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Anime &Manga documentary - part 5
![Lupin III - Parte 1 [serie animada 1971]](http://i4.ytimg.com/vi/GKOMo54RaGw/default.jpg)
![Lupin III - Parte 2 [serie animada 1977]](http://i3.ytimg.com/vi/bwxc_5dREm4/default.jpg)
![Lupin III - Parte 3 [serie animada 1984]](http://i2.ytimg.com/vi/5eG9tSCKOa0/default.jpg)
Anime &Manga documentary - part 5
The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in France, Germany, the United States, and Russia. The oldest known anime in existence was screened in 1917; it was a two minute clip of a samurai trying to test a new sword on his target, only to suffer defeat.By the 1930s, animation became an alternative format of storytelling compared to the underdeveloped live-action industry in Japan. Unlike America, the live-action industry in Japan remained a small market and suffered from budgeting, location, and casting restrictions. The lack of Western-looking actors, for example, made it next to impossible to shoot films set in Europe, America, or fantasy worlds that do not naturally involve Japan. Animation allowed artists to create any characters and settings.The success of Disney's 1937 feature film Snow White and the Seven Dwarfs influenced Japanese animators. Osamu Tezuka adapted and simplified many Disney animation techniques to reduce the costs and number of frames in the production. This was intended to be a temporary measure to allow him to produce material on a tight schedule with an inexperienced animation staff.During the 1970s, there was a surge of growth in the popularity of manga—which were often later animated—especially those of Osamu Tezuka, who has been called a "legend" and the "god of manga". His work and that of other pioneers in the field, inspired characteristics and genres that are fundamental elements of anime today. The giant robot genre (known as "Mecha" outside Japan), for instance, took shape under Tezuka, developed into the Super Robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino who developed the Real Robot genre. Robot anime like the Gundam and Macross series became instant classics in the 1980s, and the robot genre of anime is still one of the most common in Japan and worldwide today. In the 1980s, anime became more accepted in the mainstream in Japan (although less than manga), and experienced a boom in production. Following a few successful adaptations of anime in overseas markets in the 1980s, anime gained increased acceptancein those markets in the 1990s and even more in the 2000s. [ More Detail ]
Anime &Manga documentary - part 4
The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in France, Germany, the United States, and Russia. The oldest known anime in existence was screened in 1917; it was a two minute clip of a samurai trying to test a new sword on his target, only to suffer defeat.By the 1930s, animation became an alternative format of storytelling compared to the underdeveloped live-action industry in Japan. Unlike America, the live-action industry in Japan remained a small market and suffered from budgeting, location, and casting restrictions. The lack of Western-looking actors, for example, made it next to impossible to shoot films set in Europe, America, or fantasy worlds that do not naturally involve Japan. Animation allowed artists to create any characters and settings.The success of Disney's 1937 feature film Snow White and the Seven Dwarfs influenced Japanese animators. Osamu Tezuka adapted and simplified many Disney animation techniques to reduce the costs and number of frames in the production. This was intended to be a temporary measure to allow him to produce material on a tight schedule with an inexperienced animation staff.During the 1970s, there was a surge of growth in the popularity of manga—which were often later animated—especially those of Osamu Tezuka, who has been called a "legend" and the "god of manga". His work and that of other pioneers in the field, inspired characteristics and genres that are fundamental elements of anime today. The giant robot genre (known as "Mecha" outside Japan), for instance, took shape under Tezuka, developed into the Super Robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino who developed the Real Robot genre. Robot anime like the Gundam and Macross series became instant classics in the 1980s, and the robot genre of anime is still one of the most common in Japan and worldwide today. In the 1980s, anime became more accepted in the mainstream in Japan (although less than manga), and experienced a boom in production. Following a few successful adaptations of anime in overseas markets in the 1980s, anime gained increased acceptancein those markets in the 1990s and even more in the 2000s. [ More Detail ]
Anime &Manga documentary - part 3
The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in France, Germany, the United States, and Russia. The oldest known anime in existence was screened in 1917; it was a two minute clip of a samurai trying to test a new sword on his target, only to suffer defeat.By the 1930s, animation became an alternative format of storytelling compared to the underdeveloped live-action industry in Japan. Unlike America, the live-action industry in Japan remained a small market and suffered from budgeting, location, and casting restrictions. The lack of Western-looking actors, for example, made it next to impossible to shoot films set in Europe, America, or fantasy worlds that do not naturally involve Japan. Animation allowed artists to create any characters and settings.The success of Disney's 1937 feature film Snow White and the Seven Dwarfs influenced Japanese animators. Osamu Tezuka adapted and simplified many Disney animation techniques to reduce the costs and number of frames in the production. This was intended to be a temporary measure to allow him to produce material on a tight schedule with an inexperienced animation staff.During the 1970s, there was a surge of growth in the popularity of manga—which were often later animated—especially those of Osamu Tezuka, who has been called a "legend" and the "god of manga". His work and that of other pioneers in the field, inspired characteristics and genres that are fundamental elements of anime today. The giant robot genre (known as "Mecha" outside Japan), for instance, took shape under Tezuka, developed into the Super Robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino who developed the Real Robot genre. Robot anime like the Gundam and Macross series became instant classics in the 1980s, and the robot genre of anime is still one of the most common in Japan and worldwide today. In the 1980s, anime became more accepted in the mainstream in Japan (although less than manga), and experienced a boom in production. Following a few successful adaptations of anime in overseas markets in the 1980s, anime gained increased acceptancein those markets in the 1990s and even more in the 2000s. [ More Detail ]
Anime &Manga documentary - part 2
The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in France, Germany, the United States, and Russia. The oldest known anime in existence was screened in 1917; it was a two minute clip of a samurai trying to test a new sword on his target, only to suffer defeat.By the 1930s, animation became an alternative format of storytelling compared to the underdeveloped live-action industry in Japan. Unlike America, the live-action industry in Japan remained a small market and suffered from budgeting, location, and casting restrictions. The lack of Western-looking actors, for example, made it next to impossible to shoot films set in Europe, America, or fantasy worlds that do not naturally involve Japan. Animation allowed artists to create any characters and settings.The success of Disney's 1937 feature film Snow White and the Seven Dwarfs influenced Japanese animators. Osamu Tezuka adapted and simplified many Disney animation techniques to reduce the costs and number of frames in the production. This was intended to be a temporary measure to allow him to produce material on a tight schedule with an inexperienced animation staff.During the 1970s, there was a surge of growth in the popularity of manga—which were often later animated—especially those of Osamu Tezuka, who has been called a "legend" and the "god of manga". His work and that of other pioneers in the field, inspired characteristics and genres that are fundamental elements of anime today. The giant robot genre (known as "Mecha" outside Japan), for instance, took shape under Tezuka, developed into the Super Robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino who developed the Real Robot genre. Robot anime like the Gundam and Macross series became instant classics in the 1980s, and the robot genre of anime is still one of the most common in Japan and worldwide today. In the 1980s, anime became more accepted in the mainstream in Japan (although less than manga), and experienced a boom in production. Following a few successful adaptations of anime in overseas markets in the 1980s, anime gained increased acceptancein those markets in the 1990s and even more in the 2000s. [ More Detail ]
Anime &Manga documentary - part 1
The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in France, Germany, the United States, and Russia. The oldest known anime in existence was screened in 1917; it was a two minute clip of a samurai trying to test a new sword on his target, only to suffer defeat.By the 1930s, animation became an alternative format of storytelling compared to the underdeveloped live-action industry in Japan. Unlike America, the live-action industry in Japan remained a small market and suffered from budgeting, location, and casting restrictions. The lack of Western-looking actors, for example, made it next to impossible to shoot films set in Europe, America, or fantasy worlds that do not naturally involve Japan. Animation allowed artists to create any characters and settings.The success of Disney's 1937 feature film Snow White and the Seven Dwarfs influenced Japanese animators. Osamu Tezuka adapted and simplified many Disney animation techniques to reduce the costs and number of frames in the production. This was intended to be a temporary measure to allow him to produce material on a tight schedule with an inexperienced animation staff.During the 1970s, there was a surge of growth in the popularity of manga—which were often later animated—especially those of Osamu Tezuka, who has been called a "legend" and the "god of manga". His work and that of other pioneers in the field, inspired characteristics and genres that are fundamental elements of anime today. The giant robot genre (known as "Mecha" outside Japan), for instance, took shape under Tezuka, developed into the Super Robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino who developed the Real Robot genre. Robot anime like the Gundam and Macross series became instant classics in the 1980s, and the robot genre of anime is still one of the most common in Japan and worldwide today. In the 1980s, anime became more accepted in the mainstream in Japan (although less than manga), and experienced a boom in production. Following a few successful adaptations of anime in overseas markets in the 1980s, anime gained increased acceptancein those markets in the 1990s and even more in the 2000s. [ More Detail ]
Nausicaä of the Valley of the Wind : Opening
Nausicaä of the Valley of the Wind (風の谷のナウシカ, Kaze no tani no Naushika?) is a 1984 film by Japanese writer, illustrator, and filmmaker Hayao Miyazaki, based on his manga of the same name. The movie has environmentalist undertones and was presented by the World Wide Fund for Nature when it was released in 1984. [ More Detail ]
by Cartoonamaze 2min9sec, Views:1166, Ratings:5.00pt, Votes:7, Comments:1, Added at:08/08/13 [ DownLoad ]
Ponyo On A Cliff By The Sea - Trailer
Ponyo On A Cliff By The Sea [ More Detail ]
by MySpaceDeeDoo 1min43sec, Views:565, Ratings:5.00pt, Votes:1, Comments:0, Added at:08/08/10 [ DownLoad ]
Kurenai- Ui Miyazaki
Kurenai- Ui Miyazaki [ More Detail ]
by shadow36000XD 4min49sec, Views:72, Ratings:0.00pt, Votes:0, Comments:0, Added at:08/08/07 [ DownLoad ]
Gake no ue no Ponyo, 2008
Directed by the legendary Hayao Miyazaki. An animated adventure centered on a 5-year-old boy and his relationship with a goldfish princess who longs to become human. Studio Ghibli production. [ More Detail ]
by MrStevens81 1min43sec, Views:2630, Ratings:5.00pt, Votes:7, Comments:4, Added at:08/07/21 [ DownLoad ]
Escena de "Mi vecino Totoro"
Una de las mejores películas de Hayao Miyazaki. Aquí la escena en la que las niñas y Totoro esperan el autobús.Copyright ©1988 Studio Ghibli [ More Detail ]
by 262angcine262 5min10sec, Views:96, Ratings:5.00pt, Votes:1, Comments:0, Added at:08/07/14 [ DownLoad ]
Manga and Japanese Pictures
Japanese pictures drawn by me from hayao miyazaki movies [ More Detail ]
Lupin III - Parte 1 [serie animada 1971]
http://adarleatomos.webs.com/ Esta es la primera series de anime de Lupin III, creada por el gran Hayao Miyazaki, que para quienes no lo ubiquen es el director de El viaje de Chihiro, El Castillo Vagabundo y la Princesa Mononoke. Pues con esta series debutó en el mundo del anime allá de 1971. La serie esta basada en un manga, que a su vez está basada en la obra literaria de Maurice Leblanc.En esta primera serie consta de 23 episodios.Aquí la info de Wikipedia: Lupin III (ルパン三世, rupan sansei?) es un manga creado por Monkey Punch y publicado por la revista Weekly Manga Action. Se llegaron a publicar un total de 12 volúmenes. Se ha adaptado en 6 películas, 3 series de anime y especiales para la televisión. Es considerado un clásico de la animación japonesa en el mismo Japón debido a la gran popularidad tuvo, y está basado en las 21 novelas escritas por Maurice Leblanc hasta 1941 sobre el gentleman-ladrón francés Arsène Lupin. En America se le dio el nombre de The Cliffhanger. [ More Detail ]
by ADarleAtomosTube 10min4sec, Views:4500, Ratings:4.80pt, Votes:10, Comments:11, Added at:08/06/28 [ DownLoad ]
Lupin III - Parte 2 [serie animada 1977]
http://adarleatomos.webs.com/ En 1977 aparece la segunda entrega del concepto de Lupin III a manera de serie. El estilo está más cuidado y se nota aún más la influencia americana en la serie japonesa. El distintivo clave para distinguirlas es el saco que utiliza Lupin III, ya que en la primera parte es verde, en la segunda es rojo y en la tercera es rosa. Esta es la serie más extensa de Lupin III, ya que consta de 155 episodios divididos en 4 temporadas de 1977 a 1980. La mayoría de los episodios están dirigidos por Kyosuke Mikuriya y algunos por Hayao Miyazaki. También en esta serie aparace el tema clásico de Lupin III que viene en los tres openings del video. Este tema se ha utilizado en la mayoría de las películas y especiales de tv de Lupin III y compuesto por Yuji Ohno. Info Wikipedia:Lupin III (ルパン三世, rupan sansei?) es un manga creado por Monkey Punch y publicado por la revista Weekly Manga Action. Se llegaron a publicar un total de 12 volúmenes. Se ha adaptado en 6 películas, 3 series de anime y especiales para la televisión. Es considerado un clásico de la animación japonesa en el mismo Japón debido a la gran popularidad tuvo, y está basado en las 21 novelas escritas por Maurice Leblanc hasta 1941 sobre el gentleman-ladrón francés Arsène Lupin. En America se le dio el nombre de The Cliffhanger. [ More Detail ]
by ADarleAtomosTube 4min21sec, Views:1090, Ratings:5.00pt, Votes:2, Comments:0, Added at:08/06/28 [ DownLoad ]
Lupin III - Parte 3 [serie animada 1984]
http://adarleatomos.webs.com/ Lupin III Part III, así es, la tercera serie de Rupan Sansei, emitida en 1984 y de tan sólo 50 episodios. Aquí aparece la chaqueta rosa en Lupin III y un estilo un poco más moderno, tan moderno que pierde su toque característico en la serie. La voz de Lupin en japonés sigue siendo de Yasuo Yamada al igual que la de la moría de los personajes. Info Wikipedia:Lupin III (ルパン三世, rupan sansei?) es un manga creado por Monkey Punch y publicado por la revista Weekly Manga Action. Se llegaron a publicar un total de 12 volúmenes. Se ha adaptado en 6 películas, 3 series de anime y especiales para la televisión. Es considerado un clásico de la animación japonesa en el mismo Japón debido a la gran popularidad tuvo, y está basado en las 21 novelas escritas por Maurice Leblanc hasta 1941 sobre el gentleman-ladrón francés Arsène Lupin. En America se le dio el nombre de The Cliffhanger. [ More Detail ]
by ADarleAtomosTube 1min38sec, Views:742, Ratings:5.00pt, Votes:2, Comments:0, Added at:08/06/28 [ DownLoad ]
Joe Hisaishi - Summer
Joe Hisaishi interpréte "Summer" du film :"l'2té de Kikujiro". [ More Detail ]
Mon voisin Totoro- Snow, Red hot chilli peppers
Un petit AMV sur un superbe film de Miyazaki !!! [ More Detail ]
by Bakapink914 5min33sec, Views:182, Ratings:0.00pt, Votes:0, Comments:1, Added at:08/06/17 [ DownLoad ]
NANA trailer
NANA DVD available online. NANA2 DVD is coming out July 29th!BUY NOW: http://astore.amazon.com/wwwvizpicture-20/detail/B0012EM5II/102-4647693-0935330MORE INFO: http://www.nanathemovies.comBased on the popular manga by Ai Yazawa, NANA follows the adventures of two girls both named Nana. While they share the same name, they couldn't be more different. Nana "Hachi" Komatsu follows her boyfriend to Tokyo in hopes to make a new start, while Nana Osaki, who arrives in the city at the same time, is a punk rock beauty who has an ambition to make it big in the world of rock and roll. Although these two young women come from different backgrounds, they quickly become best friends to seek their happiness and dreams.The J-pop Icon MIKA NAKASHIMA and the most desired actress AOI MIYAZAKI breath the bestselling manga into life with their fresh and expressive presence. Directed by KENTARO OTANI with the original theme song written by J-Rock charisma HYDE (L'Arc-en-Ciel). [ More Detail ]
by jpop4america 1min53sec, Views:1899, Ratings:5.00pt, Votes:8, Comments:4, Added at:08/06/04 [ DownLoad ]
