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escalier du diable
escalier du diable
Ligeti [ More Detail ]
by misterymix 4min29sec, Views:73, Ratings:5.00pt, Votes:1, Comments:1, Added at:08/07/13 [ DownLoad ]
Denis Kozhukhin-Ligeti-Etude L'escalier du diable
Leon, 26/06/2008 by arcadiamusica [ More Detail ]
by arcadiamusica2007 4min34sec, Views:602, Ratings:4.80pt, Votes:5, Comments:6, Added at:08/06/28 [ DownLoad ]
Paul Hembree's Archaeopteryx
http://www.paulhembree.comhttp://www.cu-pendulum.comhttp://www.du.edu/lamont/theplayground/Performed by the Playground, artists-in-residence at the Denver University Lamont School of Music, on the Pendulum New Music series. Grusin Hall, University of Colorado at Boulder, September 26, 2007.The Playground:Cheryl Gooden, flutesBrian Ebert, clarinetsAngie Dombrowski, violinRichard von Foerster, celloAlix Corboy, pianoJason Rodon, percussionJonathan Leathwood, conductorConrad Kehn, artistic directorProgram notes:This work is named after a late Jurassic-age predecessor to modern birds. The first movement is titled "Zoogenesis," which is a rarely used biological term referring to the evolution of animals. The material in this section evokes images of a profusion of ancient beasts -- both land and air born. "Fossilization" was chosen for the second movement because the musical material becomes metamorphosed and compressed in the same way fossils are formed. "Orogenesis," the title of the third movement, is the geological term for mountain building. The musical material goes through a series of metric upheavals in a fashion somewhat analogous to geologic faulting.Musically, the work strives to synthesize myriad influences from the twentieth and twenty-first centuries, including Oliver Messiaen, Igor Stravinsky, Conlon Nancarrow, Gyorgy Ligeti, Michael Gordon, Frank Zappa, George Crumb, and others. The work also contains imports from other arts, including several instances of humorous deus ex machina.Copyright 2007 Paul Hembree (ASCAP) [ More Detail ]
by PHIntermedia 10min23sec, Views:643, Ratings:5.00pt, Votes:5, Comments:3, Added at:08/04/04 [ DownLoad ]
Histoires de famille - Bande annonce
Histoires de Famillede Biljana SrbljanovicDu 6 au 29 mars 2008 au Zone Urbaine Théâtre (www.zoneurbainetheatre.be)Avec :Thierry JanssenLieve PhlippoFanny RoySébastien SchmitMise en scène :Miriam YoussefAssistanat mise en scène:Maria Abecasis de AlmeidaRéalisation: Jean GoovaertsLumières:Alain ColletDécor sonore:Sébastien FernandezScénographie et costumes:Anne Sollie et Thibault De CosterRéalisation: Jean GoovaertsSoundtrack:György Ligeti - AtmospheresAkutagawa - Allegro Ostinato [ More Detail ]
by Archibaron 1min24sec, Views:699, Ratings:5.00pt, Votes:1, Comments:0, Added at:08/02/07 [ DownLoad ]
Ligeti -- L'escalier du Diable
Ligeti -- L'escalier du Diable [ More Detail ]
by andrewwatson33 4min42sec, Views:7036, Ratings:4.90pt, Votes:28, Comments:42, Added at:08/01/22 [ DownLoad ]
Chuan Qin plays Ligeti L'escalier du diable
Chuan Qin plays Ligeti L'escalier du diable [ More Detail ]
by mypictures008 4min30sec, Views:13196, Ratings:4.40pt, Votes:35, Comments:35, Added at:07/06/14 [ DownLoad ]
Le Sacre du Sacre
The Ricciotti Ensemble, performing 'Le Sacre du Sacre'. A piece with a few original idea's.Conductor: Bas Wiegers.Oboe: Esther KurtzTrumpet: Michael InofuentesConcert Master: Vera van der BiePiano: Laura HolzenspiesFilmed by Floris van Bergeijk.17th of March 2003, Fentener van Vlissingenzaal, The Utrecht Conservatory (HKU)This piece was originaly composed solemnly for one purpose; namely as a closing piece of my graduation exam.The usual norm in the contemporary conservatory holds that you will not be regarded as a serious and valued composer unless you compose a-tonaly. In the fifties, pupils like Penderecki would be pushed to compose classical and romantic pieces almost every day. During the same period a new stream came up led by people like John Cage, who almost offensively tried to break all the classical rules, demanded artistic freedom and an (arguably) justified discussion.The days in which you were practicaly forced to compose 'conservative classical' music are over. Now you are forced to compose conservative avant guarde. As a pupil you will hardly ever dare use a cantabile line or a diatonic harmonic progression.You are constantly under a lot of pressure of composing music which is not too attractive, not cantabile, not tonal and in many cases you are literaly obliged to neglect any emotion.This occurs while quoting Ligeti and Stravinksy who according to many teachers are the pure visionaries of how you are supposed to compose today.I say that Stravinsky was great because he broke the rules of the beginning of the 20th century, that he does have a lot of sense of humor, and my favourite quote of his is this:'...a good composer does not immitate. He steals!..'This might be a reason why some members of the jury during my exam were not amused. This piece is made with truely deep respect for Stravinsky, out of love for his music, and to protect his image from some idiots in the conservatories who claim to be able to advocate in his name.Enjoy!* NEW - You can now purchase the score. Click here: http://www.lionelziblat.com/buyascore.htmWWW.LIONELZIBLAT.COM Dedicated to: Gustav Mahler, Bernard Haitink, Henk Alkema, Derek Shulman, George Martin, Cuchi Leguizamon, Cervantes, Carlos Lopez Puccio, Barbarosa, Rabin, Dalai Lama, The Beatles, rare, raro, los hermanos marx brothers, Monty Python, George Harrison, Kerry Minnear and Bernard Haitink [ More Detail ]
Greg Anderson plays Ligeti Etude 13: "The Devil's Staircase"
http://www.andersonpiano.com | Imagine: You're in hell, and you want to get out. Piano Etude No. 13, "The Devil's Staircase" (L'escalier du diable) composed by Gyorgy Ligeti, performed by Greg Anderson. [ More Detail ]
by gnanderson 5min9sec, Views:119325, Ratings:4.70pt, Votes:515, Comments:431, Added at:06/09/01 [ DownLoad ]