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Hotel du Louvre, Paris, France (deluxe room). This is room 201. See my other videos of rooms at this hotel and my blog at http://mytravelreviews.blogspot.com [ More Detail ]
Le sang du Rwanda coule à la pyramide du Louvre Nous, citoyens du collectif Génocide made in France, dénonçons l'implication de l'Etat français dans le génocide des Tutsi au Rwanda en 1994 et souhaitons alerter les autres citoyens sur le silence assourdissant des principaux candidats à la présidentielle sur le sujet. De 7 avril en 7 avril, jour du déclenchement du génocide des Tutsi au Rwanda, le mutisme de la République française, est à la hauteur de sa complicité et son implication dans ce « crime des crimes ». La pyramide du Louvre est le symbole de la volonté de François Mitterrand de laisser une trace glorieuse dans l'histoire. Mais il est d'autres traces que notre ancien Président de la République a laissé, dans le sillage de la Françafrique : celle d'un sanglant soutien au gouvernement extrémiste qui a génocidé un million d'hommes, de femmes et d'enfants en moins de trois mois. Aucune stratégie géopolitique ne peut justifier le soutien à un régime génocidaire. C'est dans un esprit non-violent que nous avons déployé une banderole au pied de la pyramide du Louvre : « Rwanda, un génocide made in France », et que Marianne, drapée en bleu-blanc-rouge et coiffée de son bonnet phrygien, s'est retrouvée dans le bassin ensanglanté de la pyramide, terrassée par la confession posthume de François Mitterrand, criant au mégaphone : « Nous avons participé à la formation des milices, au soutien à un régime raciste et génocidaire ». www.genocidemadeinfrance.com [ More Detail ]
Le département des Peintures compte à ce jour environ 6000 tableaux couvrant une période qui va du Moyen Âge jusqu'en 1848. À de rares exceptions près, les œuvres postérieures ont été transférées au musée d'Orsay lors de sa création (1986). Dès 1794, la collection a été répartie par écoles nationales, et cette organisation des collections a des détracteurs. Ainsi les primitifs italiens sont au premier étage, non loin des grands tableaux français de l'école romantique, tandis que les primitifs français sont au second étage, juste à côté de la peinture hollandaise du XVIIe siècle. Mais, quelles que soient les réserves qu'on puisse faire, c'est une succession de chefs-d'œuvre qui défilent devant les yeux des visiteurs.¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤Notable paintings13th to 15th century The Madonna and Christ Child enthroned with angels, Cimabue (about 1270) Saint Francis of Assisi receives the stigmata, Giotto (about 1290 -- 1300) Portrait of John II the Good, anonymous (about 1350). Acquired by Louis XV, part of the royal collection The Virgin with Chancellor Rolin, [[Jan van Eyck (about 1435). Seized in the French Revolution (1796) Portrait de Charles VII, Jean Fouquet (1445 -- 1448). Purchased in 1838 The Condottiero, Antonello da Messina (1475). Purchased in 1865 St. Sebastian, Andrea Mantegna (1480) Ship of Fools, Hieronymus Bosch (1490 -- 1500) Self-Portrait with flowers, Albrecht Dürer (1493). Purchased in 1922 16th century Leonardo Da Vinci - Mona LisaMona Lisa, Leonardo da Vinci (1503 -- 1506), acquired by Francis I in 1519 The Virgin and Child with St. Anne, Leonardo da Vinci (1508) The Virgin and Child with Saint John the Baptist, called La belle jardinière, Raphael (1508). Belonged to the royal collection, acquired by Francis I Portrait of Balthazar Castiglione, Raphael (about 1515), acquired by Louis XIV from the estate of Mazarin The Wedding at Cana, Paolo Veronese (1562 -- 1563). It hung 2.5 metres (8¼ ft) from the floor in the San Giorgio Maggiore monastery for 235 years, until it was plundered by Napoleon in 1797 17th century Nicolas Poussin - Et in Arcadia egoSaint Joseph charpentier, Georges de la Tour (1642), donated in 1948 The club foot, Joseph de Ribera (1642), bequeathed in 1869 The pilgrims of Emmaus, Rembrandt (1648), seized in the French Revolution in 1793 Le jeune mendiant, Murillo (about 1650), bought by Louis XVI about 1782 Bathsheba at Her Bath, Rembrandt (1654, bequeathed in 1869 Ex Voto, Philippe de Champaigne (1662), seized in the French Revolution in 1793 The Lacemaker, Johannes Vermeer, (1669 -- 1670), purchased in 1870 Et in Arcadia ego, Nicolas Poussin (1637 -- 1638) Coronation of Marie de' Medici in St. Denis, Peter Paul Rubens (1622-1625) 18th century Portrait of Louis XIV, Hyacinthe Rigaud (1701) The Embarkation for Cythera, Antoine Watteau (1717) La Raie, Jean-Baptiste-Siméon Chardin (before 1728) Oath of the Horatii, Jacques-Louis David (1784) Master Hare, Joshua Reynolds (1788 -- 1789) 19th century Bonaparte visitant les pestiférés de Jaffa, Antoine-Jean Gros (1804) The Raft of the Medusa, Théodore Géricault (1819) Liberty Leading the People, Eugène Delacroix (1830) The Turkish bath, Ingres (1862) [ More Detail ]
Le département des Antiquités égyptiennes fut créé le 15 mai 1826 par ordonnance royale de Charles X. Il fit de Jean-François Champollion, qui venait d'acquérir la collection du consul britannique Salt (4 000 pièces), le conservateur de ce qu'on appelait alors le Musée égyptien. Celui-ci fut installé dans l'aile sud de la cour Carrée et aménagé avec l'aide de l'architecte Fontaine. Les peintures des plafonds sont dues à François-Édouard Picot (L'Étude et le Génie des arts dévoilant l'Égypte à la Grèce) et Abel de Pujol (L'Égypte sauvée par Joseph).La collection a été considérablement agrandie par Mariette, avec plus de 6 000 objets rapportés des fouilles du Serapeum de Memphis. Les autres objets viennent de fouilles opérées par l'Institut français du Caire, d'un fonds provenant du musée Guimet (1948) et de divers achats.Actuellement, les Antiquités égyptiennes sont réparties sur trois étages : à l'entresol, l'Égypte romaine et l'Égypte copte ; au rez-de-chaussée et au premier étage, l'Égypte pharaonique.Bien que l'on puisse définir temporellement l'Égypte antique comme la période de l'histoire égyptienne allant de l'invention de l'écriture à la fin de l'Antiquité, cette notion se rapporte plus particulièrement à la civilisation qui vécut sur les bords du Nil durant cette période de près de quatre mille ans d'Histoire. Du rassemblement des tribus égyptiennes qui créèrent le premier empire pharaonique jusqu'à son effondrement au début de l'ère chrétienne, l'Égypte antique a été le théâtre d'événements majeurs qui ont profondément influencé la culture d'une grande partie des peuples d'Afrique, de la Méditerranée et du Moyen-Orient.¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤Ancient Egypt was a civilization in eastern North Africa concentrated along the middle to lower reaches of the Nile River that reached its greatest extent in the second millennium BC. During this period, called the New Kingdom, it stretched from southern Syria in the north to as far south as Jebel Barkal, located at the Fourth Cataract of the Nile in modern-day Sudan.[1] The fluid geographic range of ancient Egypt also included, at different times, areas of the southern Levant, the Eastern Desert and the Red Sea coastline, the Sinai Peninsula, and the oases of the Western desert.[2]Ancient Egyptian civilization began around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh, and it developed over the next three millennia.[3] Its history is divided into a series of golden ages, known as Kingdoms, that are separated by periods of relative instability known as Intermediate Periods. After the end of the last golden age, known as the New Kingdom, the civilization of ancient Egypt entered a period of slow, steady decline, during which Egypt was conquered by a succession of foreign adversaries. The power of the pharaohs officially ended in 31 BC when the early Roman Empire conquered Egypt and made it a province.[4]The civilization of ancient Egypt was based on balanced control of natural and human resources under the leadership of the pharaoh, religious leaders, and court administrators. It was notable for many innovations: controlled irrigation of the fertile Nile Valley, mineral exploitation of the valley and surrounding desert regions, the early development of literature and an independent writing system, the organization of collective construction and agricultural projects, trade with surrounding regions in east and central Africa and the eastern Mediterranean, and finally, military ventures that defeated foreign enemies and asserted Egyptian dominance throughout the region. Motivating and organizing these activities was a bureaucracy of elite scribes, religious leaders, and administrators under the control of the divine pharaoh who ensured the cooperation and unity of the Egyptian people by means of an elaborate system of religious beliefs [ More Detail ]
1 CD + 120-PAGES BOOKRELEASE ON SPRING 2008«Four suites, four orchestras, four palettes, four styles of storytelling, two sunlittragedies, a single composer whose deliberate and uncompromising simplicity concealsa poem in each bar. » Marc MinkowskiMarc Minkowski and Musiciens du Louvre -- Grenoble's first recording on naïve.GEORGRES BIZET (1838-1875)CARMEN Prélude - Entracte 1 - Entracte 2 - Entracte 3L'ARLESIENNEOrchestral Suite no.1 Musique de scène (excerpts)Orchestral Suite no.2 (Ernest Guiraud)LES MUSICIENS DU LOUVRE • GRENOBLEChœur de l'Opéra de Lyon(Alan Woodbridge, chorus master) MARC MINKOWSKIA 120-PAGES CD-BOOK WITH- a rich selection of colour reproductions by vincent van gogh,paul gauguin, francis bacon and joan mitchell- the short story l'arlésienne by alphonse daudet (1866)- a text by marc minkowski- a musicologist text by lesley wright- a text on music in provence by gérard condé- an excerpt from the play l'arlésienne by alphonse daudet (1872) [ More Detail ]
clip for the gelitin's exibition "la louvre paris" at the musée d'art moderne de la ville de paris, from the 29th of february till the 20th of april 2008 [ More Detail ]
Visiting the Louvre Museum in Paris, France.Louvre {loov'-ruh} — a French palace and the national art museum of France.Located in Paris, the Louvre is one of the largest palaces in the world and, as a former residence of the kings of France, one of the most illustrious. It exemplifies traditional French architecture since the Renaissance, and it houses a magnificent collection of ancient and Western art.The PalaceThe first Louvre was a fortress built at the beginning of the 13th century by Philip II Augustus to defend the Seine below Paris against the Normans and English. It consisted of a thick cylindrical donjon (dungeon) surrounded by towered walls. This château, enlarged and embellished by Charles V in the 14th century, was sacrificed in the 16th century at the end of the reign of Francis I in order to make room for a new Renaissance structure of the same size. Only the west wing and part of the south wing of the projected palace, conceived by the architect Pierre Lescot and decorated with sculptures by Jean Goujon, were finished.In 1564 Catherine de Médicis had her architect, Philibert Delorme, build a little château in a neighboring field to the west called the Tuileries. It was then decided to create a grandiose royal residence by joining the Louvre and the Palais des Tuileries by a series of buildings. The most important is the Grande Galerie built along the Seine in the reign of Henry IV.In the 17th century Louis XIII and his minister Richelieu extended Lescot's west wing northward by adding the majestically domed Pavillon de l'Horloge (clock pavillion) by Jacques Lemercier and recreating Lescot's building beyond it. Under Louis XIV and his minister Colbert, the Cour Carrée, a great square court, was constructed by Louis Le Vau. The east façade of the east wing was later given a classical colonnade by Le Vau and Claude Perrault. The royal apartments were sumptuously decorated by Charles Le Brun and others, as the Galerie d'Apollon still bears witness. The Louvre was abandoned as a royal residence when Louis XIV moved the court to Versailles in 1682.After the Revolution of 1789, Napoleon I, later kings, and Napoleon III lived in the Tuileries. The Louvre was used for offices and a museum. Along the Rue de Rivoli, Napoleon I began a wing parallel to that of Henry IV along the Seine. Napoleon III finished the wing, thus closing the great quadrilateral.A few years later, during the uprising of the Paris Commune in 1871, the Tuileries was burned. Paradoxically, the disappearance of the Tuileries, which had originally brought about the extension of the Louvre, opened the admirable perspective that now stretches from the Arc du Carrousel west through the Tuileries Gardens and the Place de la Concorde to the Place Charles de Gaulle.In the late 1980s the Louvre embarked upon an aggressive program of renovation and expansion. When the first plans by the Chinese-American architect Ieoh Ming Pei were unveiled in 1984, they included a glass pyramid in the central courtyard that would serve as the museum's main entrance. Despite drawing protests before the fact, since its opening in 1989 the pyramid has proven remarkably effective in accommodating the large numbers of visitors, and has even become a relatively beloved landmark of the city. In November 1993, to mark its 200th anniversary, the museum unveiled the Richelieu wing in the quarters that had been vacated, grudgingly, by the Ministry of Finance in 1989. This expansion, which completed the museum's occupancy of the palace complex, added 230,000 square feet (21,390 sq meters) to the existing 325,000 square feet (30,225 sq meters) of exhibition space, and allowed it to put an additional 12,000 works of art on display in 165 new rooms.For more details visit this web: http://www.discoverfrance.net/France/Paris/Museums-Paris/Louvre.shtml [ More Detail ]
Belphecor - Curse of the MummyBelphegor - Phantom of the LouvreJean-Paul SaloméSophie Marceau, Michel Serrault, Frederic Diefenthal, Julie Christie, Jean-François Balmer, Lionel AbelanskiBelfagor - il fantasma del LouvreBelfegor - upiór z LuwruBelphégor - Das Phantom des LouvreBelphégor - Louvren kummitusBelphegor - Fantomen på LouvrenO Fantasma do LouvreLa Leyenda del fantasmaMáscara del faraón: Belphegor, el fantasma del Louvre [ More Detail ]