the bars Knowing neon nights, and missing all the stars All the sad young men, drifting through the town Drinking up the night, trying not to drown All the sad young men, singing in the cold Trying to forget, that they're growing old All the sad young men, choking on their youth Trying to be brave, running from the truth Autumn turns the leaves to gold, slowly dies the heart Sad young men are growing old, that's the cruellest part All the sad young men, seek a certain smile Someone they can hold, for just a little while Tired little girl, does the best she can Trying to be gay, for a sad young men While a grimy moon, watches from above All the sad young men, who play at making love Misbegotten moon shine for sad young men Let your gentle light guide them home again All the sad, sad, sad, young men (Transcribed by Roman) [ More Detail ]
Colosseum - Valentyne SuiteRecorded live at Montreux Jazz Festival, Switzerland, June 22, 1969.Track 1 - Valentyne Suite :)Theme one : January's Search)Theme two : February's Valentyne)Theme Three : Beware the Ides of March *(Incomplete)(14:49) Composed By Colosseum, Pete BrownArtists:Dave Greenslade - Organ, VocalsDick Heckstall-Smith - SaxophonesJames Litherland - Guitar, VocalsTony Reeves - BassJon Hiseman - Drums*****Important historic fact about Montreux Casino which held Montreux Jazz Festival you might want to know (from Wiki):Montreux Casino (Casino de Montreux) is a casino located in Montreux, Switzerland, on the shoreline of Lake Geneva.Montreux Casino was built in 1881 and had modifications made to it in 1903. Throughout the twentieth century, the site played host to many great symphony orchestras and well-known conductors. By the late 1960s, jazz, blues and rock artists began to perform there.In 1967 the Casino became the venue for the Montreux Jazz Festival, which was the brainchild of music promoter Claude Nobs. The festival was held there annually and lasted for three days. The highlights of this era were Keith Jarrett, Jack DeJohnette, Bill Evans, Nina Simone, Jan Garbarek, and Ella Fitzgerald. Originally featuring almost exclusively jazz artists, in the 1970s the festival began broadening its scope, including blues, soul, and rock artists. Some notable rock acts which performed at Montreux Casino in these years include Led Zeppelin, Pink Floyd and Deep Purple.In December 1971, Montreux Casino burned down during a concert by Frank Zappa, after a fan had set the venue on fire with a flare gun, reducing it to ashes. Claude Nobs saved several young people who, thinking they would be sheltered from the flames, had hidden in the casino from the blaze. A recording of the outbreak and fire announcement can be found on a Frank Zappa Bootleg album titled "Swiss Cheese / Fire" English rock group Deep Purple subsequently made Montreux famous with their song "Smoke on the Water", which tells the events of December 1971:"We all came out to Montreux on the Lake Geneva shoreline / To make records with a mobile - We didn't have much time / Frank Zappa &the Mothers were at the best place around / But some stupid with a flare gun burned the place to the ground / Smoke on the water, fire in the sky"The Casino was subsequently rebuilt, and during the interim the Montreux Jazz Festival was held in other auditoriums in Montreux, until it could return to the newly re-opened Casino in 1975. The Festival continued to be hosted there until 1993, when it moved to a larger Convention Centre located approximately one kilometre from the Casino. From 1995 through 2006, the Festival occupied both the Convention Centre and the Casino. Beginning with the 41st Festival in 2007, nightly performances of headliners were again moved mainly to the Convention Centre, although the Casino still hosts the odd one-off show. [ More Detail ]
Biloxi Dragway hosted NHRA style events and other drag racing from the 50s to the late 60s. Legendary drivers such as "Big Daddy" Don Gartlis, Art Arfon, and Tommy Ivo raced here. Visit the site at www.biloxidragway.com Music By: Left Banke - Walk Away Renee.(more) [ More Detail ]
Bill Evans Trio with Jeremy Steig - Spartacus Love Theme (1969)(Thankful for UMG which allowed the copyright policy of this song) Personnel: Jeremy Steig (flute), Bill Evans (piano), Eddie Gomez (bass), Marty Morell (drums)from the album 'WHAT'S NEW' [ More Detail ]
Me singing this song as a tribute to Chubby Checker.From Wikipedia, the free encyclopedia:Chubby Checker is the stage name of Ernest Evans (born October 3, 1941), an American Rock and Roll singer-songwriter best known for popularizing the dance The Twist with his 1960 song "The Twist".He was born in Spring Gulley, South Carolina, and raised in South Philadelphia, Pennsylvania, and attended south Philadelphia High School with Frankie Avalon and Fabian. Popular lore has it that the wife of American Bandstand's host Dick Clark suggested the name "Chubby Checker" to Evans as a take-off on then-popular singer Fats Domino. In fact, the wife of Bandstand's original producer, Tony Mammarella, suggested the name to Checker. In 1964, he married the Dutch Catharina Lodders, who was Miss World in 1962. He "performed" "The Twist" at the 2008 Daytona 500. On July 17th 2008, Chubby Checker performed "The Twist" live on the Opie and Anthony Show backed up by Black Sabbath cover band Sabbra Cadabra."The Twist" (which had previously peaked at #16 on the Billboard rhythm and blues chart, in 1959, as recorded by its author, Hank Ballard), was so popular that his public often did not allow him to sing any other style of music. He did popularize many dance songs. Checker later lamented:...in a way, "The Twist" really ruined my life. I was on my way to becoming a big nightclub performer, and "The Twist" just wiped it out.. It got so out of proportion. No one ever believes I have talent.He is the only recording artist to have five albums in the Top 12 all at once. He is hailed by many to have changed the way we dance to the beat of music since 1959. [ More Detail ]
Lino Patruno presenta TONY SCOTT (clarinet), BUCKY PIZZARELLI (guitar)"Blues for Charlie Parker" San Marino 1996http://www.linopatruno.ithttp://www.cambiamusica.ithttp://www.michaelsupnick.comTony Scott (born Anthony Sciacca June 17, 1921 - March 28, 2007) was a jazz clarinetist.Born in Morristown, New Jersey, Scott attended Juilliard School from 1940 to 1942. In the 1950s he worked with Sarah Vaughan and Billie Holiday. He also had a young Bill Evans as a side-man. In the late 1950s he won on four occasions the Down Beat critics poll for clarinetist in 1955,1957,[2] 1958 and 1959. He was known for a more "cool" style than Buddy DeFranco.Despite this he remained relatively little-known as the clarinet had been in eclipse in jazz since the emergence of bebop. In 1959 he left New York City, where he had been based, and abandoned the United States for a time. In the 1960s he toured South, East, and Southeast Asia. This led to his playing in a Hindu temple, spending time in Japan, and releasing Music for Zen Meditation in 1964 for Verve Records. In 1960 a Down Beat poll for Japan saw readers there name him best clarinetist while the United States preferred Buddy DeFranco. More recently he did a Japanese special on Buddhism and Jazz, although he continued to work with American jazz musicians and played at the Newport Jazz Festival in 1965.In 1967 he put out his first album in eight years entitled Tony Scott: Homage To Lord Krishna. In the years following that he worked in Germany, Africa, and at times in South America.He settled in Italy in the 1980s, working with Italian jazz musicians such as Franco D'Andrea and Romano Mussolini. In later years he began showing an interest in Electronica and in 2002 his Hare Krishna was remixed by King Britt as a contribution to Verve Remixed.He died in Rome, Italy at the age of 85.http://en.wikipedia.org [ More Detail ]
http://www.rense.com/general74/controls.htmWho ReallyControls America?From Jim Kirwankirwanstudios@sbcglobal.net12-3-6Subject: Response: Corporate owned media + an in depth look at who controls and influences AmericaThanks Very Much Michael...just a couple of points:First, I'm not a writer either, I'm just a word-slinger with some points to make. Since you were good enough to send me the lists you've discovered, perhaps you also discovered the "others" that are not necessarily Jews, but who have contributed vastly to the death and destruction of the-world-as-we-know-it?I'm referring to Skull &Bones, to the Illuminati, and to a whole host of semi-secret organizations like CFR and the Bilderbergers along with smaller and more powerful 'family' groupings. Altogether these tend to be Organizations that don't usually break the plane of ordinary visibility.The point here is that there are a lot of bastards and not all of them are Jews. (In the same way that there are good people in every race, just as there are dirtbags in every race, religion, or gender). This, to answer your original question, is why I do NOT blame ALL the JEWS: quite simply because the Jews who did and do contribute to the corporate capitalistic coup that already has happened ~ are in no way the whole problem, as I see it.Here's an invaluable bit of background information about this war for the world that we've been losing for a very long time. These two men (Alex Jones and Jeff Rense) are not saints or sages, but they have become very adept at seeing the invisible writing buried within the criminality and posturing today as well as many of the webs that fill our daily lives with cul-de-sacs and dead-end-efforts that tend to sap enthusiasm. This view was possible because they watched this cancer grow from the inside-out (as did I) - and each of us took a great many mental (&physical) notes. . .Jeff Rense on The Alex Jones ShowJeff Rense joins Alex Jones to go in depth on a plethora of fascinating subjects, including television mind control, the cultural warping of the next generation, video games, who really controls the global elite and more.kirwan ~----- Original Message (edited) -----From: MichaelTo: kirwanstudios@sbcglobal.netSent: Saturday, December 02, 2006 Subject: Re: Corporate owned media ???Jim,Some good points to consider. Here's a somewhat dated but informative list of CEOs of the American entertainment industry and major news media, etc. This list demonstrates the enormous percentage of Zionists in key positions in America. (See also: Neal Gablers landmark book: "How The Jews Invented Hollywood.") Second, here is a list of politicos, advisors, and think tankers affiliated with the Clinton-Gore administration. Next is a list of the members of PNAC which was/is the group which drafted the current foreign policy of the Bush regime's neocon "25 year war" leading to the Balkanization of the Middle East following a "Pearl Harbor like incident"....(911).Take the time to note the EXTREME percentage of people of Jewish ethnicity in all of these lists.. This takeover of our nation began with the Federal Reserve Act of 1912, coinciding with the advent of motion picture media and is now in full control of our economy, our media, and if you research who is responsible for the compilation of the text books for grades 1thru PHD in this nation you will find, once again, a disproportionate number of the same controllers.1.http://www.sourcewatch.org/index.php?title=Project_for_the_New_American_CenturyProject for the New American Century - SourceWatch2.http://www.realnews247.com/who_runs_the_media.htmWho Runs the Media?(There are only about 12 million Jews on the planet - out of over 6 billion people. Their success and control is unparalleled and unmatched in history by any other minority group. If the following lists reflected Catholics or people of Irish extraction, it would be termed 'politically-correct' to publish them and no one would object.)THE MOTION PICTURE INDUSTRYThe Golden Age Of HollywoodUniversal -- Carl Laemmle, Jesse LaskyParamount - Adolph Zukor, Marcus Loew, Barney Balaban; much later, in the 1970s, Robert Evans. Bought by Charles Bluhdorn in 1960sTwentieth Century Fox - William Fox (originally Fuchs), Sol Brill,Joseph Schenck, (and Daryl F. Zanuck). Bought byMarvin Davis in 1970sMetro-Goldwyn-Mayer (MGM, part of Loew's Inc.) Louis B. Mayer,Samuel Goldwyn (originally: Shmuel Goldfisz), Nicholas Schenck,Irving Thalberg (the model for F. Scott Fitzgerald's The Last Tycoon), Dore Schary; earlier, Marcus Loew; 1970s: Frank RosenfeltWarner Brothers - Harry, Sam, Albert, and Jack; Norman KatzColumbia - Harry and Jack Cohn (At Harry's death, Columbia merged with Screen Gems, headed by Leo Jaffe, Abe and Stanley[Rest at above URL.] [ More Detail ]
http://concordmusicgroup.com presents Nat Adderley's 1960 Riverside recording "Work Song," featured in the 18th chapter of "Orrin Keepnews, Producer."One of the most respected of all jazz producers, Orrin Keepnews's long and productive career has included working with such artists as Sonny Rollins, Bill Evans, Wes Montgomery, Cannonball Adderley and Thelonious Monk, as well as founding influential jazz labels Riverside and Milestone. The Keepnews Collection, from The Concord Music Group is a reissue series of albums produced by this jazz legend. It features time-honored titles recorded by the true titans of jazz, originally released on Riverside and Milestone Records. All reissues, with 24-bit remastering from the master tapes, include original liner notes and Keepnews' voluminous new commentaries; when available, the original tracks are supplemented by bonus cuts from the sessions.Concept and Production Bret Primackhttp://www.jazzepk.com [ More Detail ]
"In the Year 2525 (Exordium and Terminus)" is a hit song from 1969 by the duo Zager and Evans which reached number one on the Billboard Hot 100 for the six weeks commencing July 12. The song was written by Rick Evans in 1964 and originally released on a small local record label in 1967. Two years later, an Odessa, Texas radio station popularized the disc, which RCA Records quickly picked up for nationwide distribution. The literal translation of "Exordium and Terminus" is "The opening and the closing". "In the Year 2525 (Exordium and Terminus)" opens with the words "In the year 2525, If man is still alive, If woman can survive, They may find...". Subsequent verses pick up the story at 1010-year intervals from 2525 to 6565. Disturbing predictions are given for each selected year. In the year 3535, for example, all of a person's actions, words and thoughts will be preprogrammed into a daily pill. Then the pattern as well as the music changes, going up a half step in the key of the song, after two stanzas, first from A Flat Minor, to A Minor, and, then, finally, to B Flat Minor, and verses for the years 7510, 8510 and 9595 follow.The song has no chorus. Amid ominous-sounding orchestral music, the final dated chronological verse is, In the year 9595, I'm kinda wonderin' if Man is gonna be alive. He's taken everything this old Earth can give, and he ain't put back nothing, whoa-whoa..., making specific the underlying environmental message of the song. The summary verse concludes: Now it's been 10,000 years, Man has cried a billion tears, For what, he never knew. Now man's reign is through. But through eternal night, The twinkling of starlight. So very far away, Maybe it's only yesterday.), before the song effectively "starts over" with the first verse again and then fades out, leaving open the possibility that "we went through this before," and life is now at the start of another cycle.The overriding theme, of a world doomed by its passive acquiescence to and overdependence on its own overdone technologies, struck a resonant chord in millions of people around the world in the 1960s.The song describes a nightmarish vision of the future as man's technological inventions gradually dehumanize him. It includes a colloquial reference to the Second Coming (In the year 7510, if God's a' coming, He ought to make it by then.), which echoed the zeitgeist of the Jesus Movement. The song also references examples of technologies that were not fully developed but were known to the public in 1969, such as robots, as well as future technology that would come into existence long after being prophesied in the song, the science of test tube babies and genetic selection by parents of their future children. Such a concept had been explored in a few science fiction novels but had not yet been mentioned in the mainstream media until "In The Year 2525" was released in 1969. [ More Detail ]