The two menuets... I'm really not satisfied by this recording, I find the second menuet difficult to play and after the Gigue I'll come back and made another take of those pieces...Intabulation by Gusta Goldschmidt (Tree Edition)Baroque lute made by Dider Jarny. [
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Luthval 3min41sec, Views:581, Ratings:4.80pt, Votes:26, Comments:24, Added at:08/11/07 [
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This is a long long time dream : play some Bach on the lute... And my opinion is Cello suites are the most beautiful music he wrote (for solo instrument) So I choose a transcription of cello music for the lute. Transcription is by Gusta Goldschmidt (Tree editions). Baroque lute is made by Didier Jarny.I had work a lot on this one, it is not easy for me, neither the baroque lute, and the music by Bach, so forgive some imprecisions, but as the first take was "not too bad" I keep it, because doing more takes will add stress and does not lead to a better recording... so as I said often (and don't do...) there will be (perhaps) another version later. [
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Luthval 5min17sec, Views:1543, Ratings:4.90pt, Votes:57, Comments:68, Added at:08/10/16 [
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BWV 211 Schweigt stille, plaudert nicht"Kaffeekantate" Di Johann Sebastian Bach, per Soli,Soprano, Tenore e Basso, Coro Soprano, Tenore e BassoFlauto traverso, Violino uno e due, Viola, e Basso Continuo (Cembalo)scritta negli anni 1734-1735testo di Christian Friedrich Henrici (Picander) dall´anno 1732VII_ Recitativo per Basso e Soprano "Nun folge, was dein Vater spricht!", Basso ContinuoBassNun folge, was dein Vater spricht!SopranIn allem, nur den Coffee nicht.BassWohlan! so musst du dich bequemen,Auch niemals einen Mann zu nehmen.SopranAch ja! Herr Vater, einen Mann!BassIch schwöre, dass es nicht geschicht.SopranBis ich den Coffee lassen kann?Nun! Coffee, bleib nur immer liegen!Herr Vater, hört, ich trinke keinen nicht.BassSo sollst du endlich einen kriegen!VIII_ Aria per Soprano "Heute noch,Lieber Vater, tut es doch!", Violino uno e due, Viola, Cembalo e Basso ContinuoHeute noch,Lieber Vater, tut es doch!Ach, ein Mann!Wahrlich, dieser steht mir an!Wenn es sich doch balde fügte,Dass ich endlich vor Coffee,Eh ich noch zu Bette geh,Einen wackern Liebsten kriegte!IX_ Recitativo per Tenore "Nun geht und sucht der alte Schlendrian", Basso ContinuoNun geht und sucht der alte Schlendrian,Wie er vor seine Tochter LiesgenBald einen Mann verschaffen kann;Doch, Liesgen streuet heimlich aus:Kein Freier komm mir in das Haus,Er hab es mir denn selbst versprochenUnd rück es auch der Ehestiftung ein,Dass mir erlaubet möge sein,Den Coffee, wenn ich will, zu kochen. [
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Mozartharmony 7min54sec, Views:432, Ratings:5.00pt, Votes:3, Comments:0, Added at:08/10/14 [
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BWV 211 Schweigt stille, plaudert nicht"Kaffeekantate" Di Johann Sebastian Bach, per Soli,Soprano, Tenore e Basso, Coro Soprano, Tenore e BassoFlauto traverso, Violino uno e due, Viola, e Basso Continuo (Cembalo)scritta negli anni 1734-1735testo di Christian Friedrich Henrici (Picander) dall´anno 1732 I_ Recitativo per Tenore "Schweigt stille, plaudert nicht". Basso Continuo:Schweigt stille, plaudert nichtUnd höret, was itzund geschicht:Da kömmt Herr SchlendrianMit seiner Tochter Liesgen her,Er brummt ja wie ein Zeidelbär;Hört selber, was sie ihm getan!II_ Aria per Basso "Hat man nicht mit seinen Kindern". Violino uno e due, Viola e Basso Continuo:Hat man nicht mit seinen KindernHunderttausend Hudelei!Was ich immer alle TageMeiner Tochter Liesgen sage,Gehet ohne Frucht vorbei.III_ Recitativo per Basso e Soprano "Du böses Kind, du loses Mädchen". Basso Continuo:Basso:Du böses Kind, du loses Mädchen,Ach! wenn erlang ich meinen Zweck:Tu mir den Coffee weg!SopranHerr Vater, seid doch nicht so scharf!Wenn ich des Tages nicht dreimalMein Schälchen Coffee trinken darf,So werd ich ja zu meiner QualWie ein verdorrtes Ziegenbrätchen.IV_ Aria per Soprano "Ei! wie schmeckt der Coffee süße". Flauto traverso e Basso Continuo:Ei! wie schmeckt der Coffee süße,Lieblicher als tausend Küsse,Milder als Muskatenwein.Coffee, Coffee muss ich haben,Und wenn jemand mich will laben,Ach, so schenkt mir Coffee ein! [
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Mozartharmony 8min14sec, Views:960, Ratings:5.00pt, Votes:2, Comments:1, Added at:08/10/13 [
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Stereo: http://br.youtube.com/watch?v=q6taMSnuJO8&fmt=18Johann Sebastian Bach (1685 - 1750).Johannes Passion (BWV 245).Tavern Consort &Players.Dir. Andrew Parrott.39. Chor:Ruht wohl, ihr heiligen Gebeine,Die ich nun weiter nicht beweine,Ruht wohl und bringt auch mich zur Ruh!Das Grab, so euch bestimmet istUnd ferner keine Not umschließt,Macht mir den Himmel auf und schließt die Hölle zu.39. Chorus:Rest well, you blessed limbs,now I will no longer mourn you,rest well and bring me also to peace!The grave that is allotted to youand encloses no further suffering,opens heaven for me and closes off Hell.The Johannes Passion (English: St. John Passion), BWV 245, is a musical composition by Johann Sebastian Bach. Originally meant to be performed for the first time in the St. Thomas church in Leipzig, the St. John Passion was first performed in 1724 in the St. Nicholas' church. It is shorter than the St. Matthew Passion and researchers have discovered that Bach revised the work several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work such as that of the Neue Bach Ausgabe.The text for the body of the work is taken from the Gospel of John chapters 18 and 19. Bach used Martin Luther's translation of the Bible with only slight modifications. The text for the opening prayer Herr, unser Herrscher, dessen Ruhm as well as the arias, chorales and the penultimate chorus Ruht wohl, ihr heiligen Gebeine each come from various other sources. It is interesting to note also that two recitative passages, dealing with Peter crying after his betrayal and the temple veil ripped during the crucification are not contained within the Gospel of John, but of Matthew. [
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Stereo: http://br.youtube.com/watch?v=Rw270CmcVx4&fmt=18Johann Sebastian Bach (1685 - 1750).Johannes Passion (BWV 245).Tessa Boner (Soprano).Andrew Manze (Violin).Janet See (Flute).Paul Goodwin (Oboe da caccia).Tavern Consort &Players.Dir. Andrew Parrott.30. Arie A:Es ist vollbracht!O Trost vor die gekränkten Seelen!Die TrauernachtLäßt nun die letzte Stunde zählen.Der Held aus Juda siegt mit MachtUnd schließt den Kampf.Es ist vollbracht!30. Aria A:It is finished!O comfort for the ailing soul!The night of sorrownow measures out its last hour.The hero out of Judah conquers with mightand concludes the battle.It is finished!The Johannes Passion (English: St. John Passion), BWV 245, is a musical composition by Johann Sebastian Bach. Originally meant to be performed for the first time in the St. Thomas church in Leipzig, the St. John Passion was first performed in 1724 in the St. Nicholas' church. It is shorter than the St. Matthew Passion and researchers have discovered that Bach revised the work several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work such as that of the Neue Bach Ausgabe.The text for the body of the work is taken from the Gospel of John chapters 18 and 19. Bach used Martin Luther's translation of the Bible with only slight modifications. The text for the opening prayer Herr, unser Herrscher, dessen Ruhm as well as the arias, chorales and the penultimate chorus Ruht wohl, ihr heiligen Gebeine each come from various other sources. It is interesting to note also that two recitative passages, dealing with Peter crying after his betrayal and the temple veil ripped during the crucification are not contained within the Gospel of John, but of Matthew. [
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Stereo: http://br.youtube.com/watch?v=xB0h81OUHe0&fmt=18Johann Sebastian Bach (1685 - 1750).Johannes Passion (BWV 245).Tavern Consort &Players.Caroline Trevor (Alto).Richard Boothby (Viola da gamba).Dir. Andrew Parrott.30. Arie A:Es ist vollbracht!O Trost vor die gekränkten Seelen!Die TrauernachtLäßt nun die letzte Stunde zählen.Der Held aus Juda siegt mit MachtUnd schließt den Kampf.Es ist vollbracht!30. Aria A:It is finished!O comfort for the ailing soul!The night of sorrownow measures out its last hour.The hero out of Judah conquers with mightand concludes the battle.It is finished!The Johannes Passion (English: St. John Passion), BWV 245, is a musical composition by Johann Sebastian Bach. Originally meant to be performed for the first time in the St. Thomas church in Leipzig, the St. John Passion was first performed in 1724 in the St. Nicholas' church. It is shorter than the St. Matthew Passion and researchers have discovered that Bach revised the work several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work such as that of the Neue Bach Ausgabe.The text for the body of the work is taken from the Gospel of John chapters 18 and 19. Bach used Martin Luther's translation of the Bible with only slight modifications. The text for the opening prayer Herr, unser Herrscher, dessen Ruhm as well as the arias, chorales and the penultimate chorus Ruht wohl, ihr heiligen Gebeine each come from various other sources. It is interesting to note also that two recitative passages, dealing with Peter crying after his betrayal and the temple veil ripped during the crucification are not contained within the Gospel of John, but of Matthew. [
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Stereo: http://br.youtube.com/watch?v=d8h-hxI94z0&fmt=18Johann Sebastian Bach (1685 - 1750).Johannes Passion (BWV 245).Tavern Consort &Players.Caroline Trevor (Alto).Paul Goddwin (Oboe).Lorraine Wood (Oboe).Dir. Andrew Parrott.7. Arie A:Von den Stricken meiner SündenMich zu entbinden,Wird mein Heil gebunden.Mich von allen LasterbeulenVöllig zu heilen,Läßt er sich verwunden.7. Aria A:To untie mefrom the knots of my sins,my Savior is bound.To completely heal meof all blasphemous sores,He allows Himself to be wounded.The Johannes Passion (English: St. John Passion), BWV 245, is a musical composition by Johann Sebastian Bach. Originally meant to be performed for the first time in the St. Thomas church in Leipzig, the St. John Passion was first performed in 1724 in the St. Nicholas' church. It is shorter than the St. Matthew Passion and researchers have discovered that Bach revised the work several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work such as that of the Neue Bach Ausgabe.The text for the body of the work is taken from the Gospel of John chapters 18 and 19. Bach used Martin Luther's translation of the Bible with only slight modifications. The text for the opening prayer Herr, unser Herrscher, dessen Ruhm as well as the arias, chorales and the penultimate chorus Ruht wohl, ihr heiligen Gebeine each come from various other sources. It is interesting to note also that two recitative passages, dealing with Peter crying after his betrayal and the temple veil ripped during the crucification are not contained within the Gospel of John, but of Matthew. [
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Stereo: http://br.youtube.com/watch?v=ZwSbD2V6wrc&fmt=18Johann Sebastian Bach (1685 - 1750).Johannes Passion (BWV 245).Tavern Consort &Players.Dir. Andrew Parrott.1. Chor:Herr, unser Herrscher, dessen Ruhm In allen Landen herrlich ist!Zeig uns durch deine Passion,Daß du, der wahre Gottessohn,Zu aller Zeit,Auch in der größten Niedrigkeit,Verherrlicht worden bist!1. Chorus:Lord, our ruler, Whose fameIn every land is glorious!Show us, through Your passion,That You, the true Son of God,Through all time,Even in the greatest humiliation,Have become transfigured!The Johannes Passion (English: St. John Passion), BWV 245, is a musical composition by Johann Sebastian Bach. Originally meant to be performed for the first time in the St. Thomas church in Leipzig, the St. John Passion was first performed in 1724 in the St. Nicholas' church. It is shorter than the St. Matthew Passion and researchers have discovered that Bach revised the work several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work such as that of the Neue Bach Ausgabe.The text for the body of the work is taken from the Gospel of John chapters 18 and 19. Bach used Martin Luther's translation of the Bible with only slight modifications. The text for the opening prayer Herr, unser Herrscher, dessen Ruhm as well as the arias, chorales and the penultimate chorus Ruht wohl, ihr heiligen Gebeine each come from various other sources. It is interesting to note also that two recitative passages, dealing with Peter crying after his betrayal and the temple veil ripped during the crucification are not contained within the Gospel of John, but of Matthew. [
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Cantate BWV 35."Geist eun Seele wird verwirret".1° Sinfonia.Ensemble 415.Gordon Murray, orgue.Chiara Banchini, Violon et Direction. [
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jalijax 5min34sec, Views:906, Ratings:5.00pt, Votes:2, Comments:0, Added at:08/07/01 [
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Parte III: Lobet den Herrn in seinen Taten y Parte IV: Alles, was odem hat, lobe den Herrn Interpretan: Schola Cantorum de Venezuela, María Guinand (Directora), Ana Maria Raga (Órgano), Maria Alejandra Saturno (Violoncello) [
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fenomenico62 3min28sec, Views:645, Ratings:3.30pt, Votes:3, Comments:0, Added at:08/05/30 [
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Parte II: Aria y Coral: "Wie sich ein Vater erbarmet"Interpretan: Schola Cantorum de Venezuela, María Guinand (Directora), Ana Maria Raga (Órgano), Maria Alejandra Saturno (Violoncello) [
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fenomenico62 4min36sec, Views:560, Ratings:3.00pt, Votes:2, Comments:0, Added at:08/05/30 [
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Parte I: Singet dem Herrn ein neues Lied"Interpretan: Schola Cantorum de Venezuela, María Guinand (Directora), Ana Maria Raga (Órgano), Maria Alejandra Saturno (Violoncello) [
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fenomenico62 4min10sec, Views:2255, Ratings:4.90pt, Votes:7, Comments:2, Added at:08/05/28 [
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Johann Sebastian Bach (1685 - 1750)Johannes-Passion BWV 245Chorus: "Ruht wohl, ihr heiligen Gebeine"Trinity College of Music Chamber Orchestra and ChorusConducted by Richard EgarrChor:Ruht wohl, ihr heiligen Gebeine,Die ich nun weiter nicht beweine,Ruht wohl und bringt auch mich zur Ruh!Das Grab, so euch bestimmet istUnd ferner keine Not umschließt,Macht mir den Himmel auf und schließt die Hölle zu.Chorus:Rest well, you blessed limbs,now I will no longer mourn you,rest well and bring me also to peace!The grave that is allotted to youand encloses no further suffering,opens heaven for me and closes off Hell. [
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flyinghuskies 6min17sec, Views:688, Ratings:0.00pt, Votes:0, Comments:0, Added at:08/05/25 [
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This 3 part work, is originally written for lute, but Carl Philipp Emanuel made a transcription for Lutho Cembal, or at least, he transcribed the tabulature.I hope this harpsichord version, will be recieved with approval, by my (demanding) audience.Score download (werner Icking):http://icking-music-archive.org/scores/bach/bwv998/Bach-Lute_Suite_Eb.pdf [
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ernststolz 10min25sec, Views:5455, Ratings:0.00pt, Votes:0, Comments:15, Added at:08/04/17 [
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Johann Sebastian Bach - Suite for Solo Cello (BWV 1010).1. Bourrée.Jordi Savall (Basse de Viole). [
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Johann Sebastian Bach (1685~1750) [ Johannes-Passion ] BWV 245 ( Version I , 1724)Chorale : "Ach Herr, Lass dein lieb Engelein"La Chapelle Royale Collegium Vocale, GentPhilippe Herreweghe (conductor)from the Movie ' The Passion of the Christ ' [
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protestant7 2min19sec, Views:2087, Ratings:4.30pt, Votes:7, Comments:2, Added at:08/03/25 [
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Johann Sebastian Bach (1685 - 1750).Biography:Bach's health may have been in decline in 1749, as on June 2, Heinrich von Brühl wrote to one of the Leipzig burgomasters to request that his music director, Gottlob Harrer, immediately begin to audition someone to succeed to the Thomascantor and Director musices posts "upon the eventual...decease of Mr. Bach." Bach became increasingly blind, and the celebrated British ophthalmologist John Taylor (who had operated unsuccessfully on Handel) operated on Bach while visiting Leipzig in 1750. Bach died on 28 July, 1750 at the age of 65. A contemporary newspaper reported the cause of death was "from the unhappy consequences of the very unsuccessful eye operation". Some modern historians speculate the cause of death was a stroke complicated by pneumonia.Johannes Passion (BWV 245):The Johannes Passion (English: St. John Passion), BWV 245, is a musical composition by Johann Sebastian Bach. Originally meant to be performed for the first time in the St. Thomas church in Leipzig, the St. John Passion was first performed in 1724 in the St. Nicholas' church. It is shorter than the St. Matthew Passion and researchers have discovered that Bach revised the work several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work such as that of the Neue Bach Ausgabe (and heard in the recording by Emmanuel Music directed by Craig Smith, cited below).The text for the body of the work is taken from the Gospel of John chapters 18 and 19. Bach used Martin Luther's translation of the Bible with only slight modifications. The text for the opening prayer Herr, unser Herrscher, dessen Ruhm as well as the arias, chorales and the penultimate chorus Ruht wohl, ihr heiligen Gebeine each come from various other sources. It is interesting to note also that the recitative Und siehe da, der Vorhang im Tempel zerriß is not found in the book of John but rather comes from the Gospel of Matthew.1. Chor.Christe, du Lamm Gottes,Der du trägst die Sünd der Welt,Erbarm dich unser!Christe, du Lamm Gottes,Der du trägst die Sünd der Welt,Erbarm dich unser!Christe, du Lamm Gottes,Der du trägst die Sünd der Welt,Gib uns dein' Frieden!Amen. (German "Agnus Dei").1. Chorus.Christ, Lamb of God,You who bear the sin of the world,have mercy on us!Christ, Lamb of God,You who bear the sin of the world,have mercy on us!Christ, Lamb of God,You who bear the sin of the world,grant us Your peace. Amen.(German "Agnus Dei").Collegium Vocale Gent.Dir. Philippe Herreweghe. [
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Johann Sebastian Bach (1685 - 1750).Biography:Sebastian Bach was born in Eisenach, Saxe-Eisenach. He was the youngest child of Johann Ambrosius Bach, an organist at St. George's Church, and Maria Elisabetha Lämmerhirt Bach. His father taught him to play violin and harpsichord. His uncles were all professional musicians, whose posts ranged from church organists and court chamber musicians to composers. One uncle, Johann Christoph Bach (1645 - 1693), was especially famous and introduced him to the art of organ playing. Bach was proud of his family's musical achievements, and around 1735 he drafted a genealogy, "Origin of the musical Bach family", printed in translation in The Bach Reader.Bach's mother died in 1694, and his father eight months later. The 10-year-old orphan moved in with his oldest brother, Johann Christoph Bach (1671 - 1721), the organist at nearby Ohrdruf. There, he copied, studied and performed music, and apparently received valuable teaching from his brother, who instructed him on the clavichord. Johann Christoph Bach exposed him to the works of the great South German composers of the day, such as Johann Pachelbel (under whom Johann Christoph had studied) and Johann Jakob Froberger; possibly to the music of North German composers, to Frenchmen, such as Jean-Baptiste Lully, Louis Marchand, Marin Marais; and to the Italian clavierist Girolamo Frescobaldi. The young Bach probably witnessed and assisted in the maintenance of the organ music. Bach's obituary indicates that he copied music out of Johann Christoph's scores, but his brother had apparently forbidden him to do so, possibly because scores were valuable and private commodities at the time.Johannes Passion (BWV 245):The Johannes Passion (English: St. John Passion), BWV 245, is a musical composition by Johann Sebastian Bach. Originally meant to be performed for the first time in the St. Thomas church in Leipzig, the St. John Passion was first performed in 1724 in the St. Nicholas' church. It is shorter than the St. Matthew Passion and researchers have discovered that Bach revised the work several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work such as that of the Neue Bach Ausgabe (and heard in the recording by Emmanuel Music directed by Craig Smith, cited below).T